Album Reviews

  • Skaur – Skaur (2011)

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    After releasing 10 demos and two splits, Skaur finally decides to unleash upon the world their first self-titled full-length release, and it is an excellent one we might say. While almost everything in Black Metal has been played or done before, Skaur manages to sneak by with six very interesting tracks that incorporate many of the traditional aspects of the genre, but have their own particular elements that make them stand out from the rest of the BM albums we get.

    Since the opener “Fullmaanesang” the band sets a furious pace with perfectly crafted melodic elements (like the bass guitar line) and some very powerful acoustic passages. This combination allows the band’s sound to be more devastating since it keeps you at the edge of your seat waiting for what is coming next. The riffing on track like “Nordnorsk Svartmetall” is pretty standard for BM, but the drum patterns nicely break the ‘traditional’ schemes the genre has and makes the songs more dynamic. The band also whips out some eerie clean vocals that out of nowhere give extra depth to an already interesting sound.

  • Inverted – Point of Crossing (2011)

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    Arriving all the way from Italy, today we have Inverted’s debut full-length release “Point of Crossing” strictly for old school Death Metal fans. In the 10 tracks featured on this CD, fans of the genre will find plenty of meaty riffs and powerful growls. Not reinventing the wheel or anything, Inverted does a great job in crafting songs that are both engaging and very appealing for moshpit induced craziness.

    With the brutal opening track “Disgrace”, the band quickly sets the pace for a very hectic and crushing release. The riffing is very traditional and the drumming is top notch, making the vocals shine very nicely in the middle of things. The bass guitar is pretty well balanced into the mix and nicely crafted. While this is music to any DM fan ears, it is also something that has been done one million times before and Inverted does little to improve or carve their name in the genre.

  • Legacy of Brutality – Path of Forgotten Souls (2011)

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    Delivering 39 minutes of neck snapping Death Metal, today we have Legacy of Brutality and their debut full-length “Path of Forgotten Souls” out on Chief Records. Through the nine tracks presented in the release, we have chugging guitars, bestial drumming and nice hooks, making it one of the most straight forward and well crafted DM releases of 2011.

    While everybody and their mother is out there playing your run of the mill cookie monster DM, Legacy of Brutality focuses on creating catchy tracks with meaty hooks and demonic vocals. The band excels in adding small touches of flair into their sound by relying on very technical guitar and bass guitar work and drumming, but never falling into the Obscura category for Technical DM.

  • Atrum Inritus – Progantus In Vorago (2011)

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    Today we have a mysterious Black Metal outfit from Minnesota in the USA. Having formed in 2010, they already have a very mature and crushing sound, unlike many of the scene newcomers making us believe that some of the members have played in different bands before and they are hiding under new pseudonyms. Anyways, “Progantus In Vorago” is an excellent debut album if you like cold and raw Black Metal.

    After the cliché instrumental intro, the band opens with the cavernous and ritualistic “The Chains That Bind”. With a powerful guitar sound and very compact drumming, the band creates the perfect dark atmosphere for the hellish BM snarls provided by Vindicare. Falling deeper into the abyss, “Aegrus Everto” delivers waves of painful vocals with sick guitar riffs, a very well crafted BM song. Up until here, you can hear the quality of Atrum Inritus with their very well crafted songs that perfectly capture a raw Black Metal atmosphere with excellent execution.

  • HEIRS – Hunter (2011)

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    Continuing on the hypnotic vibe of their last full-length “Fowl”, HEIRS returns with a three-song sample of what is to come in their next full-length release. In “Hunter”, the band outputs 25 minutes of their very interesting Avant-garde/Post Doom Metal with two new tracks and a cover of Sisters of Mercy’s “Never Land”. While the band’s never been our cup of tea, they surely create very elaborate atmospheric songs that transport the listener.

    First up we have “Hunter”, a six-minute track that constantly grows in momentum keeping the listener on the edge of their seat for the duration. The bass guitar line is pretty solid and nicely accompanies the hypnotic drums. Things get a bit ‘heavier’ in “Symptom”, a track that shows the Sludgier side of the bands sound with nicely distorted guitars and some atmospheric keyboard. The sound of this release is as always very warm and organic, just about right to properly enjoy such music.

  • Austrian Death Machine – Jingle All the Way (2011)

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    With a hefty dose of pounding guitars and Arnold Schwarzenegger ridicule, today we have Austrian Death Machine and their latest single “Jingle All the Way”. Featuring three songs of hilarious and very well crafted Metal, As I Lay Dying’s Tim Lambesis is ready for another round of wackiness.

    Opening with “I’m not a Pervert”, the ‘band’ delivers high-octane guitar riffing with crushing vocals and some Arnold-like spoken sections. This song is very well crafted and pretty brutal indeed, it just makes it even better with the funny lyrics. Next on the agenda, the pounding “It’s Turbo time” delivers more devastating guitar riffs and a nice intensity.

  • Black Blade – Welcome into the Warfield (2011)

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    While the whole Greece is on total economic meltdown, it is good to see that their Metal production is still intact and there are young and promising bands like Black Blade. In this 3-song demo, the band shows that they have enough creativity to really catch our attention with less than 15 minutes of music. Featuring a healthy combination of Death Metal influences with more traditional sounds, the band achieves maximum catchiness very effectively in these songs.

    Opening with “Warfield”, the band delivers a powerful bass guitar line surrounded by melodic guitar riffs and a ‘discrete’ Death Metal snarl, like the bands in the past used to do (first Sepultura albums, etc). I this short track, the band quickly establish their ability to create simple yet catchy melody and mix elements from different genres, like the Southern/ Heavy Metal section mid-way through the song.

  • Zalem – στίγμα (2011)

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    Packaged in a lush cardboard digipack, today we have Zalem’s debut album “στίγμα”. These French post-rockers have gone all out and released a two-disc epic that will surely draw them a lot of attention from the post-rock scene. While we get tons of Post-Rock releases for review, we are particularly drawn to Zalem’s album because of the progressive elements that have been incorporated to the music, making it more engaging and diverse.

    After the warm-up intro “How To Operate Your Brain”, the band fully explodes into a 12-minute cinematic track that features a hefty amount of mood changes. Aptly titled “Missing”, this track will make you realize that you where indeed missing out on some great music if you haven’t heard Zalem before. The string instruments used in this track are excellent and add that extra dimension to the band’s sound, making them sometimes resemble a more progressive version of Tenhi and similar bands.

  • Mhorgl – Heresiarch (2011)

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    Delivering waves of technical aggression with an old-school Thrash sound, today we have Australia’s Mhorgl and their devastating third full-length “Heresiarch”. With over 45 minutes of meticulously crafted Thrash/Black Metal, this band is set to make some noise in the scene with their relentless tracks filled with technical nuances that only a handful of bands can pull off. Just imagine Obscura playing Thrash infused songs and you will get a glimpse of what this band is unleashing.

    Starting with the hellish “Inheriting the Mantle of Power”, the band sets the standard very high with crazy guitar riffing, crushing solos and inhuman drumming. The vocals are also very demonic and they have that snarl that perfectly fits the whirlwind sound of the band. Pounding through tracks like “Ophidian Legacy” (featuring killer guitar wizardry and a punchy Southern vibe), “Black World Militia” and “Ravenous Wargod”, the band delivers high-octane music that will max out your heart rate.

  • Schattenlicht – Erinnerung (2011)

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    Hailing from Austria, today we have the furious debut of Schattenlicht. Featuring seven tracks of brutal Black Metal with a melodic edge, this debut CD is one of the strongest ones we have received this year and will surely impress even the most pick Black Metal fans. Pairing traditional Black Metal riffing with some more melodic and interestingly crafted sections, this band sounds aggressive and yet intelligent enough but never falling into the cliché’s of the current trend of ‘hipster Black Metal’ bands.

    After a nice momentum building and mysterious intro track “Am Abgrund”, the band blows things wide opening with the hyper-destructive “Ein Blick in die Tiefe”. Immediately reminding us of Horna and similar band, this two person outfit does a great job in crafting powerful and yet simple riffs that make their sound so vicious and crushing. The vocals are straight out of hell and the drums are very well crafted allowing the song to not get drowned by them.

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