Album Reviews

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    Mournful Congregation – The Unspoken Hymns (2011)

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    Funeral Doom Metal is certainly an acquired taste, but once you can enjoy behemoth 10 to 20 minute songs; this is one of the most satisfying genres of Metal. The Aussies of Mournful Congregation have been delivering crushing 10+ minute songs since 1993, and have engineered some of the most epic tracks of pure depression and desolation. With only three full-length releases under their belt but with several splits and compilation, the band is truly an underground phenomenon to be reckoned with.

    Lucky for American fans, 20 Buck Spin is releasing “The Unspoken Hymns”, a compilation album featuring one ‘new’ song (a remix) and several other tracks only available in hard to find Vinyl split releases. This is a great opportunity to checkout some of the less known but equally devastating tracks of this legendary band. Opening with the “Left Unspoken” remix version, from the “Four Burials” split CD, the band quickly establishes its very slow and agonizing pace with crushing guitar riffing and monumental slowdowns.

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    Nightrage – Insidious (2011)

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    Overlooking the fact that Olof Mörck from Amaranthe infamy plays guitar in this band, Nightrage’s fifth full-length album is actually a few steps up from their previous riff-tastic offering “Wearing a Martyr's Crown”. “Insidious” features 15 songs of very well crafted Melodic Death Metal in the Gothenburg style. However, what makes this release better than their previous albums is the guest appearances by Apollo Papathanasio of Firewind, Tomas Lindberg of At The Gates/ Lock Up, Gus G of Ozzy Osbourne/ Firewind, Tom S. Englund of Evergrey, and John K of Biomechanical, each of them providing something different to each of the songs they participate in.

    After the traditional intro song, the album opens with solid riffing in the track “Delirium of the Fallen”. Here you can easily notice the similarities with the band’s earliest work, but when Apollo’s vocals kick in, the whole vibe of the song is very nicely changed and a very well crafted solo capitalizes this vocal change. On the album title track, the band goes for a typical drumming/guitar onslaught that made countless Swedish Melodic DM bands popular, but once again Tomas Lindberg’s guest appearance is what saves the day for this song.

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    Falloch – Where Distant Spirits Remain (2011)

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    As one of the most beautifully crafted releases of 2011, today we have Falloch’s debut album “Where Distant Spirits Remain”. Featuring 7 tracks of emotional atmospheric post rock/Metal with shoegaze and Black Metal, this release is set to take the scene by surprise due to its intricate design and flawless execution. If you are a fan of bands like Les Discrets, Alcest, Wolve in the Throne Room, Lantlos, etc, you will be blown away by the quality of this album.

    Formed by Andy Marshall and Scott McLean in Glasgow, Scotland, this very young and promising band has managed to capture both emotional landscapes and beautiful imagery through highly atmospheric and nostalgic music. With an emotional layer of vocal styles paired with dreamy guitars and ethereal atmospheric elements, “Where Distant Spirits Remain” is one of those albums that you will not be able to put away after one listen.

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    Svartsot – Maledictus Eris (2011)

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    As a clear example of finding a formula that works and sticking with it until you bore people to death, today we have Svartsot’s latest release “Maledictus Eris”. In this album the band takes a step backward from a promising career to a limbo-like place where they play the same song over and over for a whole album.

    In a completely different way than on their previous release “Mulmets Viser”, Svartsot lacks imagination and direction in “Maledictus Eris”. We might venture to say that is the relatively short time between albums (one year give or take), but the band makes a very poor effort in changing things up and creating something worth purchasing, especially with the overcrowded Folk/Viking/Pagan Metal scene these days.

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    Skálmöld – Baldur (2011)

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    Hailing from Iceland, today we have Skálmöld and their debut album “Baldur”. Having signed to Napalm Records, it shows some signs of the quality of this fairly unknown band. When Folk/Viking Metal bands are a dime a dozen, it is nice to hear some bands that have something else to bring to the table and Skálmöld does a good job in leaving us with a promising debut album.

    Mixing many different influences into their music, the first thing to standout is that almost no song in this release sounds a like. The band mixes catchy choir-like sections, engaging guitar solos and powerful riffing to perfection and creates a very epic and untraditional atmosphere that will surely appeal to fans of the genre that are tired of bands playing the same thing over and over.

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    Powerwolf – Blood of the Saints (2011)

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    As one of the best live bands we saw this summer, Powerwolf is set to unleash their fourth full-length release “Blood of the Saints” late July. Trying to surpass the success of their previous release “Bible of the Best”, the wolf pack is back with epic vocal lines, powerful guitars and all around very entertaining songs.

    While many bands keep playing Power Metal in the traditional sense, we love bands like Powerwolf and Sabaton that push things with more powerful and diverse vocal styles and very well crafted lyrics and concepts behind their releases. “Blood of the Saints” features 11 songs and 41 minutes of pure Powerwolf catchiness and should propel them to the international status that band’s like Sabaton have achieved recently.

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    Einvera – In Your Image (2011)

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    With the hundreds of self-released albums we have these days; it is very hard to find one that we actually want to keep listening to for more than 2 hours. Einvera’s “In Your Image” is one of those albums that has commanded more play time in order to fully digest what the band is proposing with their very unique sound.

    Hailing from Los Angeles, California, Einvera is the real deal when it comes to musicianship and interesting combination of genres. The band goes from Melodic Death/Black Metal to weirder Folk/Progressive/Avant-garde influences that will have you scratching your head in moments, but will make you impatiently wait to hear what they come up with next.

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    The Living Fields – Running out of Daylight (2011)

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    In days where most American bands are trying to be as vanilla as they can in order to play what’s popular and/or achieve fame, it is quite enjoyable to get bands like The Living Fields and find that there are still lone warriors trying to combine different genres and produce very interesting (and fresh) sounding music.

    Mixing a hefty dose of Death/Doom Metal with Pagan/Viking/Folk influences, “Running out of Daylight” is one of the richest and multi-leveled releases we have received in 2011 and made us take more than a fare dose of spins before we could actually write anything about it. With the opening “Remnant”, the band quickly delivers a powerful Doom foundation with classical string instruments in a way that bands like Ashes You Leave and Silent Stream of Godless Elegy do in their own respective areas. With crushing guitars and interesting tempo changes, the band dances around the lines of Doom brutality and melody seamlessly.

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    Decapitated – Carnival is forever (2011)

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    After the band’s tragic accident in 2007, Vogg went to play with Vader for a while and then decided to re-activate Decapitated again. As you can expect, fans of the band have been very eager to be treated to a new release of Decapitated, and “Carnival is forever” delivers a mixed bag of punches that sometimes are what the fans expected, but other times they are way off.

    If you remember and love the older Technical Death Metal Decapitated, you should forget about that and be on the mindset to listen to a Vader meets Meshuggah meets Gojira release. “Carnival is forever” presents us with a somewhat interesting Death/Thrash approach that bands like Vader have been perfecting for and entire career. Note that we are not saying this album is bad, we are only expressing that is quite different to what we expected from the band.

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    Hackneyed – Carnival Cadavre (2011)

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    Now on Lifeforce Records, Hackneyed is one of the most promising German Death Metal bands in the last few years. “Carnival Cadavre” marks the band’s third release and shows a great deal of maturity when it comes to writing catchy songs that make you want to start headbanging since the first few seconds. We all know that most DM is almost devoid of creativity, but Hackneyed manage to make the predictable and ‘traditional’ very enjoyable.

    After the intro section of “Raze the Curtain” the band explodes into full on chugging DM riffs and vicious growls, this section made us start bobbing our heads up and down since literally the first riffs of the album. “Bugging for Mercy” keeps the groove going and delivers powerful guitars, elaborate drumming, and very interesting slowdowns. The catchiness level is very effective and after two songs this album got us hooked.

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