Hailing from France, today we have Post-Rock newcomers Saar and their solid full-length release “Sol”. Featuring seven tracks and around 45 minutes of music, the band manages to capture the listeners attention with their polished songwriting skills and brilliant execution. Highly recommended for fans of bands like God is an Astronaut, Tides of Nebula, Ef and related.
Opening with the moody “Rise”, the band sets slowly progressing tone with this lush and emotional track. Things get a bit more intense with the minimalistic percussions of “Lux” and its subtle guitar work; we particularly love these kinds of songs that set you in trance. The intensity picks up on “On My Skin”, a track that shows a heavier and darker side of the band thanks to the powerful guitars and well-defined bass guitar line.
The first time we came across The Ruins of Beverast was with their 2009 release “Foulest Semen of a Sheltered Elite”… and we totally hated that album. Fast-forward eight years and two releases, we have learned to appreciate the complexity and uniqueness of the band’s sound. On “Exuvia”, sole member Alexander von Meilenwald takes things to a completely new level in terms of gripping atmosphere and brilliant mixture of diverse elements.
Opening with the hypnotic title track, this song starts with some Native American leading to a few eerie guitar notes that open up the traditional wall of sound that the band delivers. Featuring bone chilling female vocals, this track perfectly blends the band’s dissonant aggression with more mysterious elements and it progresses into very dramatic passages led by majestic clean vocal arrangements.
Our never-ending quest to find the most unique and bizarre Metal bands has lead us this month to Poland’s White Ward and their debut full-length release “Futility Report”. This very unique band delivers a strange mixture of Black Metal with Jazzy and a few Electronic elements structured in a very unusual way. For over 40 minutes you are led to a very different and exciting musical journey that will haunt your dreams from start to finish.
The album opens with the first few minutes of “Deviant Shapes” sounding like you are in for another Melodic/Post-Black Metal release. However, as soon as the 2:30 minutes mark hits the album takes a turn for the unexpected with a solemn saxophone making its entry and switching the entire direction of the band’s sound. Creating a very unique and relaxing vibe, this element while not atypical in Metal releases is unique combined by this band to craft a contrasting and yet brilliant juxtaposition of sounds.
Hailing from France, today we have Symphonic/Progressive Black Metal outfit Akroma and their fourth full-length release titled “Apocalypse (Requiem)”. Delivering over 40 minutes of intricate music and catchy melodic passages, the band spends most of the release trying to overcome their terrible singer. Luckily for the band, their music and other vocal arrangements are good enough to not fully bring down such an interesting release.
Opening with “Kyrie” we get that old-school Symphonic Black Metal vibe from the late 90’s and all things seem to be on track for a great album. However, the mixture of shrieks/Heavy Metal-styled vocals come on and they are downright horrendous and painful to listen to. Imagine a mixture of King Diamond and Dani Filth having a very bad vocal day and magnify it by 10x. While the growls and female vocals are pretty good and well fitting, sometimes is pretty hard to zone out the bad ones as you can hear on the awesomely proggy “Offertorium”.
As one of the most anticipated releases of 2017, today we have Ides of Gemini and their latest opus “Women”. Between releases the band changed their lineup a bit, freeing up Sera Timms to focus on vocals while adding Scott Batiste and Adam Murray. With this new configuration the band unleashes upon us ten solid tracks that further develop their already quite unique and intoxicating sound. If you like music that is both Doomy and mysterious, you are in for a treat with this one.
The album instantly pulls you to its magic with the opener “Mother Kiev”. In this piece we have J. Bennett delivering his signature riffs under the enchanting vocals or Sera Timms. While not overly flash or technically complex, the band’s atmosphere is very dense and efficient. As the band rolls through “The Rose” and “The Dancer” we get to appreciate their fuzzy Psychedelic elements which make the band’s sound even more diverse and intoxicating.
Hailing from France, today we have Death Metal outfit ghUSa and their perfect hybrid of modern and old-school Swedish death metal. For a band being together since 1989 “Öswedeme” is the band’s second full-length release, filled with brilliant headbanging moments and crushing nostalgic passages. With a lively atmosphere and killer musical influences, this release will make you yearn for the early days of Swedish Death Metal and bands like Entombed, Grave, etc.
Opening with the savage riffing and tension of “28 Days Later” the band sets the mood quite brilliantly for this engaging release. Things get cranked up to 11 with the brutal “h” and its Amon Amarth meets Entombed approach. The release continues with the Centinex-inspired “Project 9” which features crushing growls and fast paced drumming surrounded by a punishing bass guitar line.
As one of the most unique and diverse releases we received in the last few months, today we have Project Nightscape and their 13-track opus “To Sin against our Mercies”. In a similar fashion than Ayreon and Beto Vazquez Infinity, this album is a concept release and features a very wide variety of musicians allowing for very diverse styles to be played. Mostly varying between Progressive Rock/Metal, this release has very memorable tracks that are quite catchy and expertly crafted.
With the lyrical/story concept crafted by David W. Edwards and the guitar work crafted by other than Tony Gaglio, this release opens with the hard rocking “(Living in) Sacred Time” and the Heavy Metal anthem “Only Reason”. Continuing the album’s story after an interlude, we have proggy Rush-like “Now Silence!” and the ballad-esque “Inmortuorum Memorias”. As you could tell, the music varies from track to track but the songs are very well aligned to match the album’s lyrical progression.
Pushing the boundaries of sanity, today we have Italina duo Asofy and their latest release “Nessun Luogo”. As one of the most soothing and unique releases of 2017, this album creates brilliant songs filled with tension and mystery that will send chills down your spine. Featuring over 60 minutes of music, this album will creep on you with its bleak soundscape and minimalist approach.
The album kicks off with the cavernous riffs of “Lontano da me”, a very mysterious piece that slowly builds up into a very powerful and disturbing opening statement. As the album evolves with tracks like “Nemeton”, “Infine”, and the heavier “Fosca”, we continue to enjoy the band’s very deconstructive vision of both Black and Doom Metal. You can piece out some distinctive genre-specific riffs placed in unique contexts, allowing Asofy to really break boundaries and deliver a very unique release.
Continuing their evolution from their earlier concept and musical direction, today we have Sabbath Assembly and their very unique “Rites of Passage” full-length release. Fully settling into their Doomy Psychedelic style, the band forges a very engaging sound that clearly identifies them from the rest and delivers over 44 minutes of intoxicating music.
Opening with the fuzzy bass guitar line of “Shadows of Revenge”, the band instantly immerses the listener into their own unique world. Led by Jamie Myers on vocals, this album sets a very lively tone with a upbeat tempo and solid guitar riffs. Showcasing their versatility, “Angels Trumpets” takes a bit of a different approach, creating a very delirious piece with multiple overlaid vocals and a very disturbing and eerie chaotic vibe.
Hailing from Norway, today we have the return of Tusmörke and their whacky retro mixture of Psychedelic Rock with Progressive elements. With a hearty 60’s/70’s vibe, this release has a very warm and fuzzy sound that is brilliantly complemented by folky rhythms and very fitting vocal arrangements. Slowly refining their sound over the years, the band is still as original and crazy as when we first got introduced to them back in 2012 with their “Underjordisk Tusmørke” release.
Opening with the festive “Hjemsokte Hjem”, the band sets the mood with funky percussions, energetic flutes, very melodic vocal arrangements, and dreamy atmospherics. Moving into more proggy and psychedelic territories, “Rykende Ruin” is a song that slowly progresses with very catchy synths and flutes leading the way. We particularly love how the band layers multiple elements to deliver a very retro and yet unique sound that is unlike any other band these days.