With several bands rising from the ashes of Agalloch, today we have Jason William Walton’s Snares of Sixes debut EP release “Yeast Mother: An Electroacoustic Mass”. Featuring a wide array of invited guests like Don Anderson (Agalloch) and Andy Winter among others, this release is a truly unique musical experience that is both delirious and yet cohesive. Unleashing four extremely intricate tracks, this release will certainly grab your attention since the first minute.
For those like us that like trippy experimental music, today we have the brilliant sophomore release of Lethe titled “The First Corpse on the Moon”. This project of Tor-Helge Skei (ex-Manes) and Anna Murphy (ex-Eluveitie) delivers in many different levels, from weird and trippy, to brilliantly catchy and hypnotic. If you liked the band’s debut release and bands like The 3rd and the Mortal (on their later years) and Closed Room, this is one release you don’t want to miss.
The album opens with the intoxicating “Night”, a track that perfectly sets a very jazzy moody vibe. This track slowly introduces the uninitiated to the band’s very unique musical landscape. Very quickly, things get more Trip-Hop oriented with “Inexorbitant Future” and return to ‘heavier’ more Metal-influenced territories with one of our favorites “Down into the Sun” and its catchy vocal arrangements.
Arriving from this Bay Area trio, today we have Worm Ouroboros and their third full-length release “What Graceless Dawn”. Continuing where “Come the Thaw” left off, this release sees the band crafting hauntingly beautiful tunes that are filled with atmospheric and instrumental brilliance. Clocking at over 60 minutes of music, the listener is in for a very unique aural journey through the band’s unique world.
Opening with the mellow “Day”, we have a very ethereal buildup developed by a very slow tempo and the enchanting vocals of both Lorraine Rath and Jessica Way. The opener perfectly bleeds into the martial first few minutes “Broken Movements”. Once the song slowly progresses, the solemn combination of heartfelt guitar riffs and minimalist bass guitar notes start to get more intense as the song reaches its climax.
Finally ready to take the scene by storm, today we have Greece’s Aenaon and their latest full-length release “Hypnosophy”. Having refined their music over the year years of their existence, the band is ready to take the spotlight with this very mature and musically brilliant release. Perfectly blending experimental elements into a highly efficient Progressive Black Metal foundation, the band delivers 55 minutes of intense music.
The album opens with the magnificent, “Oneirodynia”, a track that combines influences of Emperor, Ihsahn, and Arcturus in a very tight and perfectly executed nearly 8 minutes piece. The band has added a permanent saxophone player, which adds a good deal of depth and originality to their music. Not disappointing the band’s fans of heavier pieces, tracks like “Fire Walk With Me” deliver relentless high octane experiences.
Celebrating their East Coast tour, Experimental Swedish duo Necromonkey unleash upon the world their latest EP titled “The Shadows of the Blind Man”. Featuring three tracks that push the sonic boundaries of sanity, this outfit manage to deliver very unique music that will puzzle and amaze you at the same time.
Opening with the crazy titled “Kinky Panda”, the band crafts a very unique sort of improvisational experimental piece with odd percussions and quite disturbing vocals to kick off this short release. As the funkadelic string instruments lead the charge, the odd tempos and atmospheric elements make this track as weird as you can expect from Necromonkey.
Hailing from the USA, today we have a very unique band under the moniker Wolfpack 44. Formed by members of Electric Helfire Club and Kult ov Azazel , the band plays a very unique blend of Industrial Black Metal with some experimental elements. Featuring over 45 minutes of music, this release will appeal to fans of bands like Mysticum, Aborym and Diabolos Rising.
After the disturbing atmospheric intro, the band unleashes its full power with the pummeling riffs and oppressive atmosphere of “The Black March”. Perfectly mixing incisive guitars, tight drums and superbly harsh vocals, this track sets a very brutal tone. Following with the completely deranged “Rituale Romanum” featuring Dana Duffey on guest vocals, the band makes it clear that this release will be a true roller coaster ride.
As one of the most unique and odd bands of North America, The Body has made a name for itself by doing tons of unique collaboration while refining a punishing experimental Sludge/Drone sound. On their fifith full-length release “No One Deserves Happiness”, the band continues to push the boundaries of normal and delivers what they call “the grossest pop album ever”. After listening for multiple days we have to completely agree with their claim, as this is one nightmarish release that will puzzle the masses and hypnotize the illuminated ones.
Opening with the haunting “Wanderings” we get some fragile female vocals nicely contrasted by some Sludgy dissonant riffs and a very unnerving tempo. As soon as the harsh vocals come into the picture the album gets even weirder with such an extreme contrast… signature move of the band. After a little breather with the weird “Shelter is Illusory”, the band delivers a violent Drone/Noise pair of tracks with “For You” and “Hallow/Hollow” that will rattle anybody out of their seat.
After their impressive 2014 release “Street Lights Fail”, Nucleus Torn returns with one last perplexingly beautiful release titled “Neon Light Eternal”. Featuring three songs and clocking in at around 40 minutes of music, Fredy Schnyder’s experimental outfit delivers one hell of a swan song. If you though the band’s last releases have been weird, you are in for quite an experience with this one.
Opening with the mellow and Jazzy “A Declaration of Mistrust”, we instantly get a glimpse of Anna Murphy’s enchanting vocals. This track again reminded us of a mixture of Lethe with Tenhi/Empyrium thanks to the dramatic Neo-Folk passages weaved into this track. The whole proggy/jazzy vibe in this track is amazing, and considering it lasts 22 minutes, we are very amused at the wide variety of elements and influences introduced throughout that keep the song fresh and engaging.
Hailing from France, today we have a very unique band that pushes the limits of Post-Metal, Post-Hardcore and Math Metal, creating a very unique and devastating mixture. Nerv delivers seven relentless tracks in “Vergentis In Senium”. Perfectly crafted for fans of bands like Neurosis and Dysrhythmia, this is one very powerful release that will rattle your senses.
Opening with the punishing wall of riffs in “Cathars” we brace ourselves for a brutal and nihilistic release. The vocals are very similar to Neurosis and the overall sense of urge in songs like “Tortures” has a Dysrhythmia edge to it. The band does a great job in crafting complex song structures, leaving the listener puzzled and always expecting something different.
Slowly establishing themselves as one of the most innovative experimental Metal bands in the USA, today we have Locrian and their latest opus “Infinite Dissolution”. Nicely evolving over the years, this Chicago-based outfit perfectly blends elements from Post-Metal, Black Metal, Drone, and Noise, creating a super think and powerful atmosphere unlike anything else we have ever heard.
Opening with the oppressive wall of sound of “Arc of Extinction”, the band creates the perfect introduction to their music. Crushing riffing, bi-polar drums, and very harsh vocals to open the track craft a truly unique opening experience. The band’s music weaves back and forth between styles and on this opener they give us a great sampler of what is to come. Mellowing out with “Dark Shales”, we find the Post-Rock-ish guitar leads quite engaging and well fitting. If you appreciate the band’s ‘noise’ side of their sound, “KXL I” is sort of an interlude that will satisfy your cravings.