Continuing our exploration of Godz ov War productions goodie package we received a few days ago, today we have Kingdom’s third full-length release “Sepulchral Psalms from the Abyss of Torment”. Featuring over 34 min of crushing Death Metal, this band perfectly balances old-school Swedish and Florida Death Metal influences with their own brand of depravity to create a truly oppressive sound.
Kicking off with “Sepulchral Psalms”, the band sets a very sinister mood that is greatly magnified by the sheer brutality of “Monolith of Death”. The band’s music is quite intense, as this trio delivers pummeling riffs, bestial drumming and hellish vocals. However, the meaty hooks and melodic aspect of songs like “Forsaken Tribe” is what makes their sound quite unique and less linear than your average DM band.
Hailing from Italy, today we have axe man Lelio Padovani and his hyper mellow Jazzy/Rock instrumental release “Waves”. Very aptly titled, this release will soothe your mornings or evenings with four tracks that are quite cinematic and engaging in nature. We are huge fans of guitarists solo releases and while many of the focus on speed and acrobatics, this one focuses on creating enjoyable and highly melancholic songs.
Opening with the lush “Time Traveler”, we get this cinematic/video-game-ish vibe from the tempo changes in the song. The keyboards nicely provide a good atmospheric backdrop for the playful interchange between the bass and the lead guitar. Continuing with the upbeat mood, “Siren Song” delivers great guitar leads under a very hypnotic bass line. This track is one of your typical songs were the guitars shine, but they never fully overpower the atmosphere created by Lelio.
Hailing from Italy, today we have Blackened Death Metal outfit Simulacro and their second full-length release "Echi dall'abisso". Packed with 45 minutes of punishing tracks, this release created a very thick and demoralizing atmosphere that will destroy your psyche and bend you into submission. Led by Xul and Anamnesi of Absentia Lunae and Progenie Terrestre Pura fame, this release is not for the weak of mind.
The album opens with the incisive riffing of “ECO I”, in this song a think atmosphere is set with harsh vocals and pummeling drums flanking ethereally eerie female vocals. As the album progresses, the band gets crafty with some Post-Metal-ish moments in songs like “ECO II” and “ECO III”, remind us of the early sound of The Ocean. Usually in many releases the Bass guitar drowns in the mix, but here Ombra delivers the goods with a heavily emphasized bass guitar line in pieces like “ECO IV” and “ECO V”.
Hailing from France, today we have Post-Rock newcomers Saar and their solid full-length release “Sol”. Featuring seven tracks and around 45 minutes of music, the band manages to capture the listeners attention with their polished songwriting skills and brilliant execution. Highly recommended for fans of bands like God is an Astronaut, Tides of Nebula, Ef and related.
Opening with the moody “Rise”, the band sets slowly progressing tone with this lush and emotional track. Things get a bit more intense with the minimalistic percussions of “Lux” and its subtle guitar work; we particularly love these kinds of songs that set you in trance. The intensity picks up on “On My Skin”, a track that shows a heavier and darker side of the band thanks to the powerful guitars and well-defined bass guitar line.
As one of the most unique and diverse releases we received in the last few months, today we have Project Nightscape and their 13-track opus “To Sin against our Mercies”. In a similar fashion than Ayreon and Beto Vazquez Infinity, this album is a concept release and features a very wide variety of musicians allowing for very diverse styles to be played. Mostly varying between Progressive Rock/Metal, this release has very memorable tracks that are quite catchy and expertly crafted.
With the lyrical/story concept crafted by David W. Edwards and the guitar work crafted by other than Tony Gaglio, this release opens with the hard rocking “(Living in) Sacred Time” and the Heavy Metal anthem “Only Reason”. Continuing the album’s story after an interlude, we have proggy Rush-like “Now Silence!” and the ballad-esque “Inmortuorum Memorias”. As you could tell, the music varies from track to track but the songs are very well aligned to match the album’s lyrical progression.
After a killer debut EP with “Waves” Owler returned in 2016 to unleash “Soil”, a highly melancholic collection of five songs that showcase more maturity and creativity from these Finns. Clocking in at around 30 minutes, this release takes all the elements of their first release and further refines them and integrates them into the band’s own signature style. This music is still highly recommended for fans of bands like Insomnium to The Man Eating Three.
Opening with the soaring vocals of “Storm”, the release kicks off with a very theatrical piece that fully takes advantage of “Juha Simola’s melancholic clean vocals. Things turn a bit darker and doomier with the heavy atmospheric and crushing riffs of “Amend”. We really enjoy how the subtle atmospheric keyboards set the mood for the harsh vocals and slower tempo.
Delivering a pulverizing mixture of Crust/Sludge and Black Metal, today we have Italy’s Rest and their self-titled debut release. Featuring five tracks of expertly crafted incisive riffs and a throbbing bass guitar onslaught, this release is one of those short but sweet albums that leaves you begging for more.
The album opens with the Crusty onslaughts of tracks I and II. The band quickly creates a punishing atmosphere of catchy and powerful riffs that revolve around engaging drums and very fitting screams. The intensity of the bass guitar and drums allows the band to be quite heavy and very fast-paced. Things move more into Black Metal territories with the savage track “III”, which perfectly showcases the band’s versatility and unique take on the genre.
Bringing back the days when Black Metal was intended to be unsettling and highly creepy, today we have one-man project Coldborn and its debut full-length release “Lingering Voidwards”. Masterminded by Norgaath of Grimfaug and Nightbringer fame, this release delivers over 47 minutes of bone-chilling raw Black Metal with enough atmospheric elements to make you sleep with the light on at night for the rest of your life.
Perfectly balancing eerie atmospheres with ravaging lo-fi Black Metal, the album opens with the 12 minute behemoth “The Call of Death’s Clarion”. This track nicely blends some Doom-ish elements into the music, creating a very engaging and disturbing atmosphere. Coldborn continues its onslaught with the blistering opening of “In the Absence of Light, Death Gazes”. As the track progresses, we are reminded of older Satyricon, Tartaros and even Limbonic Art, thanks to the combination of slower paced sections with very prominent keyboards.
Perfectly delivering just the right amount of distortion to burst your speakers, today we have Kalloused and their debut release “Damn You Believer”. Featuring over 25 minutes of an intense mixture of Sludge, Doom and Post-Metal, this band delivers a good dosage of pummeling riffs that will make your ears ring for a few days. If you like bands like Neurosis and Amenra, this should be right around your alley.
Opening with the mysterious momentum builder “Pt. 1”, we are slowly introduced into the band’s world of ripping guitar riffs and punishing bass guitar lines as the track progresses. Settling more into their own sound, “Pt. 2” showcases a powerful band that perfectly times their vocal assaults around their imposing wall of sound. Not breaking much out of character, “Pt. 3” continues the onslaught with some cool opening drum patterns and a very chaotic vibe to start off one of their most aggressive and diverse pieces.
Showcasing two of the most interesting Dutch Black Metal bands, today we have Ván Records Kjeld and Wederganger split release. Unluckily released at the end of 2016, this split release deserves your attention as it delivers five Black Metal tracks that range for raw and atmospheric to catchy and creepy. As a highly recommended release for BM fans, this is the perfect introduction to two bands killer sound.
Kjeld opens the release with the pummeling “Banier van Frisia”, this opening track sets a very intense mood with crushing riffs and superb drumming. Remind us at times of bands like Algazanth, “Wanskepsel” perfectly blends atmospheric elements with melodic riffs, a perfect blend for headbanging passages. The last Kjeld track is the blistering “Keningsein”, a furiously paced piece that again features that cold and dissonant Scandinavian Black Metal vibe.