Going back to their original Death/Doom Metal roots, today we have On Thorns I Lay and their amazing release: “Aegean Sorrow”. Keeping the Death/Doom Metal flame alive, the band delivers over 45 minutes of truly demoralizing music that reminds us of their sound back in the 90’s and outfits like Celestial Seasons (early days) and Forest of Shadows. If you are looking for Death/Doom Metal, this is the album to get in 2018.
Opening with the incisive riffs and gargantuan growls of the album title track we are taken back in time to the heydays of the genre. The band however adds a certain dimension of modern Melodic Death/Doom Metal as we can hear in the melodic guitars of “Erevos” and the crushing “In Emerald Eyes”, were we get a Swallow the Sun/Hanging Garden-esque contrast of deep growls and catchy guitars.
Delivering a hefty dose of catchy and energetic Power Metal, today we have Italy’s Frozen Crown and their debut release “The Fallen King”. Featuring over 44 minutes of music divided in ten songs, the band showcases excellent songwriting skills and a great balance between intensity and melody. If you are a fan of bands like Rhapsody, Stratovarius and similar outfits, you don’t want to miss this one.
Formed by multi-instrumentalist (and vocalist) Federico Mondelli, the band quickly sets a very energetic pace with the intricate “Fall No More”. The band’s riffing is quite traditional, and allows the songs to change tempos and showcase other elements quite well. The male vocals are pretty standard for the genre, but the highlight is Giada Etro’s singing. We are familiar with her voice from her work with Ashes you Leave, but here she takes things to a completely different level in tracks like “To Infinity”, “Kings” and the superb “I am the Tyrant”.
Unleashing one of the rawest and most pummeling releases of this young 2018, today we have Finland’s Blood Chalice and their debut full-length “Sepulchral Chants of Self-Destruction”. As a joint release from Regain Records and Helter Skelter, we get 27 minutes of lo-fi bestial devastation in the shape of ten tracks. For the fans of intense Death/Black Metal, this release will keep head banging from start to finish.
Opening with the violent “The Unholy Angel of All”, the band sets a very intense pace and a ravaging sound that is quite effective for the genre. The punishing vocals deliver an unholy experience as they resonate on killer tracks like “The Passage” and the moody “Coven”. We particularly enjoy the crunchy riffing on “The Four”, a song that expertly changes tempos and pummels the listener when they least expect it.
With a completely revamped line-up since their last full-length release, today we have Austria’s Visions of Atlantis and their signature high-octane Melodic/Symphonic Power Metal. Unleashing “The Deep & the Dark”, the band’s first full-length release since 2013, fans of band will be completely blow away by the power and intensity behind the ten songs presented in this release.
Fronted by the highly talented Clémentine Delauney, the band sets sails in this very exciting journey with the energetic album titled track. The atmosphere is very well set with the symphonic elements as the musical playfulness kicks in full gear with incisive guitars and superbly catchy female vocals. The male Power Metal vocals are handled perfectly by Siegfried Samer, as he provides an excellent balance in his leads and duets with Clémentine, as we can quickly hear in the magical “Return to Lemuria”. This last track has a certain Sonata Arctica-esque magic that is driven initially by the Chris Kamper’s keyboards.
Hailing from the UK, today we have Melodic Death/Doom Metal outfit Twilight’s Embrace and their self-released EP “Penance”. Unleashing four highly melancholic tracks, this release features that old-school Death/Doom sound that fans of bands like My Dying Bride, October Tide and November’s Doom will completely love and enjoy. In a short but sweet time, the band will certainly win you over with their crafty song writing and engaging music.
Opening with “Dying Earth”, the band sets a very moody atmosphere with weeping guitar leads and catchy riffs. The song structure is quite traditional for the genre, but it quickly hooks you into head banging alongside the music. Changing up the pace, “Curtain Call” delivers more waves of melancholy as the growls perfectly complement the tempo of the track. We particularly enjoy the certain retro vibe and bleak atmosphere crafted around this track.
Continuing their meteoric rise on the Post-Black Metal ranks, today we have Austria’s Harakiri for the Sky and their fourth full-length release “Arson”. Delivering their most refined album to date, this duo unleashes a very melancholic vibe through their poignant style while perfectly balancing aggression with melody. Formed back in 2011, this outfit has constantly been improving upon their previous releases and now they are more than ready for wider appeal.
Opening with the intensity of “Fire, Walk With Me”, the band quickly showcases their signature style of mixing intricate drumming with crushing guitar leads and energetic singing. With Matthias Sollak handling all instruments, the band’s sound stays quite intact while adding a few refinements that allow longer songs like “The Graves we’ve Dug” and “You are the Scars” flow perfectly. With some hints of Melodic Death Metal elements from bands like October Tide and In Mourning present in the previously mentioned songs riffing, we get a mellower and yet aggressive sound that quickly surrounds the listener.
Unleashing a powerful barrage of killer riffs and chaotic vocals, today we have Untervoid and their self-titled mini-debut release. Hailing from Poland and featuring members of outfits like Armagedon and Kriegsmaschine, this short but sweet release is as relentless and powerful as they get. Four track are all you are going to need to be on the lookout for more material from this outfit.
Kicking off with demoralizing intensity, “Messer” opens up the release with incisive riffs and hauntingly demonic vocals. The mixture of growls, screams, and hollering creates a truly eerie experience. Perfectly blending Black and Death Metal elements with sinister songwriting, tracks like “Twilight” sneak up on the listener with determination and violence. While Destroyer’s guitar work is killer, his vocal versatility is what makes this release even more impressive. Fans of Ulver, Borknagar and Bethlehem will certainly find them appealing.
Unleashing a truly decadent and terrifying release, today we have Italy’s Abysmal Grief and their very unique amalgamation of Dark/Doom Metal with eerie atmospherics and Avant-garde elements. Clocking in at around 45 minutes of pure decadence, “Blasphema Secta” is a very unique release has a certain retro and raw vibe that will haunt your dreams.
Setting up the mood with the creepy atmospheric intro, the band eases into the madness of “Behold the Corpse Revived”. This track has a certain The Vision Bleak meets Dark Lunacy vibe with hits lush instrumentation and very determined and chilling pace. Things get a bit wacky with the harrowing “Maleficence” and its eerie catchiness. This track sets a very playful mood with some Gothic/Punk-ish elements thrown into the mix.
Originally released on 2017, “V – Oceans” is too much of an album to not have on vinyl, so Code666 is handling this task. Slow is a one-man project which hails from Belgium and it crafts some of the most devastating and bleak Atmospheric/Funeral Doom Metal we have ever heard. Featuring five songs, this is definitely a release you need to take in with full attention and on a dark and gloomy day.
The album starts with a very slow and mournful progression in “Aurore”. The riffing is slow and painful, allowing for the atmospheric elements to shine and lead way to the crushing growls. The band’s mastermind, Déhà, has tons of musical experience and by participating in outfits like Clouds. In Slow, he takes things even further, unleashing songs that are over 10 minutes long and perfectly paced for bleakness, just like the dreamy “Ténèbres”.