Delivering one of the most savage and demoralizing Black Metal experiences of 2017, today we have Italy’s L'Infinito Abisso Dell'anima and their release “In Viva Morte Morta Vita Vivo”. Featuring over 44 minutes of punishing music, this band perfectly blends barbarian BM with some hints of melodic/depressive BM influences. Not for the faint of heart, this release will blow the lid off your speakers and have you begging for mercy.
Opening with the highly poignant riffs of “Condannato All’Oblio”, this outfit unleashes a relentless fury filled with a punishing intensity. The vocals perfectly fit the sense of urge and pain transmitted through the intense guitarwork and intricate drum patterns. Settling into the band’s sound, “Spiragli D’Ombra” takes a more melodic and darker shape, thanks to mid-tempo passages filled with melancholy and hate. It is quite impressive how effective the band is at transmitting raw emotion.
In the same vein of bands like Mgła and Batushka, Polish outfit Over the Voids delivers a barrage of savage Black Metal tunes in their debut self-titled release. Set to be unleashed by Nordvis productions, this mysterious band perfectly combines intensity with craftiness to deliver on of the most hectic and devastating Black Metal releases of 2017.
Starting with the 14-minute demoralizing opener “Battle of Heaven”, the band unchains killer riffs and quirky atmospheric passages to create a very dense and powerful atmosphere. With furious guitars and hyperintense drums, “Ghosts Lay Eggs” continues to steamroll through the listener’s speakers with gusto and fury. As the song winds down, we are able to breathe again but still under the influence of the band’s devilish tremolo picking and sinister melodic outbursts.
Hailing from the USA, today we have Gloam and their sickening latest EP titled “Death is the Beginning”. Unleashing three powerful tracks of raw and relentless Black/Doom Metal, the band crafts a very powerful and effective sound that is quite ravaging and violent. Sounding like a ‘slower’ version of Watain (kind of like Weapon), this EP is certainly a great way to get acquainted with the crushing sound.
The band sets the mood with the very sinister intro track, “Anguish”, setting a very melodic and engaging backdrop while not revealing too much of what is to come. Unleashing their fury, “…OF a Carrion Kind” rips this release wide open with punishing riffs and tight drumming. The band’s sound is instantly fully immersive and quite engaging. We enjoy how they blend their harsher elements like the vocals, with the more melodic musical core and end up creating a very relentless aural experience.
Unleashing one of the most devastating and aurally dissonant releases of 2017, today we have Kassad and their debut full-length release “Faces Turn Away”. This one-man band from London manages to unleash very violent outbursts that are nicely framed around some more melodic and atmospheric passages, greatly exacerbating the contrast created. For over 45 minutes this release will certainly keep you engaged and demoralized.
Opening with the pummeling “Shame”, we get a brutal onslaught like the ones delivered by outfits like Anaal Nathrakh with intense riffing and superbly harsh distorted vocals. This track suddenly transforms into a more Post-Black Metal piece with dreamy passages and catchy percussions. “Pariah” continues the flow with more brutality and intense drumming, while unleashing more traditional Black Metal riffs.
Unleashing one of the most unique and aurally abusive releases of 2017, today we have Austria’s Las Casas Viejas and their album “goul/H”. Featuring an amalgamation of dreamy Post-Rock passages, with Doom/Sluge/Black Metal elements, the band creates a very unique atmosphere and evangelizes the listener with five brilliant tracks filled with unique elements and surprises.
Slowly building up the momentum in their opener, “Morbundus”, the band starts off slow with some interesting aural abuse, luckily it slowly progresses into delivering more punishing and demoralizing guitar riffs and a plethora of harsh vocals. Mixing Sludge elements with some different ideas, this piece perfectly leads into the Doom-esque “Kein Ort 1: nicht die Stadt und Lethargie”. The female vocals at times remind us of late The 3rd and The Mortal elements, allowing the band’s sound to have an extra unconventional element.
With Poland’s underground scene reaching maturity with the acclaim of acts like Mgła and Batushka, other outfits like Blaze of Perdition have not gone unnoticed. Delivering their fourth full-length release with “Conscious Darkness”, the band unleashes a very oppressive and ravaging release that will rattle your senses. Crafted around a thick and punishing atmosphere, this is one release you do not want to miss.
Opening with the ravaging riffing onslaught of “A Glimpse of God”, the release sets a very dark and demoralizing mood. The mixture of piercing guitar work with punishing vocals create a very dense and effective atmosphere that sets the pace for this release. Kicking off with a blistering first few minutes, “Ashes Remain” unleashes furious drumming and sickening atmospheric elements paired with more violent vocals, makes for a demoralizing 15-minute behemoth of a track.
With Agalloch disbanding recently, it is time for a new band to take the throne to the best Atmospheric Black Metal outfit in the USA. With “Lethean Lament”, Mavradoxa makes their case to the throne. Unleashing over 60 minutes of highly engaging and intricate music, this release showcases the band’s creativity while unleashing very melodic and powerful songs.
Opening with the Empyrium-esque “Cicadan” acoustic guitar/violins intro, the band settles into their main sound with the crushing guitars of “The Phantom Visages”. With some very mellow and even ‘Doomy’ riffs, this song is quite engaging and sets a very melodic and sinister atmosphere. As a two-man operation, the band gets things quite heavy when needed with the harsh vocals and blistering riffs.
Hailing from Cuba, today we have Black Metal one-man battalion, Narbeleth, and their fourth full-length release “Indomitvs”. Delivering over 35 minutes of savagely raw BM songs, this release showcases true raw power and determination to craft some of the most brutal and ravaging songs ever produced. If you are tired of overproduced and ‘pretty’ sounding Black Metal, this is the album you have been waiting for.
Wasting no time, the riffing onslaught opens with the first note of “The Distortion of Life”. In this track we get that certain 90’s Black Metal vibe with a very guitar and vocals driven approach to the genre. The intensity is relentless and the craftmanship is quite high, as the band continues its demolishing path with “When the Sun has Died”. Keeping things fresh and interesting, the eerie vocal arrangements in “The Lower Point of the Star” will certainly grab your attention and creep you out at the same time.
Unleashing a punishing and foul onslaught of Black/Death Metal madness, today we have New Zealand’s Vassafor and their sophomore full-length release “Malediction”. Blending elements from old-school Black and Death Metal into a killer wall of sound, this album delivers almost 50 minutes of some of the most decadent and punishing music ever recorded.
Starting with the pummeling “Devourer of a Thousand Worlds”, the slowly creep into the band’s mind with a barrage of demoralizing riffs and creepy vocals. Clocking in at 16-minutes, this track is the perfect opening into Vassafor’s madness. Filled with old-school vibes, “Emergence (of an Unconquerable One)” has a certain Grindcore edge to it due to its incisive guitar leads as well as a retro Death Metal side to it thanks to its meaty hooks.
Overflowing with creativity and musicianship, today we have Enslaved’s latest opus “E”. Delivering over 45 minutes superbly catchy Progressive Black/Viking Metal, the band continues to refine their explosive sound with a few new tweaks and a whole lot of energy. Just when you think the band can’t get any better, they manage to push the envelope and perfectly balance their old-school elements within the confines of their more modern endeavors.
The album opens with a very light and to a point Post-Rockish vibe on “Storm Son”. This slowly evolves into more Progressive and Enslaved-like territories with dual vocal arrangements, catchy riffs and tight drum patterns. This opener is quite effective as it nicely bridges the band’s last release “In Times”, with what is coming in “E”. The headbanging continues with the extreme catchiness of “The River’s Mouth”, a piece that is quite interesting as the clean vocals remind us a bit of Fear Factory and create a unique contrast.