Perfectly capturing an epic performance at the legendary Roadburn festival, today we have Dead to a Dying World’s “Live at Roadburn 2016”. Clocking in at nearly 60 minutes, this release brilliantly reflects the band’s live performances ferociousness. Paired with a very clear sound and mix, this release continues to hold the standards of the “Live at Roadburn” series of releases over the years.
The album instantly jumps at the listener with the intensity of “The Hunt Eternal”, a fierce track that features blistering riffs, mournful viola arrangements, and hellish male and female harsh vocals. After warming up with the 16-minute opening track, the band went into the moodier “Eventide”. This track has a certain My Dying Bride meets Elend vibe that we greatly enjoy and was perfectly transmitted live.
From Harakiri for the Sky’s vocalist, today we have Karg, a one-man battalion delivering highly atmospheric Black Metal/Post-Black Metal. Featuring eight tracks and over 70 minutes of dreamy music, “Weltenasche” is a very soothing and yet demoralizing release that will certainly appeal to all fans of Depressive Black Metal to Post-Black Metal.
Opening with the incisive “Crevasse”, we are treated to a very moody and diverse track filled with tempo changes and heavy atmospheric elements. The album continues to perfectly juxtapose aggressiveness and melody as we can hear in the progression of “Alles wird in Flammen stehen”, which some parts remind us a bit of Dornenreich. The band’s raw emotions are instantly felt in songs like “Le couloir des ombres” which has a certain Alcet-like vibe, but with the Karg imprint dominating.
Arriving from the UK, today we have new-comer(s) Dysemblem and their debut release “Strength of Giants”. With a pummeling old-school Death/Black Metal style, this outfit delivers 32 minutes of an action packed release that shows a great deal of promise and a hefty dosage of violence.
Opening with the relentless riffing of “Down the Chasm”, the band makes a big impression with such a punishing sound. The mixture of harsh growls and crafty drums makes for a very entertaining back-to-basics track. The Death Metal influences are key for making tracks like “Gourd of the Damned” very catchy while being superbly brutal. With a certain Swedish Death Metal edge to it, “Gloria Victis” is one of our favorite tracks as it reminds us a bit of old-school Grave and Centinex.
Finally ready to take the scene by storm, today we have Greece’s Aenaon and their latest full-length release “Hypnosophy”. Having refined their music over the year years of their existence, the band is ready to take the spotlight with this very mature and musically brilliant release. Perfectly blending experimental elements into a highly efficient Progressive Black Metal foundation, the band delivers 55 minutes of intense music.
The album opens with the magnificent, “Oneirodynia”, a track that combines influences of Emperor, Ihsahn, and Arcturus in a very tight and perfectly executed nearly 8 minutes piece. The band has added a permanent saxophone player, which adds a good deal of depth and originality to their music. Not disappointing the band’s fans of heavier pieces, tracks like “Fire Walk With Me” deliver relentless high octane experiences.
Recently released on Avantgarde Music, today we have Italy’s two man battalion Earth and Pillars with their sophomore release “Pillars I”. Delivering four tracks with over 60 minutes of relentless Atmospheric Black Metal, this band stands out from the competition with their Dark Ambient and Noise-ish influences. While everybody is trying to sound like Alcest, Deafheaven or Ghost Bath, this band marks their own path with their ravaging sound.
The opener, “Pillars” slowly builds up to a chaotic mixture of blistering riffs, hyper fast drums, harsh screams and very prominent keyboard atmospheric elements. This mixture works very well in creating an oppressive and wall of sound that at times has some certain Noise-ish influences that bands like Ash Borer combine with their Black Metal, as we can hear in the multi-faceted “Myth”. This track has a very moody and cinematic vibe to it, making it an exhilarating listening experience.
Arriving from Australia with great brutality and rawness, today we have Dreaded Void and their debut EP “The Abyssal Plane of Suffering”. Delivering over 20 minutes of gut-wrenching Black Metal, this is one of those few releases that while being quite brutal and harsh, it manages to be engineered to sound perfect.
The EP kicks off with the blistering riffing of “Abyssal”. This track is filled with hate as we can hear from the combination of screams and growls that overtake the intensity of the riffing and drumming. There is a nearly instantaneous wall of sound being delivered via the relentless riffing onslaughts. Like a bag of bricks directly to the face, “The Murk” continues the ravaging with very brutal screams and a very sinister mood.
Completely worth the wait, today we have Shatraug’s Mortualia’s latest album, “Wild, Wild Misery”, after a wait of six years. Delivering eight completely punishing Depressive Black Metal anthems, this is one of those releases that makes you feel completely powerless and yet totally addicted to it.
Opening with blast beats of “Withdrawn”, this release kicks off in style as it sets into a very dissonant and oppressive atmospheric masterpiece. The riffs make up a very melodic component of Mortualia’s music, as we can hear in the superbly catchy opening of “Return to Silence”. Helming bands like Horna and Sargeist, Shatraug bleeds some of those influences on songs like “Out” and “Stolid”, but with the added Doom influences, making the music slow and very excruciating… in the best of ways.
France continues to surprise use by producing some of the most interesting Metal bands in the last 10 years. Dysylum continues this tradition by leveling our speakers with their dissonant Progressive mixture of Death and Black Metal with some Sludge elements in “Chaos Primordial”. Featuring 28 minutes of crushing music, this release creates a very thick atmospheric atmosphere that is perfect for a dark and gloomy day.
After the opening intro, the album title track delivers some mid-tempo oppressive Black Metal-ish riffs that suddenly morph back and forth into heavy Sludgy Death riffs. The vocals are quite harsh and perfectly fitting for such an oppressive sound. Things pick up with the ravaging onslaughts of “Œuf Cosmique”, filled with eerie growls and screams. The drumming intensifies for some parts, changing the pace and levels of brutality of this song accordingly.
Wasting no time and keeping up their momentum going, today we have Downfall of Gaia and their latest full-length opus “Atrophy”. Delivering over 40 minutes of brutally crafted Post-Black Metal with some Sludge and Crust influences, the band continues their musical journey with one of the most intelligent and yet extremely brutal releases of 2016.
Opening with the brutal “Brood”, the band quickly builds up a massive wall of sound with distorted guitars, a ponding bass guitar, and blistering drums. The vocals are as punishing as you can possibly imagine, adding to the overall demoralizing atmosphere of the track. In a bit more melodic tone, the opening riffing of “Woe” starts quite brutal and it slowly progresses into more Sludgy territories.
There is a certain magical rawness to South American Black Metal release that is missing from bands from other parts of the world. In this vein, today we have Peru’s Sign of the Evil and their crushing full-length debut “Black Throne of Blood”. Delivering over 30 minutes of blistering and ravaging Black Metal, this album perfectly balances rawness with a small dose of melody to keep things interesting and engaging.
After the atmospheric intro, the band delivers their first blow with the pummeling “Black Throne of Blood”. This track reminds us of bands like Avzhia and their primitive Black Metal rawness. The onslaughts continue with the brutality of “Demoniac War” and “Christian Blood for Satan”, both filled with tremolo picking guitar passages and hellish subhuman vocals.