Black Metal

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    Hail Spirit Noir – Oi Magoi (2014)

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    Featuring 60% of the members of Transcending Bizarre?, Hail Spirit Noir delivers their sophomore release with “Oi Magoi”. Featuring a very intriguing and elegant mixture of Psychedelic Rock, Progressive Black Metal, and some magical Avant-garde elements, this release blooms for over 45 minutes of truly unique sonic landscapes.

    The release blasts opens with the psychedelically charged “Blood Guru”, a track that is quite well layered and allows all the band’s influences to immediately shine through. The elegant finish to this song oozes melodic brilliance and posture. It is quite interesting to hear elements from bands like Jess and the Ancient Ones and Jex Thoth thrown into tracks like “Demon for a Day” and “Satan is Time”, allowing Hail Spirit Noir to be one of the few bands that mixes Psychedelic Rock elements to create Avant-garde Black Metal.

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    Aenaon – Extance (2014)

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    Delivering their most high-octane release to date, Aenaon returns with the punishing “Extance”. Hailing from Greece, this band has managed to push the boundaries of Black Metal with their previous efforts and this one is no different. Mixing Avant-garde/Jazzy elements into a well-structured Progressive Black Metal core, this release sees the band further refining their craft into near perfection through the 11 songs presented here.

    The band’s incisive riffing and commanding vocals are immediately felt with the intro “The First Art” blending into “Deathtrip Chronicle”. Excelling in creating killer guitar melodies, Aenaon has managed to further refine their sound since “Cendres et Sang”. The tempo changes and vocal arrangements are other factors that make the band’s music instantly be recognized. The Avant-garde weirdness we love form the band starts to shine with the upbeat “Grau Diva” and its intricate arrangements.

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    Hecate Enthroned – Virulent Rapture (2013)

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    After a 9 year ‘hibernation’ period, Hecate Enthroned returns with one of the biggest surprises of 2013: “Virulent Rapture”. Always living under the stigma of a CoF clone band, this band was long discarded by us with some of their more ‘experimental’ releases over the years before dropping out of the map in 2004. When we got this promo, curiosity got the best of us and we decided to give it a spin… blowing us away since the first track.

    Opening in a bombastic manner with “Thrones of Shadow”, the band indeed still sounds a bit like CoF used to do back in the day, with the huge difference than Hecate Enthroned is now 10 times better than CoF. The growls and shrieks, courtesy of new vocalist Elliot Beaver, are top notch and nicely elevate the intensity level of the already well-crafted symphonic music. Never leaving the aggressive Death Metal elements aside, tracks like “Unchained” are equal parts brutality to melody. The drumming is quite massive and the overall melodic-yet-aggressive vibe is super in songs like “Abyssal March” and the brilliant “Plagued by Black Death”, one of our favorites of this release.

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    Strangeways - Rotting under the La La Bombs (2013)

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    Always expecting the unexpected, today we have a very unconventional and rather unique release from Strangeways titled “Rotting under the La La Bombs”. Hailing from Israel, this duo produces one of the most dissonant and yet coherent releases we have reviewed in the last few months. With punishing Black Metal sections thrown into some Noise/samples experimentations, the band instantly establishes their uniqueness since the first minute of this release.

    “Licking the Pussy of Mother Earth” immediately blows things wide open with excruciating Black Metal onslaughts filled with weird samples and tormentous vocals. The riffing is quite powerful and the combination of madness and devastation will immediately fuck with your head. The cool glitching sounds of “BloodRedArt” will surely confuse you on the first spin, but you will soon find out that is all part of the madness in this release. Other tracks feature weird atmospheric elements like on “Manifesto” that has a brilliant section of typing (yeah you read it right) and lush piano notes that is simply amazing.

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    Mord'A'Stigmata – Ansia (2013)

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    After their impressive 2011 “Antimatter” we had huge expectations from Mord’A’Stigmata’s latest release “Ansia”. Delivering a half-baked cake, this album features an interesting direction the band is taking, but it fails to completely blow us away like the previous one. Mixing in some Post-Metal/Black Metal elements into their weird Avant-garde BM core, the band seems to have the right idea but missed the point a bit (hell, maybe WE are the ones missing the point).

    With “Inkaust” opening with furious strength, the song slowly transforms into a Post-Metal piece with a slow middle part and switches back again into BM mode. The band’s Post-Metal section is quite intesreting since it does not feel like straight Post-BM, but rather a hybrid of typical Neurosis-like Post-Metal with some BM riffing. Yeah, weird indeed but it feels rather odd, even after more than a few spins. Anyways, “Shattered Vertebrae of the Zodiac” comes back to a bit more familiar territories with the first few minutes being Black Metal with interesting Post-whatever percussions. The improvisational Post-Rock-ish interlude is quite interesting an unique, but it still didn’t really clicked with us.

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    Alghazanth – The Three-faced Pilgrim (2013)

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    Arriving from the most powerful Symphonic/Melodic Black Metal band from Finland, today we have “The Three-faced Pilgrim”. Featuring six tracks of majestic BM filled with crushing guitars and eerie atmospheric elements, Alghazanth continues to improve upon their legacy with another masterful release. Bearing a few line-up adjustments, the band keeps their lush Symphonic/Melodic Black Metal in place with some of the most exciting songs we have heard in 2013.

    Opening with the devastating “In Your Midnight Orchard”, we have a raw BM with awesome atmospheric highlights. The band has been perfecting their craft for a few years now, and with this release they take it to a whole new level of brutality. Just picture Horna with keyboards and Alghazanth is what you get. The melodic riffing is another aspect of the band that shows their true craft when it comes to songs like “To The Pear of High” and “Promethean Permutation”, both filled with excellent melodic riffs that seamlessly change tempos between aggressive and hyper-blast mode.

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    Wolves in the Throne Room – BBC Session 2011 Anno Domini (2013)

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    With the band currently in hibernation mode, Southern Lord gives us a very special vinyl release of Wolves in the Throne Room’s “BBC Session 2011 Anno Domini” recordings. Featuring two tracks of the band’s “Celestial Lineage” release, this release has enough fuel to keep hardcore fans of the band (and Cascadian Black Metal) going for a few months. With their uncompromising and very unique sound, WITTR delivers over 20 minutes of atmospheric brilliance in this LP.

    Kicking off with “Prayer of Transformation”, the first side of this release presents an astounding rendition of such a powerful track. Filled with brilliant melodic passages and a great climax, this was one of the best songs on “Celestial Lineage” and they nailed it perfectly in this release. Following with “Thuja Magus Imperium”, the band’s bleak landscapes ooze out of this release immediately with this chilling version of the track. Once again, every single nuisance is perfectly captured in this rendition of the track, showing WITTR’s flawless musical execution.

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    Siculicidium - Hosszú út az örökkévalóságba (2013)

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    Four years have passed since Siculicidium’s debut full-length “Utolsó vágta az Univerzumban”, and after a series of EP’s in 2012, the band is back in full swing with “Hosszú út az örökkévalóságba”. Never being huge fans of this three-piece from Romania, we are quite surprised of the quality of raw and unconventional Black Metal found in this latest effort. Mixing some atmospheric elements, creepy passages, and an overall uncompromising attitude, this release is quite diverse and yet traditional sounding to keep the hordes of BM fans clamoring for more.

    Opening with the dreamy “Endless road” (we will use the English names of the songs to keep this review legible), the band sets a very bleak and melancholic atmospheric mood since the first few notes. The raw BM explosion beings with the punishing “The fragrance of decay”, a very visceral track featuring a typical old-school BM structure, very direct riffs, and rather traditional drums. Similar to bands like Midnight, “Lurker” has a ridiculous set of catchy riffs and drumming to give that filthy BM vibe that only a handful of bands can achieve. There is also a certain Punk-ish vibe to this track that makes it quite enjoyable.

    • Posted By: Dark Emperor
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    A Winter Lost - Die längste Nacht (2013)

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    Arriving today from Sun & Moon Records, we have Canada’s A Winter Lost with their sophomore release “Die längste Nacht”. In this 12 track release we have a very retro sound that ultimately fails to impress due to the lack of creativity through the majority of this release. Featuring a female growler/singer, we can’t really find anything else that would make this band standout from the rest.

    Opening with “Des Falken Tod”, the band delivers raw distorted guitars and a very powerful sound. While this is impressive at first, the next six songs go around the same basic foundations and never really take off with anything original or complex. The riffing is intense, the drumming is fast, but this is a must for any ‘average’ BM band, so there are no cookie points for that. Is not until the last minute of “Zeichen” that they even attempt something different in their music, the same continues until the second half of the closing track, when the tempo changes and the clean female vocals appear.

    • Posted By: Dark Emperor
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    Festerguts – Heritage of Putrescent (2013)

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    Hailing from Russia, today we have Festerguts debut full-length release “Heritage of Putrescent”. Featuring eight tracks eclipsing over 30 minutes of intensely atmospheric/symphonic Brutal Death Metal, this band reminds us of a mixture of Fleshgod Apocalypse and Cradle of Filth (on their good years). Not for the faint of heart, this release will squash you with its powerful riffing and intense drumming.

    Opening with the symphonic intro “Above A Cold Body: Pre-Funeral Preparations”, the band really gets into the thick of things with the punishing “Now I can Fee You From Inside”. Using keyboards from atmospheric effect, the band quickly delivers uncompromising riffing and demolishing growls. They nicely offset the brutality with lush female vocal arrangements thrown into the mix. One of the best things in this release is that the atmospheric elements are not the main direction of the music, since the brutality of tracks like “Besmeared With Blood and Viscera” focus on the aggressive side of things.

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