Black Metal

  • Sombres Forêts - La Mort du Soleil (2013)

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    Beautifully adorned by Fursy Teyssier’s dramatic cover art, today we have Sombres Forêts and their third full-length ”La Mort du Soleil”. Being a one-man band, Annatar handles all instruments in this enigmatic Black Metal release. Heavily focusing on creating lush dissonant atmospheres, for over 50 minutes this release will transport you to dark and cavernous places.

    “Des Épaves” opens this release with a bleak atmosphere nicely complemented by acoustic guitars and a little taste of the madness to come as the first track bleeds into “Étrangleurs de Soleils”. This second track slowly builds up with hellish vocals and powerful guitars. All the elements in this track (and release) are very direct and emotive; the band focuses more on the raw power behind them rather overproducing them to polish them to perfection.

  • Gris – À l'Âme Enflammée, l'Äme Constellée... (2013)

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    As one of the most surprising releases of 2013, today we have Canada’s two-man project Gris and their sophomore release “À l'Âme Enflammée, l'Äme Constellée...”. This double CD album is filled with lush Neoclassical elements perfectly incorporated into moody Black Metal. Charged with emotive sections and a very dark atmosphere, this release will sneak up on you and catch you completely off-guard.

    The opening track “L’Aube”, greatly reminded us of Elend and their very dramatic instrumentation and chilling screams of desperation. “Les Forges” provides the first taste of the band’s excellent combination of classical string instruments with harsh Black Metal elements. In this 15-minute track the band goes back and forth between aggressive sections and lush instrumentation that makes the song very magical and totally unexpected.

  • Teratism – La Bas (2013)

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    Arriving in 12” LP format to Infernal Masquerade’s office, a rare thing these days, today we have USBM’s finest offering: Teratism, and their latest diabolical opus “La Bas”. In this four song EP we have Teratism at its finest delivering uncompromising diabolical Black Metal filled with sheer power and determination. Unlike many poser USBM releases, Teratism stays true to their calling and has managed to produce one fine piece of collectible vinyl with this one.

    Opening side A with a very dramatic and chaotically hellish intro to the track “Gospel of the Heliophobe” the band goes full blast in under a minute. Always characterized by the hellish riffing of Murder, and now ex-member Domitian, the band’s massive wall of devilish sound is instantly crafted. While never abusing of their raw power, they deliver solid and creepy atmospheric passages that will make you get goose bumps. Another stand-out element of this track is the piercing bass guitar line, courtesy of Giles de Rais, the band’s lyricist.

  • Spectral Lore / Mare Cognitum – Sol (2013)

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    Featuring two very interesting and intense one-man Atmospheric Black Metal bands, today we have the split release between Spectral Lore (Greece) and Mare Cognitum (USA) titled “Sol”. Out on I, Voidhanger Records, this powerful release features one very long track from each band, and a rather peculiar dual-composition song that mixes both of their atmospheric strengths in a very hypnotic song.

    Mare Cognitum does the honor of opening with a 29-minute epic titled “Sol Ouroboros”. This track nicely flows from the atmospheric intro into some very fast-paced and intense Black Metal sections. With all instruments, vocals, etc., handled by Jacob Buczarski, this band delivers quite an intricate dosage of moody BM that weaves back and forth between blistering speeds and atmospheric magic. There are some odd drone/noise-like sections here and there, only adding to the overall listening experience of this fine piece.

  • Gökböri – Balbal (2013)

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    With a very interesting sound mixing old-school Thrash with Black’n’roll. Punk/crust, and even some Doom elements, today we have Gökböri and their debut full-length “Balbal”. Featuring members of Daylight Dies, Pagan, and Sun Descends, this is one of those albums that is quite good, but very hard to peg down since every track offers a wide palette of sounds and influences.

    As the album begins, the opener “Sarp Geçitler İçinde/Balbal” is a very cool retro-sounding track that reminds us of the riffing power of Vreid and the old-school Black’n’Roll bands like Midnight. The same continues with the catchy “Ulu Dağlar, Atalar”, which really engages the listener with very effective riffs. The vocals are quite fitting for the music and also have that retro-vibe. However, there are some questionable clean vocals on this last song, luckily some solid growling remedies the situation.

  • Chthonic - Bú-Tik (2013)

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    After gaining quite a boost on outside of Taiwan popularity with “Takasago Army”, Chthonic returns with another very intense and equally interesting release. With “Bú-Tik” the band continues with their very thematic lyrical context and their majestic music that mixes Melodic/Symphonic Black/Death Metal elements with lush arrangements and authentic instrumentation. Proving that their last album was not a fluke, “Bú-Tik” continues with their musical intensity, and delivers ten tracks of top-notch quality.

    The album opens with the very dramatic “Arising Armament”, a lush instrumental intro with a very tense vibe. The band’s musical magic continues with the powerful “Supreme Pain for the Tyrant”, a very aggressive yet atmospheric and catchy track. The vocals of Freddy Lim are impressive, and add that extra level of intensity to the music. “Sail into the Sunset’s Fire” keeps things rolling with blistering drumming and excellent riffing, a highly underrated skill from the band if you ask us. Featuring some excellent solos, this track is one of the best of the album.

  • Astarium – Wyrm of Melancholy (2012)

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    Rounding up Astarium’s promo package, today we have “Wyrm of Melancholy”, the band’s 2012 full-length release originally self-released and then released by Metallic Media, which is the version we are reviewing. In this 55-minute epic, we get to hear SiN fully develop a full-length release that is quite cohesive and very effective. Having only reviewed short EP’s from the band, it is quite clear now that Astarium has more than enough depth to keep somebody engaged for almost an hour with this release.

    Instead of taking the traditional instrumental intro, “Unrelieved Solitude” opens up with some very creepy whispers and screams accompanied by distorted guitars. The atmospheric synths are again overpowering and very nicely set a creepy vibe. Having more ‘time limit’ freedom, the songs in this release are slower to develop, but always having very interesting and melancholic passages, like on “Kingdom of White Madness” and the minimalistic instrumental “Voices from the Night Sky”.

  • Astarium – Ostracism of Anachoret (2011)

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    The highly atmospheric Astarium strikes again with their 2011 EP titled “Ostracism of Anachoret”. In this bone chilling release this one-man band continues with their highly creepy and theatrical music and delivers 4 very solid tracks filled with eerie atmospheres and sorrowful shrieks. Having been released and re-released multiple times since 2011, we are writing this review based on the Hexenreich Records highly limited edition that we got in the mail.

    Opening with the lush “Birth of the Flame”, the band sets a very creepy Dracula-esque mood with excellent orchestrations and a tense development. The guitars finally appear on “Recantation by Death”, a track that keeps the same atmosphere but delivers some very solid riffs and shrieks. The drums are clearly programmed, but they don’t sound as fake as many one-man releases, and they nicely set the pace for the track.

  • Gmork / Astarium / In Tenebriz - Mysterious Winds of Ancient Past (2012)

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    Arriving from Russia, today we have a very solid split release between Gmork, Astarium and In Tenebriz. All of the bands here are Russian, and they play different variations of Atmospheric Black Metal. With almost four songs each on this release, we get a very good glimpse about each band’s style and their unique features. If you are a person looking for new bands to like, this is the perfect release to get an impression of three talented groups.

    Gmork opens up the release with four Russian titled tracks so we avoid the embarrassment of writing their names here, and will just refer to the by number. The first song opens with some cool spoken (in Russian) section and it slowly moves into atmospheric territory with some cool synths and very simple and effective guitars. Howling winds open the second track as it starts revealing its very regal and medieval-esque atmospheric elements. The harsh vocals make their appearance and provide a decent combination of growls and more BM-esque screams. Our favorite track from this band is their last song on the split, allowing them to show a very unified and diverse style. Combining melancholic guitars with tight drums and very enjoyable atmospheric elements, the band left a very good impression on us.

  • Nemesis Irae – Eradikate Kampaign (2013)

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    Hailing from Belgium, today we have Nemesis Irae and their latest crushing release “Eradikate Kampaign”. Featuring eight tracks of devastating Black/Death Metal, this release is very raw and powerful, perfect for fans of old-school music from the genre. Delivering pummeling riffs and massive drumming, this Belgian band pummels through this release in a very stylish and aggressive way.

    Opening with the hectic “Karnage”, the band instantly makes an impact with their powerful guitars and demonic vocals. The combination of screams and semi-growls is quite effective and gives an extra boost to the band’s already powerful sound. The releases provides a healthy mixture of powerful and to the point short songs with other tracks going over four and a half minutes being a bit more complex and elaborate.

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