Brilliantly mixing all kinds of Doom Metal subgenres together with outside elements from Black Metal and even Pagan Metal, today we have one-man outfit The Howling Void and their sixth full-length release “The Darkness at the Edge of Dawn”. Feeling part like an homage to bands like My Dying Bride, Katatonia, Shape of Despair, Tenhi, etc., this band crafts a very cohesive and melancholic style that is perfect for any fan of the genre, and produce five enchanting tracks in this release.
Opening with the mysterious “Distant Shores”, we get a very cool interplay between clean and distorted guitars and the atmospheric synths. The clean vocal passages remind us a bit Empyrium, however the track is more on the heavier Doom Metal side of things with even some riffs bordering in BM-territories. The mood picks up a bit with the more intense “A Seed on Stone”, a track that features very powerful drumming and it even feels at some points like Pagan Metal.
Having a great eye for aurally abusive releases, I, Voidhanger Records, unleashes this December, the debut release of experimental Death/Doom/Black outfit Tongues. With “Hreilia”, the band delivers seven highly disturbing, chaotic and yet very enjoyable tracks that are quite bizarre in nature. Mixing elements from Death/Doom/Black Metal genres into a very unique amalgamation of styles, this release transports the listener to a hellish universe since the first track.
Opening with the funky weirdness of “Perennial Waves”, the listener gets to warm up to a very dissonant and yet enthralling mournful opening that suddenly explodes into full-on madness. We particularly enjoy the sickening vocals and the very raw vibe transmitted. The madness takes a more traditional Black Metal shape with the punishing “Theophagous Wounds of Earth”, and its killer bass guitar line. This is certainly one of the most brutal tracks in this release with a relentless drum track and incisive riffs.
With a keen eye for unique and boundary pushing release, today we have the latest Hypnotic Dirge Records release with Odradek Room’s sophomore album “A Man of Silt”. Unleashing over 50 minutes of superbly crafted Progressive Death/Doom Metal, this band merges influences from bands like Anathema and Opeth with lush instrumentations and a very somber mood. If you like complex music with high replay value, this is certainly one of the best releases in 2017 for that.
The intro “Arising in the Void” provides a very dark and somber opening into the band’s unique musical voyage adorned with an Armenian duduk. The release continues to blossom with the transition into heavy guitars and growls in “Selfness”, a 7-minute piece that sets the experimental proggy tone for this album. Hailing from Ukraine, the band crafts very unique songs filled with highly atmospheric passages that are quite intricate and yet lush and filled with emotion, as delivered in “Texture of Reality”.
Hailing from the USA, today we have Gloam and their sickening latest EP titled “Death is the Beginning”. Unleashing three powerful tracks of raw and relentless Black/Doom Metal, the band crafts a very powerful and effective sound that is quite ravaging and violent. Sounding like a ‘slower’ version of Watain (kind of like Weapon), this EP is certainly a great way to get acquainted with the crushing sound.
The band sets the mood with the very sinister intro track, “Anguish”, setting a very melodic and engaging backdrop while not revealing too much of what is to come. Unleashing their fury, “…OF a Carrion Kind” rips this release wide open with punishing riffs and tight drumming. The band’s sound is instantly fully immersive and quite engaging. We enjoy how they blend their harsher elements like the vocals, with the more melodic musical core and end up creating a very relentless aural experience.
Just in time for the Fall and Winter seasons, today we have the Hanging Garden’s very dark and atmospheric “I am Become”. These Finnish Melodic Death/Doomsters unleash 46 minutes of catchy and crafty music that is quite diverse in nature. Filled with brilliant melodic Death/Doom Metal elements, this album perfectly blends the band’s old-school sound with their more modern and atmospheric influences.
Kicking off with “As Above, So Below”, we get a certain Insomnium guitar driven vibe that invites the listener to head bang while listening and settle into a dark and melodic vibe. Things go into a Swallow the Sun vibe with the aggressive riffing of “Hearthfire”, a track which features guest vocals from Tomi Joutsen from Amorphis fame. Interestingly enough, the band’s more Atmospheric Rock side comes out in the excellent “Elysium”, a piece that is quite melancholic and moody.
Unleashing one of the most unique and aurally abusive releases of 2017, today we have Austria’s Las Casas Viejas and their album “goul/H”. Featuring an amalgamation of dreamy Post-Rock passages, with Doom/Sluge/Black Metal elements, the band creates a very unique atmosphere and evangelizes the listener with five brilliant tracks filled with unique elements and surprises.
Slowly building up the momentum in their opener, “Morbundus”, the band starts off slow with some interesting aural abuse, luckily it slowly progresses into delivering more punishing and demoralizing guitar riffs and a plethora of harsh vocals. Mixing Sludge elements with some different ideas, this piece perfectly leads into the Doom-esque “Kein Ort 1: nicht die Stadt und Lethargie”. The female vocals at times remind us of late The 3rd and The Mortal elements, allowing the band’s sound to have an extra unconventional element.
Unleashing over 55 minutes of brilliant Psychedelic/Progressive Metal, today we have Switzerland’s Echolot and their sophomore release “Volva”. Channeling their inner Pink Floyd and Black Sabbath influences, this three-piece outfit release for very intricate and engaging songs that will keep you engaged from start to end. With tons of bands flocking to these genres, it is quite refreshing to hear new ideas in this release.
The album opens with the groovy proggy guitars of “II”, a track that brilliantly introduces the band’s musical skills and vibe. The warm and fuzzy distortion is quite inviting and eases the listener into Echolot’s sonic world. Slowly building up, “III” continues the album’s progression with Doomy riffs and very moody vocals, greatly enhancing the atmosphere in this release and keeping it diverse and fresh sounding.
Delivering one of the most engaging and crushing Death/Doom/Sludge Metal releases of 2017, today we have Jupiterian and their sophomore release “Terraforming”. Unleashing a unique mix of atmospheric elements with traditional Doom/Sludge riffs, the band has crafted over 38 minutes of music that will keep you at the edge of your seat while clamoring for more.
The release immediately sets the tone with the slowly building atmosphere crafted in “Matriarch”. Crafting a powerful wall of sound, the guitars are quite punishing and quite relentless from the start. As “Unearthly Glow” rolls around, we get a more structured Death/Doom dynamic with powerful growls and weeping guitar leads, all tucked between crushing riffs and a very tight tempo.
Just in time for the gloomy October weather, today we have Amenra and their ravaging sixth full-length release “MassVI”. Unleashing over 41 minutes of music spread out in six tracks, the band continues their musical journey into darker and gloomier territories by making their sound even more massive and emotional. Perfectly engineered to be loud and punishing this release is one that you can’t miss.
Opening with the slow progression of “Children of the Eye”, the band brings back the punishing riffs and raw screams that have made them a household name in their genre. This track slowly introduces Doomier and more melodic and emotional passages that feature mournful clean vocals. After a short spoken-word track, the band comes back with a vengeance with the moody and hypnotic guitar work of “Plus Près de Toi”, which is part sludgy and part highly atmospheric.
Unleashing their latest opus, today we have Seattle’s Bell Witch with “Mirror Reaper”. Clocking in at a massive 83 minutes, this one-track release is going for the record of longest Funeral Doom Metal song. After the untimely death of founding member Adrian Guerra, we wondered about the future of Bell Witch, luckily for all the fans the new release has arrived and it is a monumental one.
Slowly building up momentum with sparse punishing riffs and killer growls, this track is in no hurry to reveal its secrets. As things get settled for a bit, we have weeping guitars and very dramatic atmospheric elements that perfectly blend with the melancholy of the clean vocals. We particularly enjoy that when listening to this behemoth of a song, we get lost in the musical progression and before we know it we are more than 40 minutes into the track.