After catching everybody by surprise with their dreamy 2017 debut, “Sirens & Slumber”, Bay Area’s Mountaineer returns with a more mature and equally aurally pleasing release titled “Passages”. Divided into two four-track sections, this album further expands the band’s dreamy Post-Metal/Post-Rock/Shoegaze sound.
The first movement, “Hymnal”, opens with the very moody and dreamy “Passage I”. The band sets a very light and emotional opening that quickly escalates into Post-Metal territories with lush guitar riffs and the visceral raspy screams of vocalist Miguel Meza. The battle between dreamy and crushing passages reaches its climax as “Passage III” intertwines both styles very skillfully and “Passage IV” slowly winds down a very emotionally intense first part of this release.
Continuing their meteoric rise on the Post-Black Metal ranks, today we have Austria’s Harakiri for the Sky and their fourth full-length release “Arson”. Delivering their most refined album to date, this duo unleashes a very melancholic vibe through their poignant style while perfectly balancing aggression with melody. Formed back in 2011, this outfit has constantly been improving upon their previous releases and now they are more than ready for wider appeal.
Opening with the intensity of “Fire, Walk With Me”, the band quickly showcases their signature style of mixing intricate drumming with crushing guitar leads and energetic singing. With Matthias Sollak handling all instruments, the band’s sound stays quite intact while adding a few refinements that allow longer songs like “The Graves we’ve Dug” and “You are the Scars” flow perfectly. With some hints of Melodic Death Metal elements from bands like October Tide and In Mourning present in the previously mentioned songs riffing, we get a mellower and yet aggressive sound that quickly surrounds the listener.
Unleashing a very punishing and raw release, today we have Italy’s Ubiquity and their release “Forever/Denied”. Out on Third I Rex, this band delivers five pummeling tracks filled with hateful Post-Hardcore music mixed more modern Post-Black Metal onslaughts to keep things interesting and refreshing. If you don’t like many of the Post-BM bands because their music sometimes is too mellow, you will love the raw brutality behind this release.
The album opens in a sort of deceiving way with the angelic choir arrangements that suddenly lead to a blistering onslaught of crushing riffs and ravaging shrieks. The album title track delivers a very powerful opening with merciless power and intensity. Invoking their inner Neurosis/AmenRa, the band unleashed the powerful riffage of “Hopes”, perfectly complemented by intense drumming and harrowing vocals.
Perfectly combining the extravagance of Cult of Luna, the fragility of Sinistro and the madness of Eths, today we have France’s Përl and their sophomore release “Luminance”. Unleashing over 30 minutes of highly intoxicating music, the band’s sound is a very unique melting pot of influences that creates a very intricate and yet refined sound unlike anything else you have ever heard. For those looking into the fringes of Post-Metal to find originality and brilliant execution, this album is definitely one for your collection.
Opening with the hypnotic buildup of “Himalaya (Deval part. I)”, the band perfectly settles into a jazzy and mellow vibe before unleashing some violent outburst of brutality that a few would expect, but everybody will love. There is something magical about listening to harsh vocals in French and the band will satisfy your craving with relentless aggressive passages in their music. With “Ka”, we explore the band’s more sensitive side with a lush loungey piece that slowly builds up but never gets to out of control, achieving a perfect balance and setting a very enjoyable mood.
Unleashing one of the most unique and aurally abusive releases of 2017, today we have Austria’s Las Casas Viejas and their album “goul/H”. Featuring an amalgamation of dreamy Post-Rock passages, with Doom/Sluge/Black Metal elements, the band creates a very unique atmosphere and evangelizes the listener with five brilliant tracks filled with unique elements and surprises.
Slowly building up the momentum in their opener, “Morbundus”, the band starts off slow with some interesting aural abuse, luckily it slowly progresses into delivering more punishing and demoralizing guitar riffs and a plethora of harsh vocals. Mixing Sludge elements with some different ideas, this piece perfectly leads into the Doom-esque “Kein Ort 1: nicht die Stadt und Lethargie”. The female vocals at times remind us of late The 3rd and The Mortal elements, allowing the band’s sound to have an extra unconventional element.
Just in time for the gloomy October weather, today we have Amenra and their ravaging sixth full-length release “MassVI”. Unleashing over 41 minutes of music spread out in six tracks, the band continues their musical journey into darker and gloomier territories by making their sound even more massive and emotional. Perfectly engineered to be loud and punishing this release is one that you can’t miss.
Opening with the slow progression of “Children of the Eye”, the band brings back the punishing riffs and raw screams that have made them a household name in their genre. This track slowly introduces Doomier and more melodic and emotional passages that feature mournful clean vocals. After a short spoken-word track, the band comes back with a vengeance with the moody and hypnotic guitar work of “Plus Près de Toi”, which is part sludgy and part highly atmospheric.
Unleashing a very interesting sophomore release, today we have Switzerland’s Krane with “Pleonexia”. Crafting a very unique sound that blends Post-Metal with Post-Rock passages, this band sounds like the perfect child of Neurosis and From Nebula with some influences of Cult of Lune and Russian Circles sprinkled in. With over 35 minutes of music, this is one of those mostly instrumental releases that keep you wanting to play it over and over again.
Setting the mood with the mysterious “Deception”, the band slowly lures the listener into their world as “Strategic Level” kicks in with intense percussions. In this track the band comes out of its shell and delivers a somewhat ritualistic build-up into Neurosis-esque heavy riffs. With a certain futuristic edge provided by either a Theremin or some funky electronic synths. Delivering a bit of a shift in pace, “Destabilization” sooths out the listener before the next onslaught.
For those of us that still collect physical CD’s, today we have the non-digital version of Lascar’s sophomore release “Saudade” through the A Sad Sadness Song imprint. Featuring over 42 minutes of music divided into four tracks, this release shows a more mature and defined Lascar. The songs are raw and powerful, but at the same time filled with melancholy and sorrow. If you are a fan of Post-Black Metal, this is definitely a release you don’t want to miss.
Opening with the sweeping “Tender Glow”, we are immediately thrown into Lascar’s world. The song’s raw power and melancholic guitars create a very unique and engaging contrast. The song nicely blends into the faster paced “Thin Air”, a track filled with very intense drumming and furious riffing. This one-man band has a unique ability to create contrasting passages within each track, showcasing versatility and skill.
Hailing from Italy, today we have Post-Black Metal/Blackgaze newcomers Falaise and their sophomore release “My Endless Immensity”. Following the footsteps of bands like Amesoeurs, An Autumn for Crippled Children, Heretoir, etc, this band delivers 52 minutes of highly melodic and intoxicating music that will make you an instant fan of their sound.
After a mood setting intro, the release kicks off with the mellow atmosphere of “The Embrace of Water”. Providing some brilliant Amesoeurs flashbacks, this track perfectly showcases the band’s rich and powerful sound. With dreamy guitars and contrasting tempo changes, tracks like “You Towards Me”, “Crimson Clouds”, and “Dreariness” deliver excellent atmospheric experiences that evoke the likes of Alcest and Lantlos, but with Falaise’s own unique touch.
Hailing from Belorussia, today we have Lunacy, formed by Morena and Stone of Closed Room fame. In this full-length release, “Act One. Youth Manifesto”, we are treated to eight tracks of brilliant atmospheric Rock / Post-Metal in the vein of The Gathering, Amesoeurs, and Closed Room. If you like uniquely odd and very emotional female led dreamy music, this is definitely a release worth checking out.
Opening with the melancholic “The Ballad of Youth”, we are instantly graced with Morena’s sultry vocals surrounded by dreamy guitars and a very moody tempo. Interestingly enough this track takes a turn, and delivers a very aggressive closing. Delivering a more intense musical experience with lush guitar leads and a vibrant pace, “The First and the Last” is a very upbeat track that nicely sets the mood for this dynamic release.