After the epic “War of Ages” we waited a bit over 2 years for this Austrian outfit to deliver a new release. With “Codex Atlanticus” the band continues the Symphonic Metal musical journey with a few line-up changes and their same bombastic approach to music. Delivering ten tracks of solid Symphonic/Power Metal, the band envelops us in an aural and historical journey, within the context of Leonardo da Vinci, for over 50 minutes of music.
With the explosive opener intro track, we are eased into the superbly catchy melodic nature of “Follow Me”. This track sounds very similar to Sonata Arctica with some extra orchestrations on top. The multiple vocal onslaughts return with the hectic “Sprouts of Terror”, for this album Clémentine Delauney seems to be missing and you can hear the difference in the tracks that use female vocals.
Delivering twelve tracks of brilliant Symphonic Rock/Metal, today we have super group Phantasma and their debut release “The Deviant Hearts”. Featuring Delain’s Charlotte Wessels, Everon’s Oliver Philipps and Georg Neuhauser of Serenity fame, this band is one of the most ambitious outfits in this musical space. The band does not disappoint with brilliant songs and even more impressive guest appearances to round up an excellently crafted release, if you are a fan of symphonic/melodic music, you will not want to miss this one.
Opening with the very solemn “Incomplete”, we are instantly pleased with the excellent duet of Charlotte and Georg. After starting on a dark note, the album quickly picks up with the mellow opening of “The Deviant Hearts”. Featuring Tom Englund in this bombastic song, all fans of either Delain or Evergrey will instantly geek out due to the way both singer’s vocals blend in this track. After a very Delain-ish “Runaway Gray”, the ballad “Try” greatly showcases Chloe Lowery and Dennis Schunke’s vocal talents in a very dramatic and epic way, easily one of the best tracks in this release.
Releasing nearly an album per year since 2008, today we have Amberian Dawn and their latest opus “Innuendo”. These highly productive Fins deliver ten brilliantly crafted Symphonic Power Metal tracks that will appeal both traditional Power Metal and Gothic/Symphonic Metal fans alike. Having quickly moved on from replacing their original iconic vocalist, Päivi Virkkunen vocals are a very interesting mixture of Doro-meets-Timo Kotipelto.
Quickly opening with the intense “Fame & Gloria”, we are taking into a very balanced world of Nightwish-meets-Sonata Arctica, with the solid guitar works and Päivi’s angelic but powerful vocals. Seamlessly integrating lush atmospheric elements into the music, the band delivers songs like “Ladyhawk” and “Innuendo”, both of which will keep you headbanging from start to finish. If you like more Symphonic/Gothic Metal things, tracks like “The Court of Mirror Hall” and the ballad “Aneglique” have less dominant Power Metal vibe, but are still within the band’s comfort zone.
Perfectly in time for a very gloomy October, Draconian is set to unleash “Sovran”. Four years in the making and after the departure of Lisa Johansson, the band returns with a superbly strong and very melancholic release that will become another Draconian classic. The band’s melancholic sound is greatly complemented by their new singer Heike Langhans, making this release a perfect step in the band’s musical trajectory.
Opening with bleak first minutes of “Heavy Lies the Crown” we have some crushing Doom riffs and a very oppressive atmosphere that is beautifully craved out of piano sections and solemn female vocals. As the band settles more into their classic sound, “The Wretched Tide” is filled with great vocal duels between Andres superb harsh vocals and Heike’s emotionally charged voice that nicely contrast the harshness of the music.
Heavy Metal amazon Jill Janus and crew returns with yet another solid and superbly catchy release with “Static”. Featuring a more mature sound, Huntress has clearly evolved over their meteoric rise in the last 5 years and with this release they aim to solidify their status as one of the premier modern Heavy Metal bands. Pleasing fans and luring bystanders into their sound, this release is one fin example of Huntress and their power.
Quickly blasting away with superbly catchy and energetic tracks like “Sorrow”, “Flesh” and the soaring “Brian”, Jill Janus is again the most iconic feature of the band, but the riffing also entices the listener. The band specializes in crafting catchy and simple tracks that are full of melodic guitars and a very upbeat tempo that makes you want to start headbanging. The uber catchy “I Want to Wanna Wake Up” has that old-school Heavy Metal vibe that some of the NWOBHM band brought to the scene back in the day.
Hailing from Sweden, today we have Psychedelic/Occult Rockers Year of the Goat peddling their craft with “The Unspeakable”. Having loved their 2011 MCD “Lucem Ferre”, we were looking forward to this one for quite a while. Creating a special aura filled with an authentic retro vibe and a high emphasis on melody, the nine tracks presented in this release are magical and intoxicating.
Slowly building up a very mysterious ambiance with “All He Has Read”, the band sets a magical shroud of mystery around their album early in the game. Combining elements of bands like Witchcraft, Purson, Jess and the Ancient ones, tracks like “Pillars of the South” and “The Emma” are haunting and very authentic sounding. Thomas Sabbathi is one hell of singer and his vocals greatly elevate all the songs in this album while giving them a very eerie vibe.
Continuing with the momentum of the band’s latest masterpiece “Sacrificium”, today we have Xandria and their bombastic EP “Fire & Ashes”. Featuring 35 minutes of music that span a few new songs, some re-recorded tracks and two covers, this is enough material to hold off any fan of the band and the genre until the band’s new record is ready.
Opening with a bombastic explosion, “Voyage of the Fallen”, delivers a very Epica-esque track that features very dynamic choir arrangements and a very dramatic musical progression. The band’s explosive sound is in full swing with this very apt opener, with Dianne van Giersbergen’s vocals shining from start to end. Changing the pace into a more melodic and head banging mode, the lush melodic passages of “Unembraced” make them perfect to start head banging. Both of these tracks are completely new and recorded especially for this release.
All the way from Germany, today we have Powerwolf and their sixth full-length release “Blessed & Possessed”. As one of the catchiest Power Metal bands in the world, the wolves return with another epic album filled with bombastic elements and their signature over-the-top antics. Only improving on their legacy, the band continues their musical onslaught with 11 brilliant tracks.
Setting the stage for a truly epic musical experience, “Blessed & Possessed” opens this release with crushing vocal arrangements and powerful guitar riffs. The band’s clean cut and well defined Power Metal foundations allows them to fully engage the listeners with epic songs. Attila Dorn’s vocal talents are only comparable to Joakim Brodén, meaning they are extremely amazing and very well exploited on tracks like “Dead Until Dark”. With such a charismatic presence and powerful range, tracks like “Army of the Night” are truly an amazing experience.
The highly consistent Sirenia returns with yet another masterful Gothic/Symphonic Metal release. Morten Veland has always been known for his consistency and signature approach to the genre and with “The Seventh Path”, he delivers another quality release that fans will absolutely love. Featuring 11 tracks of majestic female vocals paired with dramatic and bombastic music, this is one of those albums that will stand out this 2015.
After the lush opener “Seti”, the band delivers the explosive “Serpent”. In this moment you are instantly transported into Sirenia’s world, as the band delivers a fully immersive experience with their music. The signature growls and riffs from Morten Veland make their way, and we instantly felt right at home. With a bigger emphasis on more Symphonic elements, “Once My Light” features some very cool Gregorian-style chorus arrangements that take the song to a whole new level.
As one of the most refined bands of the early wave of Norwegian Black Metal, Satyricon has kept pushing their sound over the years. In “Live at The Opera”, we get to hear some of their earlier works and their most recent pieces play seamlessly together in a 94 minute concert that incorporates a 55-person choral arrangements into their music. Allowing the band’s sound to be more sinister than ever, this is one hell of a live release…. And we have only heard the audio portion of it.
Slowly starting with an extra creepy version of “Voice of Shadows”, the band sets the mood quite effectively with the second track “Now Diabolical”. With a very subtle usage of the choir arrangements to create very oppressive moods, the band greatly improves on songs like the previously mentioned one and other classics like “Repined Bastard Nation”. The band’s newest songs “Nocturnal Flare” and “Our World it Rumbles Tonight” feature very effective arrangements to make already catchy songs even more dynamic and engaging.