Finally returning after a five-year stint without new releases, today we have Sweden’s Diablo Swing Orchestra and their truly kooky and extremely diverse Avant-garde Metal music. With “Pacifisticuffs” we are instantly transported into the band’s unique world with thirteen brilliant tracks filled with lush instrumentation, superbly catchy melodies and chaotic creativity.
Opening with the superbly catchy “Knucklehugs (Arm Yourself with Love)”, the band makes a very quick impression with this chaotic piece that mixes everything from Punk-ish elements with Country-Western influences to Jazzy and Bluesy elements, creating a very unique song. Setting a very dark opening mood with string instruments, “The Age of Vulture Culture” leads up to some Mariachi-like passages led by the charismatic Kristin Evegård, the band’s new female vocalist. This track in particular reminds us of bands like Russkaja.
Making a triumphant return in 2016, today we have Amaranthe and their latest opus “Maximalism”. Being one of the most polarizing bands in Metal, you either love or totally hate the band. We took a bit of warming up to the band, but with time we have grown to appreciate their efforts in bringing two different worlds together in a very bombastic and creative way.
The album opens with the startling “Maximize”, a track which features all the traditional staples that have made Amaranthe world known: catchy vocal melodies, hip beats, and an addictive chorus section. The band has never denied their Pop/main stream influences and “Boomerang” is a pretty good example of this, regardless of the growls or heavy guitars.
Delivering one of the most expected releases of 2016, today we have Pysch/Prog Rockers Purson and their sophomore album “Desire’s Magic Theatre”. Since creating quite a commotion with their creepy debut release “The Circle and the Blue Door”, the band has been gaining fans left and right in all parts of the world. Featuring a richer and warmer sound, this release delivers ten brilliant tracks that perfectly highlight all the awesomeness behind this promising band.
Led by the lovely and equally intimidating Rosalie Cunningham, this UK outfit opens with the fuzziness of the album title track. This piece sets retro Rock vibe with its groovy guitars and hypnotic percussions. The full-on explosion into melodic psychedelic/proggy interludes makes this track quite a solid opener. Moving on into more ‘traditional’ Jimi Hendrix-esque territories, the band delivers the trippy “Electric Landlady”, one of the most playful and engaging songs in this release.
As one of the weirdest and most extreme insanely popular bands that we listen to, Shining returns with their own band of crazy with the epic “International Blackjazz Society”. Delivering nine tracks of truly deranged and visionary music, this is one of those releases that keeps you guessing from start to end. Jørgen Munkeby and company manage to further elaborate on their very original style and deliver one of the most diverse albums of 2015.
Setting a very chaotic and odd atmosphere with their sax madness of “Admittance”, the band is ready to pounce on the listener with the catchy riffs of “The Last Stand”. The catchiness of this track is nicely offset by the distorted vocals and trippy atmosphere. Reminding us a bit of Diabolos Rising and Industrial Black Metal bands, “Burn it All” has a very sinister vibe to it and we love it. Things get a bit more mainstream and radio-friendly with the very catchy and more straightforward “Last Day”.
Pleasantly surprising us when we received this album on our inbox, today we have Entwine and their first release in 6 years titled “Chaotic Nation”. As the whole Gothic Rock craze made popular by him has died down over the years, most of the solid bands in the genre moved to greener pastures. With the return of To/Die/For earlier this year and this new album, there seems there might be some sort of revival going for this scene.
Opening with the very Finish Metal sounding “End of Silence”, the bands makes a splash with a very dynamic and engaging song, setting a very good standard for this release. Mika Tauriainen’s vocals are as good as ever and nicely carry the band’s character as they grace songs like “Saint of Sorrow” and “Fortune Falls”. Unlike the latest To/Die/For album that was pretty bad, Entwine has adapted with the times and sounds fresh while still maintaining their signature style.
Comprised of 80% talent and 20% attitude, Finland’s Santa Cruz keep the Glam Metal flame alive with their superbly catchy music and intense stage presence. With the greats of the genre getting older and older and (finally) retiring from the scene, it is ups to bands like Steel Panther and Santa Cruz to keep this part of musical history alive and the Finns are doing a great job in keeping up with their part. In their self-titled sophomore release, the band takes their sound one step further with richer music that further develops their sound.
Opening with the hyper catchy “Bonafide Heroes”, we get a certain Bon Jovi vibe from the singer/guitarist Archie. Of course there are killer guitar solos and excellent show-off parts in this song, but the kicker is that nothing sound extremely retro or copied, but rather the band has made it their own and further expanded it with current musical trends and styles. As the insane guitar leads keep appearing on tracks like “Velvet Rope” and “My Remedy”, the band quickly establishes a high-octane mood with their superb music. Johnny and Archie do a killer job in delivering amazing guitar sections in this release.
With the whole Folk Metal craze finally dying down, it is time to see who the real players in the genre are; and Metsatöll is one of the surviving ones. With “Karjajuht” they continue their legacy of crushing releases with just enough Folk elements surrounded by pouncing guitars and heavy melodies. Showing their strengths are no gimmicks, this release delivers 12 head banging anthems that will not be forgotten.
Opening with great energy, “Külmking” nicely blends an acoustic opening with pummeling guitars and a heavy dose of melody. The band’s sound is intact and they even sound a bit more aggressive than on their previous release. The metal foundations are strong Scandinavian Death Metal pillars that nicely blend in with the ingenious instrumentation of Lauri and Atso’s percussions. Songs like “Lööme mesti” and “See On See Maa” are perfect examples of this.
After gaining quite a boost on outside of Taiwan popularity with “Takasago Army”, Chthonic returns with another very intense and equally interesting release. With “Bú-Tik” the band continues with their very thematic lyrical context and their majestic music that mixes Melodic/Symphonic Black/Death Metal elements with lush arrangements and authentic instrumentation. Proving that their last album was not a fluke, “Bú-Tik” continues with their musical intensity, and delivers ten tracks of top-notch quality.
The album opens with the very dramatic “Arising Armament”, a lush instrumental intro with a very tense vibe. The band’s musical magic continues with the powerful “Supreme Pain for the Tyrant”, a very aggressive yet atmospheric and catchy track. The vocals of Freddy Lim are impressive, and add that extra level of intensity to the music. “Sail into the Sunset’s Fire” keeps things rolling with blistering drumming and excellent riffing, a highly underrated skill from the band if you ask us. Featuring some excellent solos, this track is one of the best of the album.
If you ever wondered what Children of Bodom would sound if they had continued perfecting their sound instead of going on a tangent and producing several crappy records before 2013, you would be listening to Kalmah’s latest release “Seventh Symphony”. This Finnish outfit delivers eight tracks of awesome Melodic Death Metal filled with guitar and keyboard acrobatics and a killer sense of melody.
Blasting away with the album’s title track, we get a throwback powerful Melodic Death Metal sound with some CoB and Wintersun magic thrown into the mix. The band’s sound is quite powerful and diverse, yet it feels quite familiar thanks to the killer guitar work and magical keyboards. Recently appointed keyboardist Veli-Matti Kananen adds more dynamic keys to the band’s already intricate sound. While we were bigger fans of the band’s darker beginnings, we are all up for their current dynamic sound.
The Finish masters of Folk Metal return with another hard-hitting dosage of brilliant music that while to as good as “From Afar” it is still pretty damn entertaining. Pummeling through ten tracks, “Unsung Heroes” has very similar vibe to the band’s earlier releases: “Ensiferum” and “Iron”, but with a much more capable vocalist in Petri Lindroos. The thing we love about Ensiferum is that the band does not dwell on trying to fit millions of instruments into 4 minute tracks, but they rather focus on crafting epic melodies with the basic guitar, bass guitar, and drums combination.
Creating the perfect epic ambiance, “Symbols” opens the release in a manner that we imagine some epic medieval stuff happening like on Game of Thrones. ”In My Sword I Trust” is your quintessential ‘battle song’ with epic arrangements, powerful guitars, and very commanding vocals. Keeping up with excellent melodic guitars and very present Folk-elements, “Unsung Heroes” keeps the mood and morale quite high. This is why we prefer Ensiferum to bands like Eluivetie and Turisas, the band knows exactly how to keep the momentum going, deliver epic songs, and fuse Folk elements without overpowering the guitars and the general direction of the music.