Hailing from France, today we have dark post-punk/rock outfit Varsovie and their latest full-length release “Coups et Blessures”. Filled with moody songs and superbly catchy and somber arrangements, this release is definitely one of the ‘non-metal’ highlights we have heard in 2018. Recommended for fans of bands like Spiritual Front and similar outfits, Varsovie does a great job delivering a hard rocking release that is captivating and engaging.
Opening with the bluntness of “Coups et Blessures”, the band sets a very lively tone with catchy percussions and interesting guitar leads. The mood is quite somber and yet very raw, allowing emotions to easily flow through brilliant tracks like “Revers de l’aube” and our favorite “Va dire à Sparte”. While not even close to Metal music, these last two tracks feature some very powerful and engaging riffs that make them quite memorable and perfectly fitting for the band’s overall attitude.
Featuring remastered versions of their demo tape, “Veritas filia temporis” and two other splits, “Secular Compendium” showcases Selbst’s early days and how they have evolved to become one of the most savage Black Metal artists to ever come out of South America. Clocking in at 53 minutes, this limited release will rock your socks off and provide more insight into the band’s musical journey, not to be missed by any BM fans.
Opening with the dense riffing of “Veritas Filia Temporis I”, this album kicks off a demoralizing Black Metal journey with razor sharp guitars and an oppressive atmosphere. While staying true to their punishing nature, the band also showcases excellent melodic passages that remind us of bands like Dissection and many 90’s European BM outfits. “Veritas Filia Temporis II” continues the onslaught with hellish vocals and a somber and yet piercing atmosphere.
We are not big on reviewing split releases, but when we saw Black Mare and Offret put into one release, we got quite curious. Unleashing two very hypnotic and highly atmospheric tracks, this 7 inch vinyl and digital release transports the listeners into very carefully crafted worlds. For fans of experimental and highly atmospheric music, this is one release you don’t want to miss.
Opening with Black Mare’s “Woman the Throne”, Sera Timms crafts a very somber and Doomy atmosphere with minimalistic riffs and enthralling vocal arrangements. This track nicely flows, slowly intoxicating the listener with the incisive guitar work and ritualistic drumming. Creating a very dark and dense atmosphere, the six minute duration of this track will feel like a lot longer – in a good way.
Perfectly crafted for lovers of melancholic Doom Metal, today we have international Funeral / Death/Doom outfit Towards Atlantis Lights, and their soul crushing debut release “Dust of Aeons”. Formed by Ivan Zara and having the likes of Kostas Panagiotou in their ranks, this band delivers a truly monumental debut release, unleashing almost 60 minutes of music in four tracks.
Wasting no time, the band slowly builds up their massive sound with the 30-minute “The Bunker of Life”, filled with demoralizing riffs and haunting clean vocals, this track is deep and crushing. The subtle keyboards brilliantly layer on top of the oppressive atmosphere crafted by the guitar work and the deep growls. Between lush atmospheric passages and barrages of pummeling riffs, the time quickly passes by with this track and you won’t even realize you are 25 minutes into it, just brilliant.
Hailing from Germany, today we have Satanic Black Metal outfit Chaos Invocation and their terrifying third full-length release “Reaping Season, Blodshed Beyond”. Unleashing a foul sound, this band delivers eleven tracks of punishing Black Metal that is ravaging and relentless. With some influences of bands like Marduk, Watain and Weapon, this band has a tight sound that will certainly satisfy even the most kvlt BM people.
After the traditional atmospheric intro, the band goes full steam with the incisive riffing of “Calling from Dudail”. Perfectly blending chaotic riffing with superbly tight drumming, the band crafts very unique music that has that certain old-school vibe, but with a superb production behind it, as we can instantly notice in pieces like “To Fathom The Blooodmist” and along the savage tempo changes of “Obsession Is Always the Answer”.
Unleashing one of the most misery inducing releases of all time, today we have Mournful Congregation and their latest opus “The Incubus of Karma”. Seven years have passed since the band’s last release and all that anticipation is instantly erased with the level of grandeur the band reaches with their sound in this release. Featuring six tracks and nearly 80 minutes of music, this release is by far one of the most soul crushing albums of 2018.
The band sets a very bleak mood with the weeping guitars of the opener, “The Indwelling Ascent”. Once you think the big and crushing riffs are coming, the changes gears a bit and introduce a sad and solemn piece in “The Incubus of Karma”, which greatly contributes to the highly emotional vibe and sets a very somber tone. The gargantuan riffs finally arrive with the demoralizing “Whispering Spiritscapes”, a 15-minute piece that instantly feels like a foot down your chest.
Unleashing one of the Doomiest and most intoxicating release of 2018, today we have Italy’s Messa and their sophomore full-length release “Feast for Water”. Featuring around 50 minutes of highly mysterious and intricately crafted music, the band perfectly combines Doom and Sludgy undertones with enchanting female vocals and oppressive atmospheric elements. If you are a fan of Jex Thoth, Jess and the Ancient Ones, Bohren Und Der Club Of Gore, and similar bands with very apocalyptic vibes, this is certainly an album for you.
After opening with the mood setting Ambient/Drone-ish “Naunet”, the band instantly makes a splash with “Snakeskin Drape” and its incisive riffs. Sara’s sultry voice instantly captures the listener’s attention thanks to its commanding presence and how it shines through the very moody music. Her unique vocals can be said to be a certain mixture of Jex Thoth, Jess from Jess and the Ancient Ones and Farida Lemouchi from The Devil’s Blood, creating a fierce presence that magically brings songs to life like jazzy “Leah” and the funky “The Seer”.
Unleashing one of the best debut releases we have heard in a long time, today we have Novareign and their super release “Legends”. Featuring nine killer tracks of highly refined Progressive/Power Metal, this band kicks some serious ass with their over-the-top energy and musicianship. If you are fan of bands like Dragonforce and Stratovarius, this release will certainly keep you entertained.
Opening with the killer guitar work of “Call On the Storm”, the band quickly sets a very intense pace. Perfectly blending extreme musical skills with a good sense of melody and song structures, the band in an instant captures your full attention, particularly in marathonic songs like “Mace of a Fist”. David Marquez vocals are the perfect fit for such a dynamic and engaging sound, as we can hear in the intense “Beyond the Cold”, and the rest of this killer release.
From mastermind Olmo Lipani (AKA Déhà), today we have a truly terrifying and unique release with his band Yhdarl. With “Loss” we are treated to three ravaging (and long) tracks that border in the edge of sanity, and delivers some unique experimentation between Black/Death/Doom Metal and some Drone elements. Not for those that like well-defined genres, this release is a truly haunting experience.
Opening with the spiraling madness of “Ignite – Ashes”, the duo behind Yhdarl sets a very chaotic and intense tone. The vocals are truly deranged, a la Bethlehem circa “Dictius Te Necare” times. This song mostly delivers killer Black/Death Metal passages with an excellent atmosphere, we are reminded at times of Ancient and even Dissection.
As one of the most interesting split releases of this young 2018, today we have Spectral Lore and Jute Gyte’s split “Helian”. Featuring two tracks and over 40-minutes of intense (and highly experimental) Atmospheric Black Metal, this release demonstrates the two ‘bands’ different takes and musical translation of Georg Trakl’s poem. Which each outfit delivering a chilling and unique experience, this release is certainly not for the faint of heart.
Jute Gyte kicks off the release with a very dissonant opening that slowly transitions into a trance-like state with disparate guitars and funky atmospherics. The vocals are quite disturbing, as they capitalize on the weird atmosphere generated by the repetitive riffs and dense distortion. As the track progresses, it feels like we are descending into madness as it just keeps getting more and more chaotic and bizarre. Truly unique and interesting first ‘half’ of this release.