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  • Grey Skies Fallen - Molded By Broken Hands (2024)

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    Since While Heaven Wept disbanded a few years back, Grey Skies Fallen has been left carrying the torch for that unique mixture of Epic-ish Melodic Doom/Progressive Metal that mostly North American bands have been playing. With “Molded By Broken Hands”, the band further refined their sound while keeping their signature elements and delivering seven tracks and nearly 50 minutes of moody and melancholic music.

    Opening with the acoustic guitars of “A Twisted Place in Time”, the band quickly sets a very melancholic vibe as the doomy distorted guitars come in alongside harsh vocals and engaging atmospherics. The album title track dabbles into more atmospheric territories at first with some crafty guitar leads and it progresses with some excellent moody tempo changes.

  • Besotten/Funerelic - Abyssal Synodality (2024)

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    There are some days that you just want to play the foulest and most ravaging thing you can find to get through the day. For those days, “Abyssal Synodality”, a split release between Besotten and Funerelic, is just what the doctor ordered. Featuring four tracks, two a piece and nearly 20 minutes of music, this release is quite engaging and punishing.

  • Liv Kristine - Deus ex Machina (2024)

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    There is nothing like a re-release of an album that came out 26 years ago to make you feel old. We still remember picking up Liv Kristine’s solo debut back in 1998 and being weirded out at first about it. In “Deus ex Machina”, Liv explored a more electronic/alternative side to her, and we, at the time, just wanted another Theater of Tragedy-like release. Fast forward to 2024 and we have loved this release to the point our original digipak is quite worn down.

    Usually not reviewed here, re-releases are mostly targeted at nostalgic fans as they usually include plenty of extra special tracks (one full disc worth in this case). However, we see this re-release as an opportunity for Liv to get newer fans with her charismatic voice and excellent songwriting skills. While the masterful “3 A.M.” is the best release of this album, we get five more versions of it featuring alternative mixes.

  • Shadohm - Through Darkness Towards Enlightenment (2024)

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    Hailing from Poland, today we have a very ambitious new outfit Shadohm and their crafty/proggy Modern Metal release “Through Darkness Towards Enlightenment”. Formed by Paweł Jaroszewicz of Vader, Antigama, Batushka fame, this outfit delivers five crushing tracks, totaling 30 minutes of music, highly recommended for fans of bands like Hacride, Gojira, Architects, and Meshuggah.

    Opening with the pummeling “Through Darkness”, we get a hefty mixture of crafty drumming, engaging tempo changes, and powerful guitars. The vocals are quite fitting to the music as they switch from harsh passages to more melodic clean arrangements. For fans of Meshuggah and similar outfits, tracks like “Blurred” and “Fair Weather Friend” have a solid dose of Djenty tempo changes and layered guitars.

  • i Häxa - Part 1 (2024)

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    Unleashing a short but very interesting release, today we have i Häxa and the chaotic and yet lush “Part 1”. Featuring four songs and over 16 minutes of music, the listener is taken on an aural journey that weaves between ambient, darkwave, avant-garde, and highly atmospheric passages. If you like weird and yet cohesive and engaging releases, with no Metal elements whatsoever, give this one a spin.

  • Funeral Winds - 333 (2024)

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    Delivering a swift and brutal onslaught of pummeling rawness, today we have Funeral Winds with “333”. Featuring eight tracks and nearly 40 minutes of music, this album is not for the faint of heart as it is as raw and punishing as they come. Almost releasing one album every year after their long hiatus between 2007 and 2018, Hellchrist Xul keeps things powerful and down to basics.

  • White Death - Iconoclast (2023)

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    Closing 2023 with a fierce and punishing Black Metal release, today we have Finland’s White Death and their scorcher album “Iconoclast”. Six years or so in the making, this release unleashes 48 minutes of frosty old-school Finnish Black Metal. Filled with piercing vocals, ravaging riffs, and an overall all-out-war vibe, this release is definitely one of the best in the genre.

    Blasting away with the raw power of “Born from the Unholy Fire (Part II)”, vocalist Vritrahn delivers some of the most savage and punishing harsh vocals in the business. The vocals are greatly complemented by crafty guitars that weave between pummeling aggressive passages to more engaging and melodic territories, as songs like “Iconoclast” and “Sumum Bestiae” showcase. For those of us fans of Finnish Black Metal like Horna, Satanic Warmaster, etc., this band is sweet, sweet music to our ears.

  • Vargrav - The Nighthold (2023)

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    Capitalizing on the success of Vargrav’s first two releases, “Reign in Supreme Darkness” and “Netherstorm”, mastermind V-KhaoZ moves this outfit from a solo project to a band. In “The Nighthold”, we get a more evolved version of this Finish outfit with a gnarly old-school BM vibe to come along. While still delivering for the people waiting for 90’s Symphonic BM, the band goes the extra mile in crafting a release that is engaging and diverse and not just a rehash of their earlier epic releases and yet has that signature Vargrav sound to it.

    Opening with “Moonless Abyss of the Nighthold” and “Through the Woods of Breathing Shadows” we get that dreamy Symphonic BM fix that we were looking for, but also find a harsher and frostier edge to the band’s sound. The addition of Graf Werwolf von Armageddon (Satanic Warmaster fame) on vocals, and members of Finntroll and Moonsorrow on bass and drums, gives this release a more polished and well crafted instrumental edge.

  • One Master - The Name of Power (2023)

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    After some years of so-so USBM releases, 2023 was packed with pretty epic stuff, including One Master’s “The Name of Power”. As the band’s first full-length release in six years, this gritty and punishing release nicely evolves the band’s sound while keeping them high up in the rankings as of the best Black Metal outfits in the USA. Pouring 54 minutes of ravaging and destructive music, Valder and company do not fuck around and bring tons of attitude and power to the table with this one.

    Quickly setting an uncompromising and relentless wall of sound, “The First Names” and “The Forbidden Names” deliver waves of punishing riffs nicely flanked by intense drumming and crushing vocals. The band’s raw and stripped down production creates a very powerful effect, giving the music that unfiltered sound that live performances have. With minimal atmospherics and ritualistic change of tempos, tracks like “The Secret Names” keep the release engaging and far from linear.

  • SLOW - Ab​î​mes I (2023)

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    Setting a very slow and mournful pace, today we have Belgium’s SLOW and their latest demoralizing release “Ab​î​mes I”. Mastermind Déhà has a knack for unleashing gargantuan releases filled with crushing riffs, vocal extremes, and always a heavy atmospheric component, with this band Funeral Doom is as excruciating and punishing as it gets. With four tracks and nearly 44 minutes of music, this release is as dense as they get, evoking memories of other bands like Shape of Despair and the OGs Thergothon.

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