Hailing from North America, today we have Melodic Progressive/Heavy Metal outfit WildeStarr and their superb full-length release “Beyond the Rain”. Perfectly delivering that old school Heavy/Power Metal vibe through the sultry vocals of London Wilde, this album is perfect for fans of bands like Accept and Doro, but that want a certain Power Metal edge thrown into the mix.
Opening with the melodic riffing of “Metamorphose”, we get the first glance of Dave Starr’s guitar skills and a preview of how well they mesh together with the other instruments to create memorable and epic-sounding songs. Tracks like “Beyond the Rain” and “Pressing the Wires” warm up the listener with catchy riffs and very commanding leading vocals.
Originally released on 2017, “V – Oceans” is too much of an album to not have on vinyl, so Code666 is handling this task. Slow is a one-man project which hails from Belgium and it crafts some of the most devastating and bleak Atmospheric/Funeral Doom Metal we have ever heard. Featuring five songs, this is definitely a release you need to take in with full attention and on a dark and gloomy day.
The album starts with a very slow and mournful progression in “Aurore”. The riffing is slow and painful, allowing for the atmospheric elements to shine and lead way to the crushing growls. The band’s mastermind, Déhà, has tons of musical experience and by participating in outfits like Clouds. In Slow, he takes things even further, unleashing songs that are over 10 minutes long and perfectly paced for bleakness, just like the dreamy “Ténèbres”.
Featuring the rawness and brutality of bands like Horna, Baptism, and Entartung, today we have Germany’s Halphas and their devastating debut release “Dawn of a Crimson Empire”. Unleashing eight hymns of pure devastation, this band has a timeless sound and a level of intensity that is uncanny.
Immediately after the warm-up intro, the band beings building momentum with the diabolica-sounding mid-tempo opening of “Call from the Depths”. As the song progresses, its intensity increases, creating a very punishing and demoralizing piece with crushing vocals. The traditional BM riffing of “Through the Forest” kicks things up a notch with pummeling drums and incisive tempo changes. We particularly enjoy the expert guitar layering the band does, allowing their music to be quite expansive and raw.
Unleashing a truly intense musical outburst, today we have one-man Nyctophilia and their full-length release “Dwelling in the Fullmoon Light”. Seeing the light of day on CD format via Mara Productions, this eight tracks sonically abusive release is ready to deliver its brutal and frosty message to a wider audience. Perfectly balancing atmosphere with ravaging intensity, this release is intended for any BM fan that is also into creepy and overpowering atmospherics.
After the warm-up intro, the release fully kicks in with the punishing drumming and riffing of “As Nothing Remains Here”. The track is quite intense and very well developed, bringing back memories from bands like Anorexia Nervosa, thanks to its crushing production and intense demeanor. The brutal onslaught continues with the pummeling “Dark December Forest” and the more mysterious and dense album title track. Both of which go from Immortal-esque moments into darker and more somber vibes.
Unleashing a very punishing and raw release, today we have Italy’s Ubiquity and their release “Forever/Denied”. Out on Third I Rex, this band delivers five pummeling tracks filled with hateful Post-Hardcore music mixed more modern Post-Black Metal onslaughts to keep things interesting and refreshing. If you don’t like many of the Post-BM bands because their music sometimes is too mellow, you will love the raw brutality behind this release.
The album opens in a sort of deceiving way with the angelic choir arrangements that suddenly lead to a blistering onslaught of crushing riffs and ravaging shrieks. The album title track delivers a very powerful opening with merciless power and intensity. Invoking their inner Neurosis/AmenRa, the band unleashed the powerful riffage of “Hopes”, perfectly complemented by intense drumming and harrowing vocals.
Unleashing one of the most groovy and psychedelic releases of 2017, today we have Finland’s Jess and the Ancient Ones and their third full-length release “The Horse and Other Weird Tales”. Featuring nine songs and over 30 minutes of deeply intoxicating music, this release will transport you back in time with its funky vibe and excellent instrumentation.
Opening with the killer old-school Psych Rock vibes of “Death is the Doors”, we are instantly transported into the band’s own world. While the whole Psych Rock fad has gotten mainstream in the last few years, JATO’s leading lady is one of the main elements that sets them apart from the rest. Her sultry voice is a perfect fit for such trippy and mysterious music, and if you are lucky enough to see them live, her stage presence is truly mesmerizing.
Hailing from Japan today we have the mesmerizing debut EP of Anguis Dei, titled “Ad Portas Serpentium”. Delivering four majestic Symphonic/Melodic Black Metal hymns that remind us of the old days of Emperor, Old Man’s Child, Naglfar and Dimmu Borgir, this release is quite a musical experience for fans of the style.
Opening with the dramatic theatrics of “Maythorns Over Uroboros”, this track sets a high-octane pace for this release. The lush keyboards are perfectly contrasted with the hellish vocals and bestial drumming. We particularly love how the band handles tempo changes in order to inflict the most amounts of pain via killer guitar leads or atmospheric passages.
Perfectly combining the extravagance of Cult of Luna, the fragility of Sinistro and the madness of Eths, today we have France’s Përl and their sophomore release “Luminance”. Unleashing over 30 minutes of highly intoxicating music, the band’s sound is a very unique melting pot of influences that creates a very intricate and yet refined sound unlike anything else you have ever heard. For those looking into the fringes of Post-Metal to find originality and brilliant execution, this album is definitely one for your collection.
Opening with the hypnotic buildup of “Himalaya (Deval part. I)”, the band perfectly settles into a jazzy and mellow vibe before unleashing some violent outburst of brutality that a few would expect, but everybody will love. There is something magical about listening to harsh vocals in French and the band will satisfy your craving with relentless aggressive passages in their music. With “Ka”, we explore the band’s more sensitive side with a lush loungey piece that slowly builds up but never gets to out of control, achieving a perfect balance and setting a very enjoyable mood.
Joining forces with Throats Productions, today we have Hypnotic Dirge Records unleashing another brilliant release filled with Atmospheric Black Metal goodness. “Origins” is a split release between USA’s Ah Ciliz and Italy’s one-man outfit Chiral. Featuring a total of five crushing tracks, we are left with great impressions from both of this promising bands.
Opening with Ah Ciliz, the band unleashes the raw power of “Cascadia”, a song very intense and expertly crafted to pack a mean punch. Lurking beneath the punishing riffs and excellent drum patterns, we have a lush melody that makes this track quite engaging. Moving into more atmospheric territories, the lush “Moonlight in Night Season” perfectly changes the pace and delivers a very melancholic and emotional side to the music.
Having a great eye for aurally abusive releases, I, Voidhanger Records, unleashes this December, the debut release of experimental Death/Doom/Black outfit Tongues. With “Hreilia”, the band delivers seven highly disturbing, chaotic and yet very enjoyable tracks that are quite bizarre in nature. Mixing elements from Death/Doom/Black Metal genres into a very unique amalgamation of styles, this release transports the listener to a hellish universe since the first track.
Opening with the funky weirdness of “Perennial Waves”, the listener gets to warm up to a very dissonant and yet enthralling mournful opening that suddenly explodes into full-on madness. We particularly enjoy the sickening vocals and the very raw vibe transmitted. The madness takes a more traditional Black Metal shape with the punishing “Theophagous Wounds of Earth”, and its killer bass guitar line. This is certainly one of the most brutal tracks in this release with a relentless drum track and incisive riffs.