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    Vargrav - The Nighthold (2023)

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    Capitalizing on the success of Vargrav’s first two releases, “Reign in Supreme Darkness” and “Netherstorm”, mastermind V-KhaoZ moves this outfit from a solo project to a band. In “The Nighthold”, we get a more evolved version of this Finish outfit with a gnarly old-school BM vibe to come along. While still delivering for the people waiting for 90’s Symphonic BM, the band goes the extra mile in crafting a release that is engaging and diverse and not just a rehash of their earlier epic releases and yet has that signature Vargrav sound to it.

    Opening with “Moonless Abyss of the Nighthold” and “Through the Woods of Breathing Shadows” we get that dreamy Symphonic BM fix that we were looking for, but also find a harsher and frostier edge to the band’s sound. The addition of Graf Werwolf von Armageddon (Satanic Warmaster fame) on vocals, and members of Finntroll and Moonsorrow on bass and drums, gives this release a more polished and well crafted instrumental edge.

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    One Master - The Name of Power (2023)

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    After some years of so-so USBM releases, 2023 was packed with pretty epic stuff, including One Master’s “The Name of Power”. As the band’s first full-length release in six years, this gritty and punishing release nicely evolves the band’s sound while keeping them high up in the rankings as of the best Black Metal outfits in the USA. Pouring 54 minutes of ravaging and destructive music, Valder and company do not fuck around and bring tons of attitude and power to the table with this one.

    Quickly setting an uncompromising and relentless wall of sound, “The First Names” and “The Forbidden Names” deliver waves of punishing riffs nicely flanked by intense drumming and crushing vocals. The band’s raw and stripped down production creates a very powerful effect, giving the music that unfiltered sound that live performances have. With minimal atmospherics and ritualistic change of tempos, tracks like “The Secret Names” keep the release engaging and far from linear.

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    SLOW - Ab​î​mes I (2023)

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    Setting a very slow and mournful pace, today we have Belgium’s SLOW and their latest demoralizing release “Ab​î​mes I”. Mastermind Déhà has a knack for unleashing gargantuan releases filled with crushing riffs, vocal extremes, and always a heavy atmospheric component, with this band Funeral Doom is as excruciating and punishing as it gets. With four tracks and nearly 44 minutes of music, this release is as dense as they get, evoking memories of other bands like Shape of Despair and the OGs Thergothon.

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    Délétère - Songes d'une nuit souillée (2023)

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    Unleashing a punishing exercise in Black Metal brilliance, Quebec’s Délétère delivers “Songes d'une Nuit Souillée”. As their first full-length release in five years, the band unravels 42 minutes and eight tracks of high-octane Black Metal filled with eerie atmospherics and incisive melodic undertones. If you like bands like Algazanth, Sargeist, Seth, and everything in between this is the release for you.

    Blasting away with the ravaging “Chasse obscène”, the band quickly delivers waves of incisive guitar riffing alongside pummeling drums and hellish vocals. Particularly the interplay between melodic passages, ominous atmospherics and the choral arrangements create a unique and devilish atmosphere. This atmosphere is perfectly preserved as “Sacre de la perversion”, “Foutredieu”, and “Messe scandaleuse” roll around.

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    Krieg - Ruiner (2023)

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    In their first full-length release in nearly ten years, Krieg returns to continue pushing the boundaries of USBM with a moody and yet highly engaging Black Metal release. Perfectly balancing the rawness and naivety of their older releases with the more restrained, atmospheric, and at times melodic nature of their more recent work, “Ruiner” delivers nearly 40 minutes of crushing music. If you are a fan of USBM, you can’t afford to miss this one.

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    Ravenoir - Cultus Inferi (2023)

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    Unleashing a highly effective Death Metal release with some atmospheric and melodic touches, today we have Czech Republic’s Ravenoir and their third full-length release in a span of three years, titled “Cultus Infer”. For the uninitiated, the band creates an interesting amalgamation of old-school DM with some more modern influences. If you are looking for a nice release that has a modern Morgoth-esque vibe, be sure to check this one out.

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    Netherdom - Forsaking, Forseeking (2023)

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    Unleashing an extremely raw and powerful Black Metal, today we have France’s Netherdom and his solo release titled “Forsaking, Forseeking”. Featuring three songs and over 40 minutes of demoralizing music, this release is dense, punishing, and very visceral, instantly creating a feeling of unease and despair. If you are looking for something sinister, brutal, and yet quite atmospheric, look no further and get a copy of this release.

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    Amorphis - Queen of Time - Live at Tavastia (2023)

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    Polishing their live shows over the years, Amorphis now a well oiled machine that can deliver a killer show to a packed arena, but also face-melt the crowd on more intimate club shows. For those that haven’t been able to catch the band live, their latest release: “Queen of Time - Live at Tavastia”, perfectly captures their intensity and precise delivery of their crafty music. Recorded during COVID-19 times, this live album is a testament to the bands tenacity and brilliant live showmanship.

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    Nebelkrähe - Ephemer (2023)

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    Hailing from Germany, today we have the strange but quite awesome Nebelkrähe and their first release in ten years “Ephemer”. Combining elements from bands like Eisregen, Pensées Nocturnes, Devil Doll, The Vision Bleak, User Ne, etc., this outfit delivers seven tracks and over 50 minutes of catchy, melodic, and yet odd music. Full of blistering onslaughts alongside a wide range of different instruments like saxophone, harp, dulcimer, the band creates a very melancholic atmosphere that is quite bleak and exciting.

    Opening with “Tumult auf Claim Abendland”, the band sets a dissonant mood thanks to its lush acoustic opening that suddenly tours dark and sour with the distorted guitars and harsh snarls. With the band singing exclusively in German, the vocals sound harsher than average, reminding us of Eisregen. While not being soft or too melodic, tracks like “Nielandsmann” and “Ephemer” have a very theatrical vibe, with lush melodic passages alongside creepy clean vocals creating a doomy atmosphere.

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    Heretoir - Nightsphere (2023)

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    Unleashing one of the best Post-Black Metal releases of 2023, today we have Heretoir and their crushing third full-length release “Nightsphere”. Showing great promise with their earlier “Wastelands” EP, this release delivers on that promise clocking in at 42 minutes and five masterful tracks. Filled with dreamy and bleak soundscapes, this release will please any fan of the genre and the band.

    Opening with the dramatic “Sanctum - Nightsphere Part I”, we get an elegant piece oozing melancholy thanks to its lush vocal arrangements (both harsh and clean) and its very crafty pace. For those looking for more typical pieces, “Twilight of the Machines” has that mid-tempo brilliance the band is known for, with blistering onslaughts mixed in between atmospheric passages. The band’s weeping lead guitars are to die for, and this release provides plenty of them.

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