Hailing from Switzerland, today we have Instrumental Post-Metal/post-rock quartet Khaldera and their EP “Alteration”. Delivering three tracks of dreamy atmospheric music, this release showcases the band’s ability to craft captivating music which feels natural and organic. For fans of bands like Lebowski, Isis and God is an Astronaut, this release will transport the listener into ethereal worlds.
The album slowly builds up with the spacey “Impending Tempest” and its piercing riffs. This track reminds us of a less extreme version of The Ocean. As soon as this initial track is done, the sheer power of Khaldera is felt with the punishing guitar work of “The Inevitability of Transition”. The band perfectly balances dreamy and slow passages between pummeling riffs and tight drumming section. This track is definitely the heaviest and most complex of the release.
Hailing from Finland, today we have the legendary Throes of Dawn finally delivering a new release after six years of waiting. As one of the first Finish Progressive/Melodic Black Metal bands in the 90’s, their sound has truly evolved into a magical combination of Atmospheric/Progressive/Gothic/Dark Metal elements. Featuring over 65 minutes of music, the seven tracks presented in “Our Voices Shall Remain” will transport the listener to very emotional melodic realms.
Slowly building up with the hypnotic atmosphere of “Mesmerized”, the band creates a very subtle dreamy vibe thanks to the distant guitars and bass guitar line. The band’s earlier Black Metal days are still infused in the music, as songs like “We Used to Speak in Colours” start off quite heavily and slowly mellow into the album’s groove. Only using clean vocals, Henri Koivula, manages to sound a bit like Jukka Vuorinen from Decoryah, adding an extra layer of emotions to the music, tracks like “Lifelines” are a perfect example of this.
Hailing from Finland, today we have a very strange and totally awesome release from Kuolemanlaakso. Departing away from their typical Death/Doom influences, this release is Markus Laakso’s brainchild, allowing it to be weirder and less straightforward. While not the typical release for this band, this release delivers eight very unique tracks that showcase a different creative side from some of the band members.
Opening with the gloomy “Children of the Night”, we instantly hear the difference when it comes to tempo and atmosphere. Laakso’s vocals are quite good for the genre, making the tracks quite mysterious while having the authentic deep Gothic Rock/Metal sound. With the catchy and somewhat “Rolls the Dice with the Devil” and “Where the River Runs Red” following up next, the band manages to sound like a mixture of bands like The Vision Bleak, Type O Negative and even some hints of H.I.M… all in a very good way.
Arriving from Spain, today we have Thybreath and their very interesting Modern Thrash Metal sound. Delivering ten tracks of high-octane music, “Where the Gods Fall” provides the listener with plenty of ammunition to headbang their way into a coma. Perfectly mixing old and new influences, this band will surely get any Thrash Metal fan excited.
Opening with the eerie kids chants on the intro track, the band sets a creepy mood that is nicely capped with the high level of intensity of “The Bogeyman”. In this song at some point, the band has a certain Amon Amarth sound to them due to the combination of harsh vocals and catchy riffing. Never straying too far from their Thrash roots, “Deceit and Letdown” is a perfect example of a well-crafted Modern sounding Thrash anthem filled with crafty guitar leads and catchy melodic passages.
Hailing from the Bay Area, today we have Mountaineer and their very unique and emotional mixture of Doom/Sludge influences with dreamy Post-Rock/Shoegaze passages. Featuring members and ex-members of bands like Lament Cityscape, Lycus, and Secrets of the Sky, this outfit delivers a very solid two song EP as their debut release.
Opening with the crushing Doom riffs of “Come Fever”, you instantly get My Dying Bride-esque flashbacks. However, once the clean vocals appear, you know you are in for a completely different experience. Perfectly contrasting emotive vocals with punishing guitars, this track slowly moves into more ethereal atmospheres with Post-Rockish vibes and soaring weeping guitars.
Hailing from the dark depths of South America, today we have Colombian trio Nox and their demoralizingly crushing Black Metal 7-inch “Ancestral Arte Negro”. Featuring four raw and punishing tracks, this release brings forth a very organic BM sound that reminds us of the early days of the genre.
The release kicks off with the brutal onslaught brought forth by “Espectro”. The music is quite straightforward, but to the point delivering catchy riffs and powerful shrieks. The grainy sound behind the band’s sound gives it that certain vibe that 90’s releases used to have. Preparing for all-out war, “Atravesando El Umbral” is yet another powerful piece filled with pummeling drumming and a very chaotic and devastating tempo.
Hitting the listener like a bag of bricks to the face, today we have the latest exercise in brutality from Cancerous Womb and their EP “It Came to This”. Featuring three songs and a cover track, this release showcases the sheer brutality behind the band’s pummeling Brutal Death Metal/Grindcore style. Definitely not recommended for the weak of mind, this release does a great job in keeping the listener headbanging and entertained from start to finish.
Opening with the crushing riffing of “The Shrieking of Idiots”, the band sets a very tight precedent with catchy riffs and tight drumming. The vocals switch between deep growls and raspy shrieks, allowing for nice tempo transitions between the songs. Things move into the extreme with the totally chaotic and grindcore-ish “Formless” for about 60 seconds, showcasing a very drastic transition between songs.
Featuring a very complex and yet imposing sound, today we have Italy’s Summit and their debut full-length release ”The Winds that Forestall Thy Return”. Divided in 5 songs that last around 32 minutes total, the band does a pretty interesting job in combining Progressive Metal influences into a thick wall of Post-Metal elements. With a certain improvisational vibe, this release will surely grab your attention and will always keep you guessing what is coming up next.
The album commences with the sinister riffs of “Hymn Of The Forlon Wayfarer”, this 10-minute track slowly builds up as the intensity grows. This song reminded us of early Dysrhythmia stuff, but a bit less convoluted and more approachable. With the intensity in full swing, tracks like “Pale Moonlight Shadow” do a great job in keeping the momentum going and deliver very intricate passages with cool tempo changes, contrasted by whispers and screams in the background.
Hailing from Texas, today we have Goatcraft and its very unique and dark ‘Necro-classical’ brand of Neoclassical music. Focusing on having a very sinister atmosphere, this release delivers 10 tracks of Instrumental keyboard/piano music that will haunt your dreams. A bit more somber than Charmand Grimloch’s work, this release offers a nice change of pace from our traditional Metal musical exploits.
Opening with the lush “Beyond Nothingness”, this one-man outfit creates a very dark and mysterious mood. With compositions like “The Rape of Europa II” and “Plague” we are feel like we are in the middle of the score of a horror movie and we can’t get out (in a good way). Perfectly blending lush atmospheric synths with the dramatic pianos, “The Great Morality” is one of our favorite pieces.
Creating a very interesting mix of Thrash, Punk, Hardcore influences, today we have La Horde and their crushing release “Dystopia”. Featuring 14 tracks of intense music, this release will keep the listener engaged from start to end and quite amused for the durations of the album. If you are looking for a mixture of Municipal Waste with Hatebreed and Unearth, this band should be of interest.
The album quickly makes an impression with the intense “Soleil Noir” and the Thrashy “Nous Saviouns”. By this point, the listener should still be trying to digest the unique style of the band, but at the same time being strangely attracted to it. The album continues to intoxicate the listener with the Punk-ier edge of tracks like “Ravage” and “Le Monde Inverti”, while still retaining that crushing Thrash Metal riffing which borrows from bands like Exodus and Dark Angel.