Arriving via Pellagic Records, today we have Sweden’s pg.lost and their latest opus “Versus”. Featuring seven track of intoxicating Instrumental Post-Rock, this release takes the listener into a sidereal journey thanks to the band’s ample musical creativity. Highly recommended for fans of bands like God is an Astronaut, EF and Tides from Nebula.
Opening with the mysterious “Ikaros”, the band starts their journey with a trippy and spacey vibe in this track. Brilliantly changing the tempo of the release, “Off the Beaten Path” picks up the pace and delivers a punchy bass guitar line that is nicely enveloped by catchy percussions and heavy atmospherics. The band does a great job in delivering tracks that slowly build up and peak nicely with crushing moments of heaviness like both “Monolith” and “Versus”.
Hailing from the USA, today we have a very unique band under the moniker Wolfpack 44. Formed by members of Electric Helfire Club and Kult ov Azazel , the band plays a very unique blend of Industrial Black Metal with some experimental elements. Featuring over 45 minutes of music, this release will appeal to fans of bands like Mysticum, Aborym and Diabolos Rising.
After the disturbing atmospheric intro, the band unleashes its full power with the pummeling riffs and oppressive atmosphere of “The Black March”. Perfectly mixing incisive guitars, tight drums and superbly harsh vocals, this track sets a very brutal tone. Following with the completely deranged “Rituale Romanum” featuring Dana Duffey on guest vocals, the band makes it clear that this release will be a true roller coaster ride.
Hailing from Spain, today we have Unbegotten and their savagely demoralizing Black Metal. Unleashing their debut release “Proem of the Unborn”, via Forever Plagued Records and on tape, this album delivers 21 minutes of soul crushing old-school Black Metal. Featuring four tracks and an intro, this is one of those tapes that will bring you to your early days of listening BM.
The only break the listener gets in this release is the mood setting intro, once “Into the Entrails of my Deliverance” kicks in, the band crafts a dissonant wall of sound that enshrouds the listener. The band’s sound is raw and basic, but with melodic moments and quality songwriting. Tracks like “Porphyric Curse” deliver solid drumming and catchy riffs that perfectly complement the demonic vocals.
Never ceasing to amaze us, today we have another killer release from Sun & Moon Records: Svoid – Storming Voices of Inner Devotion. Hailing from Hungary, this band nicely blends Post-Punk, Post-Rock, and Black Metal in a very unique way, kind of sounds like a mixture of Amesoeurs and Watain. Delivering 11 tracks of truly unique and catchy music, the band delivers one of the most unique and chaotic releases of 2016.
Opening with the devilish riffs of “Through the Horizon”, this track has a very unique tempo that completely contrasts the Black Metal elements, similar to what Ihsahn achieves in his latest releases. This contrast is actually what makes this release quite engaging an intoxicating, as you feel that something is a bit off, but in the best of ways. Creating a unique balance between the Post-Punk/Post-Rock and the rawness of their Black Metal foundations, tracks like “Crown of Doom”, “Death, Holy End” and “Never to Redeem” are truly magical and super interesting.
Perfectly marketed as a no-bull Epic Doom Metal outfit, today we have Sweden’s Void Moon and their sophomore full-length release titled “Deathwatch”. Presenting the listeners with nine brilliant tracks full of melancholy, this band focuses on epic soaring vocals and sorrowful riffs. Drawing comparisons with bands like the epic Candlemass and Solitude Aeturnus, this album will surely keep any fan of the genre at the edge of the seat.
Leading with the mournful riffs of “Rivers of the Moon”, the album instantly showcases the brilliant vocals of Jonas Gustavsson. The overall tempo of this track is brilliant, allowing the punishing riffs to brilliantly offset the clean vocals. By featuring such a clean and professional production, tracks like “Where the Sleeper Lies Awake” and the Pentagram-esque “Assassin of an Age”, the band allows to have a timeless sound while being quite clean and direct.
Hailing from Switzerland, today we have Instrumental Post-Metal/post-rock quartet Khaldera and their EP “Alteration”. Delivering three tracks of dreamy atmospheric music, this release showcases the band’s ability to craft captivating music which feels natural and organic. For fans of bands like Lebowski, Isis and God is an Astronaut, this release will transport the listener into ethereal worlds.
The album slowly builds up with the spacey “Impending Tempest” and its piercing riffs. This track reminds us of a less extreme version of The Ocean. As soon as this initial track is done, the sheer power of Khaldera is felt with the punishing guitar work of “The Inevitability of Transition”. The band perfectly balances dreamy and slow passages between pummeling riffs and tight drumming section. This track is definitely the heaviest and most complex of the release.
Hailing from Finland, today we have the legendary Throes of Dawn finally delivering a new release after six years of waiting. As one of the first Finish Progressive/Melodic Black Metal bands in the 90’s, their sound has truly evolved into a magical combination of Atmospheric/Progressive/Gothic/Dark Metal elements. Featuring over 65 minutes of music, the seven tracks presented in “Our Voices Shall Remain” will transport the listener to very emotional melodic realms.
Slowly building up with the hypnotic atmosphere of “Mesmerized”, the band creates a very subtle dreamy vibe thanks to the distant guitars and bass guitar line. The band’s earlier Black Metal days are still infused in the music, as songs like “We Used to Speak in Colours” start off quite heavily and slowly mellow into the album’s groove. Only using clean vocals, Henri Koivula, manages to sound a bit like Jukka Vuorinen from Decoryah, adding an extra layer of emotions to the music, tracks like “Lifelines” are a perfect example of this.
Hailing from Finland, today we have a very strange and totally awesome release from Kuolemanlaakso. Departing away from their typical Death/Doom influences, this release is Markus Laakso’s brainchild, allowing it to be weirder and less straightforward. While not the typical release for this band, this release delivers eight very unique tracks that showcase a different creative side from some of the band members.
Opening with the gloomy “Children of the Night”, we instantly hear the difference when it comes to tempo and atmosphere. Laakso’s vocals are quite good for the genre, making the tracks quite mysterious while having the authentic deep Gothic Rock/Metal sound. With the catchy and somewhat “Rolls the Dice with the Devil” and “Where the River Runs Red” following up next, the band manages to sound like a mixture of bands like The Vision Bleak, Type O Negative and even some hints of H.I.M… all in a very good way.
Arriving from Spain, today we have Thybreath and their very interesting Modern Thrash Metal sound. Delivering ten tracks of high-octane music, “Where the Gods Fall” provides the listener with plenty of ammunition to headbang their way into a coma. Perfectly mixing old and new influences, this band will surely get any Thrash Metal fan excited.
Opening with the eerie kids chants on the intro track, the band sets a creepy mood that is nicely capped with the high level of intensity of “The Bogeyman”. In this song at some point, the band has a certain Amon Amarth sound to them due to the combination of harsh vocals and catchy riffing. Never straying too far from their Thrash roots, “Deceit and Letdown” is a perfect example of a well-crafted Modern sounding Thrash anthem filled with crafty guitar leads and catchy melodic passages.
Hailing from the Bay Area, today we have Mountaineer and their very unique and emotional mixture of Doom/Sludge influences with dreamy Post-Rock/Shoegaze passages. Featuring members and ex-members of bands like Lament Cityscape, Lycus, and Secrets of the Sky, this outfit delivers a very solid two song EP as their debut release.
Opening with the crushing Doom riffs of “Come Fever”, you instantly get My Dying Bride-esque flashbacks. However, once the clean vocals appear, you know you are in for a completely different experience. Perfectly contrasting emotive vocals with punishing guitars, this track slowly moves into more ethereal atmospheres with Post-Rockish vibes and soaring weeping guitars.