After their excellent teaser of an EP “Valea Omului” back in 2010, the expectation grew immensely for Dordeduh. Consisting of the original song writers of Negură Bunget, this band has had so much expectation leading to this release that while a very solid and unique release, it kind of falls short and feels somewhat underwhelming. While not saying this release is bad, it just feels that it took so long for what it actually is.
Opening with the epic “Jind De Tronuri”, this track eclipses the band’s first EP, duration wise, since it clocks in at 16 minutes. With an excellent atmospheric ritualistic feeling, this track is quite engaging and it nicely builds up to some killer Black Metal sections with some progressive elements reminding us of Enslaved. This whole approach continues on “Flacararii”, but in this track, after the atmospheric section the band chooses to go with a very crappy raw BM part before jumping into the progressive sections. This track also shows that the band sounds a lot like Enslaved in some of their progressive parts.
With a very interesting musical proposal today we have Wisconsin’s Arbor and their debut release “The Plutonian Shore”. In the ten tracks presented in this first effort, the band mixes folk elements with Doom and Post-Metal sections in a very unusual and sometimes weird sounding fashion, but it all comes together in a very exciting way giving them a very fresh and unique sound.
Setting a very ethereal and folk-ish mood with opener track, the band quickly comes back with very aggressive vocals and a Doom-vibe on “Trees”. The music is very well crafted to not give things away too quickly and build momentum, allowing the atmosphere and expectation to grow with every note. The band’s clean vocals are definitely an ‘acquired’ taste and for sure need some work, but they are used to perfection to contrast the harsh screams and the rest of the more ‘growly’ vocals.
As a side project of members of Negură Bunget, Din Brad delivers very interesting and exotic Neofolk music that creates an atmosphere unlike anything we have ever listened to. With “Dor”, the band crafts 11 tracks of dark and somber music that will send chills down your spine and will make you appreciate and dig-up more about Romanian folklore and history.
Opening with the bone chilling “Amar”, the music of Din Brad is stripped down from any Metal influences and presents traditional instruments (i.e. panpipe) surrounded a by heavy atmospheric elements and a the excellent and enchanting exotic vocals of Alma. The lush and organic sound to the band is pretty awesome since it transports you to outer worldly locations in one instant. The folkish edge of the male vocals in songs like “Poarce'n Suflet Greu Păcatu” might not be everybody’s cup of tea, but it gives that sense of authenticity to the music that many other Neofolk bands are lacking these days.
Making its way from Italy, today we have Evenoire’s debut full-length release titled “Vitriol”. Featuring a Gothic Metal sound with some Folk elements, Evenoire manages to sound a little bit different than ‘traditional bands’ giving them a small edge over the competition. With 9 tracks of music, “Vitriol” is a very solid debut effort that while having some minor issues, shows that the band is ready to be heard.
With a very ethereal opening track titled “Vitriol”, the band sets a very lush fantasy-like atmosphere that generates high expectations for this release. This is nicely continued with the very classically inspired “Days of the Blackbird”. The band’s singer Elisa "Lisy" Stefanoni has a very sweet voice that has that natural retro sound at times, when bands had regular singers on not extremely trained ones, but she can also do all the classical stuff very graciously.
With a very interesting combination of atmospheric and folk elements with brutal Black Metal, Foret D’Orient delivers us their first EP called “Essedvm”. In this release the band instantly reminded us of the early Dismal Euphony releases, a feat that no band has done to date. Featuring six brilliantly crafted tracks, this Italian band delivers just the right amount of melody and atmosphere to offset the Black Metal side of things and create very emotional and powerful songs.
With a lush and epic opening track with “Campo Di Marte”, the band really generates expectation in the listener. The acoustic sections are very well introduced and nicely help in the build-up process. “Sagitta” wastes no time and delivers powerful riffing accompanied with hellish vocals, this song nicely evolves into a more melodic territories as the song progresses. The use of the harp in this song is very eerie and works wonderfully when paired with some whispers, just to fully explode into powerful riffs and harsh vocals. This hypnotic atmosphere is what we usually yearn for, and this band excels at it, too bad the song ends somewhat abruptly.
After five years of ‘silence’, Tenhi band finally returns with another mystical exploration into the dark realms of neo-folk music with “Saivo”. Keeping their very dark yet lush sound intact, the band delivers 12 tracks of majestic compositions that push the boundaries of Tenhi’s sound into less traveled areas of musical exploration.
Four years in the making, “Saivo” marks the band’s best release to date. This is due to the complexity of the songs presented and the amazing atmosphere created in this release. The dark and minimalistic passages are always present while the enigmatic vocals push the somber atmosphere into darker places. If you never heard of Tenhi before, it is very hard to find a way to explain how something this somber can be as beautiful as it is, so we strongly recommend you check out some of the band’s earlier material.
Finally! And American act that can rival European bands in the lands of dark Folk/Neo-Folk music. Aerial Run’s latest offering “Valleys of the Earth” delivers a very engaging and ethereal album that will surely gain them some comparisons to: Ulver (very early), Empyrium (a bit less dark and lush), The Moon And The Nightspirit, and similar bands.
The album starts with the very somber “Amends”, this track nicely features lush acoustic guitars and very depressing vocals. While the album is not reeking of originality, all compositions in this release are very pleasing a ranging between different moods. The album nicely builds up and around track six; we have ‘faster’ paced sections that unsettle the flow (in a good way).
As the last part of a trilogy, “Andromeda Awaiting” closes of the band’s previous two albums “Nihil” and “Knell” with a very melodramatic sound of beautifully constructed neo-classical/neo-folk pieces. Produced and written by Fredy Schnyder, this album has the same cinematic feeling that the band’s previous releases have presented us and provides a peaceful closure to a 4 year writing period.
The beautiful vocals of Maria D'Alessandro adorn this release since the opening track and provide a very solemn performance that at some points (like on “II”) will give you the chills. On the other side we have some male vocals on here and there that give that extra touch to this release to make it a very personal and emotive.
Released as a compilation album “Travellers” features most of the band’s earlier works and two unreleased songs. All of the earlier songs have been re-worked and sound better than ever. If you are into Neo-folk and Avant-garde music, this is a brilliant opportunity to catch up with the band’s discography.
“Travellers” starts off with the 4 songs of the “Krähenkönigin”. All of these songs are mainly neo-folk pieces and feature no vocals. Fredy Schnyder the band’s mastermind, multi-instrumentalist, producer, mixer, and jack of all trades has done a great job in making these four songs sound even better than the first time.
After gaining widespread popularity with their “Bitter ist's dem Tod zu dienen” album, one of the first ones to introduce Folkish elements with Black Metal back in 1999, the band has been constantly experimenting and releasing more and more interesting album every time. While plenty of people never understand the path of a band like this, we have loved almost every single album this band has put out.
On “Flammentriebe”, the band returns to some of their most brutal roots and delivers one hell of an album. Featuring 8 tracks of atmospheric neo-folk/classical metal with Black Metal attacks, Dornenreich makes it very hard for us to find a band that has done it before as graciously as them in this release. Each track is beautifully adorned with the amazing violin skills of Thomas Riesner and with Moritz Neuner back on drums, the sonic aggression never stops.