After gaining quite a boost on outside of Taiwan popularity with “Takasago Army”, Chthonic returns with another very intense and equally interesting release. With “Bú-Tik” the band continues with their very thematic lyrical context and their majestic music that mixes Melodic/Symphonic Black/Death Metal elements with lush arrangements and authentic instrumentation. Proving that their last album was not a fluke, “Bú-Tik” continues with their musical intensity, and delivers ten tracks of top-notch quality.
The album opens with the very dramatic “Arising Armament”, a lush instrumental intro with a very tense vibe. The band’s musical magic continues with the powerful “Supreme Pain for the Tyrant”, a very aggressive yet atmospheric and catchy track. The vocals of Freddy Lim are impressive, and add that extra level of intensity to the music. “Sail into the Sunset’s Fire” keeps things rolling with blistering drumming and excellent riffing, a highly underrated skill from the band if you ask us. Featuring some excellent solos, this track is one of the best of the album.
Finally returning to their days of glory, today we have Children of Bodom and their most cohesive release since “Hate Crew Deathroll”. With “Halo of Blood” the band returns to their playful and skillful entertaining music that is both technically proficient and quite catchy. Having tanked their last 3 releases, it is quite refreshing to hear the band going a bit back to their roots and re-capturing the elements that made them the successful band they are now.
With the opener “Waste of Skin”, the band instantly delivers their signature CoB sound with catchy keyboards and excellent lead guitars. Once the rhythmic guitars come in, the song already hooked you because of its catchiness. Alexi Laiho’s solos are as good as in the past, and the overall musical experience greatly brought us memories of when we first listened to the band in the past.
Delivering one of the most surprisingly awesome albums of 2013, today we have The Black Dahlia Murder and their imposing release “Everblack”. We have long discarded this band as one of the vanilla Deathcore bands since their earlier days, but today we are shocked in the excellent quality and brutality behind their latest release. Mixing elements of Melodic/Technical Death Metal with some Deathcore influences, the band has managed to craft a very powerful and devastating sound of their own over the years.
Exploding with the technical “In Hell Is Where She Waits for Me”, the band immediately showcases their excellent mixture of melodic elements with brutal DM/Deathcore sections. The music is quite intense and makes you immediately want to start headbanging. “Goat of Departure” continues the riffing onslaught with catchy melodic sections and inhuman growls. The band’s sound has surely come a long way since their earlier stuff and they now sound like a million dollars.
Hailing from Austria, today we have two-man band Harakiri for the Sky and their self-titled curshing debut full-length release. Featuring over thirty minutes of music, this release nicely blends aggressive Black Metal with some melodic and Post-Rock elements to produce five high-quality songs. Being quite aggressive and direct, this release nicely stands out from the other bands that abuse dreamy guitars and effects to create atmosphere.
“Lungs Filled With Water” starts this release with commanding riffs and very powerful harsh vocals. The band’s core Black Metal influences are nicely offset by the melodic nature of the music and the overall pace. “AM, Phychosis” starts off a bit more Post-Rock-ish in nature, but it quickly develops into another epic Melodic Black Metal anthem. While a bit repetitive, this track is quite delightful thanks to its very cool melodic passages and excellent tempo changes.
Always known for pushing the boundaries of Metal with their quite unique musical vision and extremely unexpected releases, Atrocity this time delivers a very direct and quite ‘traditional’ release that might puzzle some people. Getting slammed by the press for releases like “Werk 80” and “Calling The Rain”, the band sticks to a more traditional approach on “Okkult”. For 12 tracks, this German outfit delivers enjoyable tracks that will surely get the attention of older Atrocity fans and fans of Melodic/Symphonic Death Metal from the early 2000’s.
Opening with the Therion/Cradle of Filth-esque “Pandaemonium”, the band seems to be on track for a very direct and powerful release. The choir arrangements are quite chilling and they are greatly countered by Alexander Krull’s powerful growls. “Death By Metal” takes us back to the earlier days of Death Metal with crushing riffs and crazy solos, a great contrast from the first and following tracks, but solid nonetheless. The symphonic arrangements come back on songs like “March Of The Undying” and “Murder Blood Assassination”, both very catchy and effective tracks.
Having set the bar ridiculously high with “The Beginning of Times”, Amorphis returns with yet another very impressive release that keeps setting new standards for the band. “Circle” features the band going a bit darker with some heavier songs, but with the every present melodic Amorphis signature style with soaring vocals and lush keyboards. Delivering nine tracks of pure brilliance the band reminds us why they are the kings of Finish Metal, in our opinion.
Unleashing their power immediately with “Shades of Gray”, Tomi J’s growls are as brutal as ever and make a great impact in the opening track. The classic Amorphis transitions from harsh sections to melodic passages are excellent as always thanks to the very efficient riffing. In a darker tone, “Mission” has a very energetic vibe thanks to the vocal arrangements and playful guitar work. One of the first singles of this release is the superbly catchy “The Wanderer”, a song where Tomi J’s vocals drive the track’s melodic elements.
After a seven year absence, today we have Luna Ad Noctum and their crushing Melodic Black Metal release “Hypnotic Inferno”. Mixing influences from bands like Agathodaimon and Mactätus, their sound is perfect for nostalgic fans of Melodic Black Metal that don’t like a plethora of keyboards and synths on their releases. For nine tracks and over 39 minutes of music, the band does a solid job in bringing back the early 2000’s in terms of aurally pleasing Black Metal.
Opening with the killer “In Hypnosis” we get some of those quintessential riffs of the early 2000’s left and right. The band’s sound is quite direct and powerful, but it does feel a bit dated, maybe around the band’s last release in 2006 “The Perfect Evil in Mortal”, and now they just sound a bit date. Regardless of this, the album’s songs are killer indeed, and deliver waves of crushing riffs surrounded by tight drumming. This is perfectly evident on the following three tracks: “Fear Technique”, “You Are What You Are”, and “Abnormal Pain”.
Featuring almost 80 minutes of beautifully crafted Progressive/Melodic Rock, today we have Germany’s Blacklands and their latest release “A New Dawn”. In this very competitive and highly repetitive music scene, it is quite refreshing to hear such a heartfelt and powerful release. With “A New Dawn”, the band takes traditional Melodic Rock with Progressive elements and ads lush female vocals for a great dramatic and highly pleasing effect, something that will surely appeal to fans from Gothic Metal all the way to Progressive Rock aficionados.
Opening the release with the melancholic “Cold Embrace”, we get first glance of the excellent keyboards of Manfred Reinecke together the vivid and sultry voice of Moja Nardelli. This song also shows the clear Progressive elements in the band’s music perfectly mixed with their more melodic and at times Symphonic/Gothic Metal influences. With a folky edge, “Dance of The Witches” nicely changes up the pace and showcases the band’s versatility.
We have been very troubled by writing a review for this release since it is one very complex and intricate album that is hard to swallow in a few (dozen) spins. Building up on their already very intoxicating sound, the band brings together Groove/Technical Metal elements into some Sludge and even Heavy Metal/Hard Rock influences all coming together in some kick as Metal-with-attitude as we would describe it.
The album starts in a confusing manner with tracks like “The Chthonic Cathedral” and “DarknessDevilDeath”, both filled with killer riffs and soaring vocals, but seem very overwhelming for opening tracks. While band’s sound is very present in said tracks, we think that maybe something more approachable and mellow as “Age Ov Darkness” (and its sick melodic riffs) would have better served as a lead-up into the band’s groovy music. However, once the first two song hump is behind you, all the rest of the release is just sweet aggressive and melodic brilliance.
In the short-but-sweet category, today we have a very talented entry from the Northern lands of Finland: Neferion and their 2012 demo “The Primordial Mode”. In this four-track release, the band showcases and new and fresh style that allows them to deliver powerful tracks filled with harsh and clean female vocals delivered by the band’s vocalist Maija Saari. Combining a good dose of melody and Thrash Metal this brief release gives you a powerful insight into the band’s musical capabilities.
Opening with the powerful “Nightingale” the band delivers waves of melo-Thrash riffs that immediately grab your attention. The growls are as powerful as any male-growls and the transitions to clean vocals are very well done. The sense of melody of the track is quite engaging and gives the band that clean-cut Finish-style of Melodic Metal presence. “Daunting” keeps the energy flowing and has more of a Modern Metal vibe to it with the chorus part making the band comparable to acts like Kittie and such, but with a more aggressive edge.