Unleashing a massive double full-length release, Waldgeflüster showcases their multiple facets in a very emotional and devastating manner. With the first album clocking in at nearly one hour and the second around 50 minutes, we get to hear the band’s heavier and more complex amalgamation of Black Metal with Post Metal/Rock elements in the first, and a more stripped down version of them in the second. Very emotionally charged, this release is truly a journey into the band’s psyche and trajectory.

Opening the first album with “Krähenpsalm”, we get lively Post-Black Metal riffing and massive atmospherics, reminding us a bit of outfits like Austere, Heretoir, and Harakiri for the Sky. This style is very predominant in this first album, with highlights of very emotional tracks like “Bamberg, 20. Juni”, the hypnotic “Von Hypnos und Thanatos”, and the dreamy “Lethe - Der Fluch des Schaffenden”. The mixture of harsh screams, fast riffs, is very nicely offset by lush clean vocal arrangements, and crafty atmospherics.

Hailing from Italy, Novembre was one of those early bands with a strong melancholic Death/Doom sound when Katatonia, Anathema, My Dying Bride were rising up. Over the years, the band shifted into more Progressive and even Gothic Metal territories with excellent releases filled with emotions and intricately crafted music. With a very melancholic sound, Carmelo Orlando returns with a brand new cast of musicians to deliver eleven tracks and over 60 minutes of dreamy and highly emotive music, with some of their best songs to date.

Not a very constant presence in the scene, the band after their 2007 release, dropped off the radar, in terms of releases, for nine years, and then after their 2016 release, dropped off again for another nine years. That being said, once “Sun Magenta” opened this release, we were instantly cured of missing the band’s signature ‘mopey’ sound. Being a mixture of mid-stage Katatonia with older Anathema and some sprinkles of Fall of the Leaf, songs like “Statua”, “ Neptunian Hearts”, and our favorite “House of Rain”, are very dreamy and engaging pieces full of atmosphere and craftiness.

Aging like a fine wine, today we have Finland’s Melodic Death Metal juggernauts Omnium Gatherum and their latest offering: “May the Bridges We Burn Light the Way”. Featuring nine tracks and over 40 minutes of polished and very engaging music, the band sticks to what they do best, which is release extremely catchy and crafty Melodic music, filled with soaring vocal arrangements and masterful guitar work.

Always setting a very dynamic and engaging mood with their opening tracks, the band leverages the album title track to create momentum as it transitions into engaging pieces like “My Pain” and “Last Hero”, tracks that bring back the band’s signature riffing style and atmospheric complement. As soon as Jukka Pelkonen's harsh vocals come alongside the catchy instrumentation, the headbanging must commence.

One-man battalion Häxär is ready to unleash its third full-length release titled “Teufelskult”. Featuring an interesting combination of different Black Metal subgenres, like Atmospheric, Melodic to some Pagan influences, this release delivers over 36 minutes of uniquely crafted and very engaging music. With the scene releasing more than one album a day, on average, it is refreshing to find releases like this one that challenge the status quo and mark their own path.

Hailing from Germany, but with Brazilian members, today we have Outlaw and their late 90’s/early 2000’s inspired ravaging Black Metal onslaughts. With “Opus Mortis”, the band brings back the days of crafty BM similar to Old Man’s Child, Thulcandra, and Dissection. Featuring seven tracks and nearly 45 minutes of intricate music, the band showcases creativity and masterful execution while creating interesting atmospheres and plenty of headbanging moments.

Blasting things wide open with the pummeling onslaughts of “Blaze of Dissolution”, we get that nice old-school BM vibe, with melody oozing from the band’s guitar attacks. There is something magical about melodic guitar driven BM, as the band showcases in “Through the Infinite Darkness”, “The Crimson Rose”, and “A Million Midnights”, creating some blistering tempos while adorning them with subtle atmospherics, bringing those Dissection vibes front and center.

Keeping the flame of old-school Swedish Death Metal alive, Centinex returns with their crushing latest full-length release “With Guts and Glory”. Unleashing eight tracks of chugging riffs and alongside a stern snarl and crafty drumming, the band shows no signs of aging. Recommended for the nostalgic metal head, this release brings back the days when bands like Grave and Entombed ruled the scene, with fierce guitars and plenty of headbanging.

Creating a very unique blend of Black Metal with Doom Metal and a heavy emphasis on atmospherics, today we have Italy’s Bianca and their self-titled debut release. With a very unique sound that could be considered adjacent to bands like Ponte del Diavolo, this release unleashes eight tracks and over 43 minutes of captivating music that is both hypnotic and punishing.

After the atmospheric opener “The Dawn”, the release fully unravels with Doomy riffs and dreamy clean female vocal antics of “Abysmal”. However, it's the fierce Black Metal onslaughts that provide a brilliant contrast to a very sultry atmosphere. Keeping the vibes quite sultry and ethereal, “Somniloquies” continues to build the album’s atmosphere as the ravaging BM shrieks, blistering riffs, and crafty drumming keep things weaving back and forth from aggressive to melancholic.

Since their 2021 return, Germany’s Mystic Circle has come back with a vengeance, releasing several full-length albums. With “Hexenbrand”, their latest effort, the band returns with their explosive Melodic Black Metal onslaughts for over 45 minutes in ten masterful tracks. Featuring an old-school sound with modern production values, the band creates very theatrical and playful atmospheres along the way.

The release blasts away with the superbly melodic “Luciferian”, setting a very engaging and crafty pace. Pummeling through “The Scarlet Queen of Harlots” and its lush atmospheric arrangements, “Boogeyman” with its playful interludes, and the melancholic “In the Sign of the Goat”, the band takes the listener back to the early days of the genre, when bands like (early) Cradle of Filth, Hecate Enthroned, Theatres des Vampires and Agathodaimon were starting this subgenre of Black Metal.

Having taken the Black Metal scene by storm in the last few years, Denmark’s Afsky returns with another piercing release filled with violence and oozing melancholy titled “Fællesskab”. As a one-man battalion, Ole Pedersen Luk, has managed to unleash some of the rawest and most demoralizing BM of the last couple of years and the tradition continues with this masterful release and its over 45-minutes of punishing music.

Opening with a playful children’s song sample, “Velkommen til livet” quickly transitions into a full-on cavernous exercise of intricate riffing and unsung melancholy. The blistering guitars and melancholic tempo immediately lets the listener know they will be in for a treat. Ole’s ability to create crushing melodies is front and center as “Den der ingenting ved tvivler aldrig” and “Arveskam” continue leveling everything in their path. The band’s signature guitar driven nature is even more precise and deadly as on their previous releases.

Showcasing that the USA can also unleash punishing Funeral Doom albums, today we have the legendary Evoken and their latest opus “Mendacium”. Seven years have passed since their last full-length release and the band returns with some gargantuan slabs of Doom, split in eight tracks and over 60 minutes of music. For fans of slow and painful music, this release has that grainy old-school vibe of outfits like Thergothon and Morgion, with hauntingly simple and effective atmospherics and deep growls.

Opening with the cavernous explorations of “Matins”, the band sets a glacial pace with distorted riffs and subtle atmospherics. As the release progresses to the chugging Death Metal riffs of tracks like “Lauds”, and “Terce”, the listener can appreciate the band’s core influences in a slow and demoralizing way, creating a bleak atmosphere while providing rays of light through crafty guitar leads or instrumental passages. The band has perfected their tempo switching, to combine superbly slow parts with some hellish onslaughts of speed and punishment.