Celebrating their 30th anniversary, today we have Portugal’s best Metal export: Moonspell, and their very unique and intimate live release “From Down Below - Live 80 Meters Deep”. Filmed during the COVID-19 pandemic days in a cave in Portugal, this is by far one of the more striking live releases ever recorded. Showcasing the band’s last release “Hermitage”, this release captures a very unique moment in the band’s storied career and brings it home to fans that have not been able to experience one of the band’s energetic live shows.

In a very interesting setting, 80 meters below in a cave, the band delivers a very intimate show with not many visible participants all wearing headphones and face masks. This truly captures the essence of the years of the COVID-19 pandemic and the challenges facing musicians and concert goers due to all the restrictions and uncertainty of the time. This to us is one of the interesting elements of this release as it is not captured on video for posterity.

Unleashing one blistering barrage of punishing Melodic Black Metal riffs, today we have Wyrms and their fourth full-length release “Sarkhral Lumænor - La lueur contre les fléaux”. Other than having one of the longest album titles in 2022, this album perfectly blends unparalleled intensity with sinister BM foundations, creating a very Windir/Vreid meest Atmospheric/Suicidal BM atmosphere.

Immediately setting a hellish pace, “La messe de l épée” slowly transitions from dreamy atmospherics into all-out Black Metal onslaughts filled with intense guitar work and ravaging drumming. This level of intensity is perfectly on display on pieces like “Fort blanc et bêtes noires” and “Entre gueux et rats”, where the melodic aspect of the band's sound nicely creates a very effective and direct mixture that will have listeners furiously headbanging.

Seemingly frozen in time, today we have, after 17 years, Epoch of Unlight's latest opus “At War With the Multiverse”. We were huge fans of the band back in the early 2000’s and their fresh thrashy Melodic Death Metal music, which was echoed by bands like Estuary of Calamity and Sacramentum to some extent. In this new release, the band unleashes around 42 minutes of catchy and well-crafted music that has a certain nostalgic retro sound, but will please anybody that is a fan of Death/Black Metal with melodic tendencies.

The opening riffs of “The Anthropocene”, bring us back to the early days of North American Death Metal, namely Suffocation, Incantation, and similar outfits. However, the special Epoch of Unlight sauce lies in the melodic passages in songs like “The Numbing Stillness”, “Wrath of the Cryomancer”, and “An Amaranthine Line”, which perfectly switch between neck-snapping chugging sections, to clean and blistering guitar leads and solos.

Hailing from Sweden, today we have the mysterious duo Mortuss and their sickening Black Metal. Filled with eerie atmospherics, tense melodic passages, and a hefty dose of murkiness, “Diablerie” unleashes 44 minutes of crafty music in four ravaging tracks. Not all BM is the same, and this outfit takes creating dark and dissonant atmospheres to a whole new level with dense and macabre compositions.

Opening with some recorded spoken sections behind a wall of crushing guitar riffs, “Threefold Harrowing of Hell”, immediately sets a very suffocating atmosphere. The subtle use of keyboards alongside J. Kvarnbrink’ deep snarls create a very eerie vibe. With the album title track, the band continues their onslaughts with piercing drumming and firm and aggressive vocals.

The highly productive Tuomas Saukkonen is back with one more new release in 2022, now with his main band Wolfheart and “King of the North”. Featuring around 50 minutes of engaging and highly addictive music, this release continues his Melodic Metal explorations with plenty of melancholy and a few surprises here and there. Always keeping things interesting and very high quality, this release will surely please all of his fans.

Setting a very regal mood with “Skyforger”, the keyboards give way to signature melodic riffs and very well crafted headbanging-inducing tempo changes. Shaking things up a bit, “Ancestor” is a faster track with guest vocals from Jesse Leach of KSE fame, giving the song a different edge (no, not metalcore), thanks to the clean vocal arrangements and melodic passages. While “Knell” has more of a Gothic vibe due to its imposing atmospheric keyboards and slower paced sections.

Consistently releasing well-crafted and engaging albums, Stratovarius is finally back, after 7 years, with the brilliant “Survive”. Featuring a more bombastic and more dynamic Power Metal style, this release delivers nearly one hour of high-octane signature Stratovarius music with tons of epic vocal arrangements and killer guitar leads paired with intense melodic passages. Well worth the wait, this release will certainly be enjoyed by fans of the band and will gain them some new ones as well.

Opening with the album title track, we are quickly treated to blazing guitars and lush atmospheric arrangements. The band sounds quite fresh and dynamic, around their traditional Power Metal core led by Timo Kotipelto’s gifted vocals. As “Demand”, “Broken”, and “Firefly” roll around, we continue to hear the band’s enveloping sound perfectly balancing virtuosity, in both keyboards and guitars, with catchiness, as these songs are quite epic and engaging.

Presenting a very uniquely Atmospheric Raw Black Metal, Ecuador’s Wampyric Rites returns with their ravaging sophomore full-length release “The Wolves Howl to the Moon”. With over 35 minutes of piercing and creepy music, this South American duo creates a very unique and disturbing atmosphere that is quite direct, and yet manages to surprise you with extra elements.

Setting a dark and somber mood with the opening synths, “The Ancient Tyrant Returns from the Deep Grave” quickly escalates into an all-out crushing mixture of punishing riffs and hellish screams. Not only is the band’s style fast and vicious, there is an underlying melody that can be heard in most songs, particularly the crafty “Rites Under the Fullmoon” and its headbanging inducing melodic passages.

After being catapulted to ‘wide-spread’ success in the Metal scene with “The Satanist” in 2014, Poland’s Behemoth has leveled audiences around the world with their vicious Blackened Death Metal and their commanding stage presence. Fast-forward eight years, the band unleashes “Opvs Contra Natvram” which has an even more refined sound than their previous effort “I Loved You at Your Darkest”. Staying in their comfort zone, this release continues Behemoth’s aural aggression with ten solid tracks.

Opening with the atmospheric and ritualistic “Post-God Nirvana”, the band sets a mysterious aura around this album that explodes wide opening with the pummeling “Malaria Vvlgata”. Perfectly intertwining furious riffing and crafty tempo changes, this track shows the band’s ability to crush skulls while keeping a tense atmosphere. Featuring some awesome vocal arrangements, “The Deathless Sun” is one of those tracks that crawls under your skin delivering eerie moody passages and blistering guitar leads.

Unleashing one of the most punishing Black Metal releases of 2022, today we have Chile’s Ad Finem Omnia and their debut full-length release “No Peace - No Dawn”. Featuring founding members from Sol Sistere Pablo Vera and Ricardo Araya, this release focuses on direct, raw, and pummeling Black Metal, reminding us of outfits like Horna, Délétère, and similar outfits. Highly recommended release for genre purists that are looking for waves of crushing riffs and relentless intensity.

Opening with “Vultures”, the band wastes no time in punishing the listener with piercing guitars, savage screams, and crafty drumming. The band’s intensity is on par with any European counterpart, but the subtle melodic elements that tracks like “The Abyss”, “Solve: Route To Extinction”, and “Coagula: Promethean Fire” feature, perfectly create intense moments of furious headbanging alongside a very immersive and well-rounded sound.

It has been a while since we got an album that we have to drop everything we are doing in order to pay full attention. Luckily for us, An Abstract Illusion’s sophomore release “Woe” is one of those rare gems. Unleashing nearly one hour of highly melancholic Atmospheric/Melodic Death/Progressive Metal, this band will turn heads with their excellent songwriting skills and brilliant delivery. Just think of Cynic meets Bel’akor meets Countless Skies, as this release is both explosive and bombastic.

Opening with the crafty “The Behemoth That Lies Asleep”, the band sets a magical and dreamy mood with dramatic guitar leads and ethereal atmospherics. Reminding us a bit of Andora’s Persefone, “Slaves” perfectly balances agression with lush instrumental passages and crafty arrangements. Clocking in at 11 minutes, “Tear Down This Holy Mountain” is one blistering piece that expertly builds momentum with dramatic tempo changes, including some magical jazzy passages.