Delivering a furious 2-track promo, today we have newcomers Wall of Water from the USA. As the brainchild of Cullen Toner (ex-Abazagorath) and Shawn Eldridge (Disma), this band aims to merge the good old Black/Death Metal style with more modern and crafty Post-Metal/Rock influences. Not for the faint of heart, this is a release that brilliantly achieves their goals and delivers 13 minutes of very solid music.
Opening with the mysterious “Exposure”, the band starts very mellow, setting a very atmospheric mood in the first few seconds. The first outburst of brutality is similar to a more Post-Metal version of Anaal Nathrakh filled with multiple vocal styles and crushing riffs. Perfectly blending old-school elements with more edgier and modern influences, this track sounds familiar, but yet fresh and different.
Greatly improving since their 2013 demo, today we have Finland’s Torchia and their killer Melodic Death Metal with some Thrash elements. We love watching bands evolve over time and Torchia is the perfect example of a solid transition and evolution into a very promising new band. Featuring three songs filled with melodic passages and killer production, this is one of the best demos we have received in 2015.
Opening with the demo title track, the band instantly sets a very upbeat tempo with catchy guitar riffs and a very melodic vibe. This song has that Finish Melodic Death Metal sound engraved into its core, and we love it. The guitar solos are amazing and pair perfectly with the massive drumming we can appreciate in this release.
Hailing from Canda, today we have the debut full-length of Délétère titled “Les heures de la peste”. Playing vicious Black Metal that is quite raw and punishing, this band delivers eight tracks and around 50 minutes of crushing music that has a certain 90’s European flair. Out on Sepulchral Productions, you know this band will be awesome due to their excellent skills in uncovering underground Black Metal acts.
The band immediately explodes with raw songs like “Matines – Portepeste” and “Laudes – Credo II”, both tracks have a certain Low-fi rawness that makes them quite punishing. The use of odd vocal arrangements also makes them quite unique and unpredictable. We particularly enjoy tracks were the band changes up the tempo and delivers and slower aural assault such as “ Tierce - Aux thaumaturges égarés, une étoil...”, a more melodic and atmospheric piece that changes the mood of this release.
Hailing from the USA, where we do not have a lot of Power/Progressive Metal bands, today we have Power/Progressive Metal California outfit NovaReign and their first demo release. With “Reign of the Infinite Sun”, the band delivers four very promising tracks that with a little more work could be outstanding.
Opening with the exciting “Call on the Storm”, the band showcases excellent musicianship and technical proficiency. The thing that brings down the experience is the not-there-yet vocals of David Marquez. While his range has potential, it still needs to be definitely worked on. As the epic riffs, tight drumming, and proficient guitar work continues on tracks like “Crimson Shield” and “Beyond the Cold”, we also noticed that for a demo in 2014, the production is a bit flat. A better job when mixing should do the trick and elevate the band’s sound.
In a very crowded market for Melodic Death Metal in Finland today we have Torchia, a relatively new band trying to get their piece of the action. Hailing from Tampere, this band delivers their three-track demo with clear influences of the genre’s greats. Mixing elements of Children of Bodom and Kalmah, the band shows some promise but ultimately is missing a certain uniqueness to their music to really standout from the very crowded arena.
The demo opens with the high intensity “Nameless Story” that has a very typical Kalmah vibe. The riffing is quite solid and so are the vocals, but being a demo the production is not quite what it could be. The band’s ability to execute their songs is quite solid and shows that with a few more years of practice, they could stand out from the rest if they found their own sound.
Arriving from Finland, today we have Humanation and their retro Thrash/Death Metal demo. Featuring three very catchy tracks that reek of newer Carcass all over them, these songs showcase the band’s strengths in delivering crunchy music that will appeal to any fan of the genre, and will leave you wanting more.
As the demo opens, the first track showcases the band’s riffing abilities. Without being too clean or too technical, the band gets their point across with catchy sections and hellish vocals. The snarls are very similar to Jeff Walker’s, and they make the music fit together quite well. The second song opens with a more playful approach but the band’s style is quite prevalent since the first few minutes. The drumming and percussions are quite active and very well crafted for these kinds of songs.
Bringing back the days of tape trading and home-made demos, today we have Yith and ‘their’ “Demo 3” on a Maxell tape. This American one-man battalion delivers six tracks of punishing Black Metal with Doom Metal influences. As we dusted off our tape player, this demo is quite well produced and will send shivers down your spine with its devastating riffs and demoralizing atmospheric passages.
Opening with “Beneath the White Mountains”, the Yith immediately punishes the listener with savage Black Metal riffs and vocals. The moment of awesomeness comes when the track mellows out a bit and atmospheric keyboards and a Doomy passages breaks through the cloud of BM onslaughts. “The Woman in Black” is a more ‘mellow’ track where the Black/Doom vibe is very well crafted and creates a very bleak landscape.
Delivering their fourth demo release, today we have Finland’s Destractive and their very unique and cohesive combination of Death/Thrash/Black Metal. Featuring four destructive tunes, this demo release shows the band’s maturity and how well they manage to blend all their influences in a very solid and powerful way. With a traditional line-up of two guitars, a bass guitar, drums and vocals, the band focuses more on effective musical structures than any gimmicks, making this release quite solid from beginning to end.
The demo title track delivers the first wave of aural assaults with some Thrashy riffs and pummeling drums. The band nicely changes the temp into a more run-and-gun situation with excellent catchy sections and brutal speedups. This track has both Death and Thrash elements with some Black Metal-esque vocals, making a very solid combination and delivering sheer brutality to the listener. “Blood on the Soil” changes the pace a bit with incisive drumming and a slower tempo, giving more of a Black/Death Metal vibe at first, reminding us of Inquisition and even Watain at certain moments.
Hailing from Finland, today we have Crippler and their three-song demo “Threshing Sledge”. Delivering pummeling old-school Death Metal, this band showcases their power in every second of music they present on this release. For over 12 minutes the listener will be transported to the days when Death Metal ruled the scene and we measured albums based on how brutal and devastating they were.
Leviathan’s Gaze opens the demo with overpowering riffs and deep growls. The band’s chugging guitars and pulsating bass line create a very thick and crushing sound. The drumming is also quite powerful, allowing Viisainen’s vocals to shine through the brutality of their sound. “Weakling Servants” keeps the incisive guitar work rolling with more sheer brutality and chugging riffs. The band’s sound is quite potent and this track is the perfect example for it.
With the costs of professionally producing demo’s and releases getting lower by the day, we are glad that bands like Aratron can showcase their quality and have a powerful and lively sound on their demo’s. “The Recovery” is the band’s latest demo and it features five crushing tracks with a timeless Thrash infused Death Metal sound that is quite powerful and well crafted.
The starts leads with guns blazing on the song “The Recovery”, a very direct and brutal track that combines relentless riffing with excellent vocals. The band’s sound reminded us of early days Grave and similar Swedish DM outfits that rely on Thrash Metal foundations. “Imprisoned” keeps the album flowing with another dosage of solid riffs and very tight drumming. The band’s musicianship is quite good and they are not afraid to show it with their incisive tracks.