Unleashing one of the most inventive and catchy Progressive/Technical Death Metal releases of 2018, today we have Burial in the Sky and their sophomore release “Creatio Et Hominus”. Filled with lush instrumental passages and highly crafty pummeling sections, this release perfectly balances the best of two worlds to deliver seven expertly crafted tracks that will keep you entertained for hours at a time.
Opening with the dreamy jazzy sax of “Nexus”, the band sets a mysterious tone while intoxicating the listener with their atmospheric intro. This peaceful mood quickly changes into growls and crushing drumming with “Tesla”. This track reminds us of a mixture of Cynic and Fallujah, as the moody bass guitar line perfectly contrasts the aggressive guitar riffs and blistering solos. Perfectly dancing between lush atmospheric passages into more technical brutality, the band tiptoes through tracks like “Nautilus’ Cage” and the playful “The Pivotal Flame”.
Fronted by Daniel Neagoe (Clouds, Shape of Despair), today we have Funeral Doom outfit Eye of Solitude and their latest opus “Slaves to Solitude”. Just fresh from their North American West Coast mini-tour, this band unleashes one of the most misery inducing Funeral Doom releases of the last few years. Up with Mournful Congregation, Clouds, and Shape of Despair, this band creates uniquely melancholic crushing songs that will extinguish your will to live.
The album kicks off with the dreamy “The Blind Earth”, a song that takes a while to build up, but once it reaches the 7 minute mark it becomes increasingly punishing. Daniel’s inhuman growls perfectly complement the bleak and desolate atmosphere created. With Mark Antoniades and Steffan Gough handling the guitar dutties, tracks like “Still Descending” perfectly deliver that brilliant Doomy sound of weeping guitars and well-timed heavy riffs.
Hailing from France, today we have dark post-punk/rock outfit Varsovie and their latest full-length release “Coups et Blessures”. Filled with moody songs and superbly catchy and somber arrangements, this release is definitely one of the ‘non-metal’ highlights we have heard in 2018. Recommended for fans of bands like Spiritual Front and similar outfits, Varsovie does a great job delivering a hard rocking release that is captivating and engaging.
Opening with the bluntness of “Coups et Blessures”, the band sets a very lively tone with catchy percussions and interesting guitar leads. The mood is quite somber and yet very raw, allowing emotions to easily flow through brilliant tracks like “Revers de l’aube” and our favorite “Va dire à Sparte”. While not even close to Metal music, these last two tracks feature some very powerful and engaging riffs that make them quite memorable and perfectly fitting for the band’s overall attitude.
Featuring remastered versions of their demo tape, “Veritas filia temporis” and two other splits, “Secular Compendium” showcases Selbst’s early days and how they have evolved to become one of the most savage Black Metal artists to ever come out of South America. Clocking in at 53 minutes, this limited release will rock your socks off and provide more insight into the band’s musical journey, not to be missed by any BM fans.
Opening with the dense riffing of “Veritas Filia Temporis I”, this album kicks off a demoralizing Black Metal journey with razor sharp guitars and an oppressive atmosphere. While staying true to their punishing nature, the band also showcases excellent melodic passages that remind us of bands like Dissection and many 90’s European BM outfits. “Veritas Filia Temporis II” continues the onslaught with hellish vocals and a somber and yet piercing atmosphere.
Unleashing the most impressive release (so far) of 2018, today we have the legendary Amorphis and their latest full-length album “Queen of Time”. Featuring the quintessential Amorphis energy and creativity, the band takes things even one step further with more grandiose arrangements and catchier melodies. Nearly clocking in at one hour, the band defies age and continues to release high quality and high replay value releases.
Opening with the first single, “The Bee”, the music instantly features the band’s signature style with over the top arrangements and the impressive growls of Tomi Joutsen. Setting a very lively mood on the opening song, allows for a swift transition into the upbeat and engaging “Message in the Amber”. Featuring Jørgen Munkeby on sax and dramatic choir arrangements in “Daughter of Hate”, this track shifts the mood into more somber and yet dynamic territories, making it one of our favorite songs from the band.
Creating a very unique and engaging musical experience, today we have newcomers Follow the Cipher and their self-titled debut release. Thanks to their impressive and enveloping sound, the band kicks off their career in the spotlight signed to Nuclear Blast records and with incredible charisma and skill. If you are looking for a cinematic musical experience that blends elements from bands like Kamelot, Sabaton and Amaranthe, this is definitely a band you want to check out.
Opening with the intense “Enter the Cipher”, we are treated to a Nightwish-esque pace filled with catchy riffs and over the top keyboards. The atmosphere is quite well crafted and led by the beautiful Linda Toni Grahn, the band makes a quick first impression filled with catchy music and lush vocal leads (both male and female). Using some electronic elements in their music, the band crafts superbly engaging track like “Valkyria” a song that ups the ante and keeps things intense as “My Soldier” and “Winterfall” roll in.
Delicately balancing between Progressive and Extreme Metal, today we have the legendary Ihsahn and his seventh full-length release “Àmr”. For over 43 minutes, the master deliver some very unique and forward thinking music that stills retains the hunger and incisiveness of Ihsahn’s earlier work with Emperor while exploring newer and more complex musical directions.
Unleashing an incisive array of keyboards and harsh screams, the album perfectly kicks off with the hectic “Lend Me the Eyes of the Millennia”. This track follows more of Ihsahn’s early work structures, but with a modern and cutthroat edge that no other band has in Extreme Metal. The album’s first single, “Arcana Imperii” with a perfect blend of funky tempo changes and playful drumming that leads to dramatic vocal arrangements and crafty instrumentation. We highly enjoyed the moody clean vocals that give the song a more accessible (to non-extreme metal fans) side while enjoying Ihsahn’s brilliant song writing skills.
We are not big on reviewing split releases, but when we saw Black Mare and Offret put into one release, we got quite curious. Unleashing two very hypnotic and highly atmospheric tracks, this 7 inch vinyl and digital release transports the listeners into very carefully crafted worlds. For fans of experimental and highly atmospheric music, this is one release you don’t want to miss.
Opening with Black Mare’s “Woman the Throne”, Sera Timms crafts a very somber and Doomy atmosphere with minimalistic riffs and enthralling vocal arrangements. This track nicely flows, slowly intoxicating the listener with the incisive guitar work and ritualistic drumming. Creating a very dark and dense atmosphere, the six minute duration of this track will feel like a lot longer – in a good way.
Unleashing one of the most hypnotic and intoxicating Psychedelic Sludge/Doom release of 2018, today we have Finland’s Dark Buddha Rising and their latest EP “II”. Coming out via Neurot Recordings, this release features two tracks and around 25 minutes of trance inducing music that elevates the band’s already unique sound to a whole new level.
The band kicks off with the sludgy opening riffs of “Mahathgata I” and it slowly transitions into a truly intoxicating piece with the uniquely odd vocals of Marko Neuman. This track perfectly blends catchiness with atmospheric dominance and hints of psychedelia that are quite characteristic from the band. As the track progresses, it keep beating the listener with its crushing riffs while shifting into a darker and heavier piece. Lasting around 15 minutes, this is one hell of a track that perfectly captures the band’s idiosyncrasies.
Eight years have passed since Dimmu Borgir’s last release and tons of speculation an expectations have been building up to the unleashing of “Eonian”. Without wasting any more time, this release is truly outstanding as it builds on the band’s legacy of uncompromising creativity and musical exploration. In “Eonian” the band features a very raw and evil Black Metal core, reminiscent of the band’s older releases with retaining the grandiose orchestral and symphonic edge the band has been maturing since “Enthrone Darkness Triumphant”.
The band makes a bold opening statement with the lush “The Unveiling”, a song filled with incisive Black Metal riffs and dramatic choir arrangements. This song brings us back to where “Abrahadabra” left off, bringing back the lush and complex sound that made that release amazing. The album’s first single “Interdimensional Summit”, unleashes unparalleled catchiness in its chorus section, while delivering killer drum patterns and playful tempo changes. As “ÆTheric” and “Council of Wolves and Snakes” roll by, we are totally intoxicated by the band’s powerful atmosphere and brilliant execution. The creepy wolves sound paired with the throat singing of this later track make up for one hellish experience.