Black Metal

  • Mesarthim - Vacuum Solution (2021)

    cover

    Hailing from Australia, Mesarthim creates one of the most mystifying and unique blends of Metal with electronic/atmospheric elements. Similar to bands like Germ, Violet Cold, and Progenie Terrestre Pura, the band’s sound is both bombastic and pretty aggressive, keeping things superbly catchy and still heavy enough for Metal fans to enjoy. With 5 tracks and nearly 30 minutes of music, “Vacuum Solution” is one hell of a unique and engaging release.

    The album title sets a very dramatic futuristic vibe with super catchy synths and beats, paired with powerful guitars and fiendish shrieks. This is the exact explosivity we loved from bands like Germ, but Mesarthim takes it to a whole new level with more electronic/dark electro elements. Track like “Matter and Energy” also have a certain Industrial-like vibe, reminding us of Italy’s Aborym but with a catchier edge.

  • Ancient Wisdom - A Celebration In Honor of Death (2021)

    cover

    Completely unexpected after 17 years since their last release, Ancient Wisdom returns with ‘their’ mystical and enigmatic Atmospheric Black Metal. Being huge fans of the band’s earlier work, Marcus E. Norman keeps things simple and traditional while delivering 50 minutes of captivating music with an old-school vibe and tons of crafty ideas. If you like old-school Melodic/Symphonic Black Metal but with a more Atmospheric edge, you can’t miss out on “A Celebration In Honor of Death”.

    Opening with the dramatic “Haec est Mors Secunda” we get lush operatic choir arrangements, sinister riffs, and an almost Doomy pace to start this release. Of course the band’s Black Metal roots instantly shine with the riffs of “Breaking the Circle of Life”, a track that nicely blends some Middle Eastern undertones to its powerful melodic passages and harsh snarls. Always focusing on creating weird and quirky tracks, songs like “Architect of Death - Laudamus Te” and “The Coronation” craft very unique atmospheres alongside funky guitars and interesting tempo changes, making the band’s diverse sound quite engaging and exciting.

  • Odraza - Acedia (2021)

    cover

    Straight out of a horror film, today we have Poland’s Odraza and their bone-chilling EP “Acedia”. Perfectly blending Black Metal elements with tons of dramatic atmospherics in a very experimental manner, this release unleashes nearly 27 minutes of creepy music that is intended to disturb listeners while drawing them into its fierce claws.

    Immediately setting the bar high with the creepy first few minutes of “I”, the band slowly creates a very foul and disturbing atmosphere. There are certain jazzy and exploratory elements thrown into the mix, allowing the band’s sound to be quite expansive and unique. Heavy doomy riffs and crafty percussion help shift the mood in this aural journey, to a more industrial and ethnic place, while the sparse Black Metal onslaughts are fierce and demoralizing due to their intensity.

  • Disparaître - Urchig (2021)

    cover

    Never in short supply, Atmospheric Black Metal bands have started to pop out of the shadows in the last few years. With a saturation of the genre, it becomes quite hard to find bands that bring something unique and different to the table. Luckily for us, today we have France’s mysterious entity Disparaître and their latest EP “Urchig”. Clocking in at 30+ minutes, this release creates a very cavernous atmospheric vibe but throws in some melodic elements that nicely shift the linearity of the style and create interesting and engaging passages.

    The release opens with your traditional synth opening in “La voûte étoilée”, however, they quickly merge with an all-out-war approach with piercing shrieks, crushing guitars and crafty drums. We particularly appreciate how the atmospheric synths are mixed quite high, at some points overpowering the ravaging BM onslaughts. The intensity picks up with the brutal onslaughts of “Nachtspinnärinnä”, an 11-minute tour-de-force that perfectly blends piercing riffs with harsh screams and dreamy atmospheric undertones.

  • Sojourner - Perennial (2021)

    cover

    Slowly growing into an International powerhouse of Epic/Atmospheric Black Metal, today we have Sojourner and their majestic EP “Perennial”. Having released one of our favorite Atmospheric BM albums of 2020, the band returns with two new songs featuring their new female vocalist, Lucia Amelia Emmanueli, and guitarist, Tom O'Dell. In these two new songs, the band continues to merge epicly melancholic passages with lively and aggressive traditional Atmospheric BM elements, creating a very regal and unique style that any fan of Gothic/Symphonic-infused Metal might greatly enjoy.

    The EP opens with the title track, a very lush and engaging magical piece that creates a very solemn and yet highly emotional atmosphere that is tastefully adorned by Lucia Amelia’s very sweet and nicely fitting vocal style. We get a mixture of old Trail of Tears, Sirenia, and even Dismal Euphony vibes from this tour-de-force song filled with dramatic piano passages and emotive tempo changes.

  • Seth - La morsure du Christ (2021)

    cover

    Unleashing one of the most brutal and misanthropic Melodic Black Metal releases of 2021, today we have Seth and their latest opus “La morsure du Christ”. Perfectly blending uncompromising aggression, oldschool elements, and dramatic atmospheric arrangements, this release unleashes 50 plus minutes of majestic music. Having achieved cult status with only a handful of releases before its hiatus, this French outfit focuses on delivering quality over quantity with highly polished and extremely detailed releases like this one.

    Opening with the album title track, the band delivers swift riffs alongside vicious harsh vocals, and a very persistent sense of melody in between brutal onslaughts. The band’s attention to detail and extremely high production values allow this, and all other songs to sound amazing and have high replay value, always discovering new things. After the first blow, the Seth sets a very melancholic and yet aggressive mood with the ravaging “Métal Noir” and its intoxicating atmospheric arrangements.

  • Olhava - Frozen Bloom (2021)

    cover

    Delivering an relentless wave of atmospheric brilliance, today we have Russia’s Atmospheric/Post-Black Metal/Blackgaze duo Olhava and their mesmerizing release “Frozen Bloom”. Filled with intensity, ravaging brutality, and yet unparallelled beauty, this release unleashes nearly 60 minutes of crushing music. For fans of bands like Lustre, An Autumn for Crippled Children, Heretoir, Alcest, Deafheaven, etc. this release takes the genre to a whole new level of intensity and explosivity.

    Opening with the towering “The Queen Of Fields'' and it’s 20 minutes of sheer intensity, we are treated to lush shoegazey guitars, pummeling drums, frosty harsh screams and crafty tempo changes. The switch between furious onslaughts and more delicate atmospheric dreaminess is one of the band’s strengths and signature moves. The dreamy instrumental “Adrift” paints a more restrained picture with lush arrangements and very introspective moments.

  • Dordeduh - Har (2021)

    cover

    Creating a magical and transcendental aural experience, today we have Romania’s Dordeduh and their latest effort “Har”. It has been nine years since the band’s debut release and the wait was well worth it, thanks to the maturity and polish put into these 61 minutes of music. Mixing the early Negură Bunget folk mysticism with the modern proggy Black Metal elements of Enslaved, this release is filled with interesting passages and extremely intoxicating melodies.

    The album starts with the ritualistic intro of “Timpul întâilor”, as the song evolves we get that nice playful Enslaved-esque mixture of distorted guitars, crafty tempo changes, and mystical atmospherics. This opener clocks in at 12 minutes, giving the listener a great taste of what is to come, we particularly love the very melodic and dramatic vocal arrangements in this track. The sweeping guitars and keyboards of “În vieliștea uitării”, create a very imposing mood, perfectly contrasted by sinister harsh vocals, and more playful clean vocal arrangements.

  • Inferno - Paradeigma (Phosphenes of Aphotic Eternity) (2021)

    cover

    Providing a very enigmatic and expansive aural experience, today we have Czech outfit Inferno and their latest opus of decadence: “Paradeigma (Phosphenes of Aphotic Eternity)”. With a very oppressive and hard to describe style, we can just say that the band amalgamates elements of Blut Aus Nord and YERÛŠELEM, but still managed to create a truly immersive and punishing unique style. If you want to be mesmerized and subdued for over 35 minutes, this release is just what you are looking for.

    After the playful intro, “The Wailing Horizon” delivers a wave of furious riffs, massive drumming and crafty atmospherics. The immediate vibe is quie oppressive and it only gets more dominant as the harsh vocals roll into the picture. This blistering onslaught is nicely flanked by some catchy melodic passages and moody tempo changes. By the time we get to “Descent into Hell of the Future” we feel like a bag of bricks just hit us, and then the weird and playful industrial-esque elements of this track continue delivering an imposing hellish vibe.

  • Djevel - Tanker som rir natten (2021)

    cover

    Unleashing a fierce and yet haunting offering of Norwegian Black Metal, today we have Djevel and their latest opus “Tanker som rir natten”. Slowly improving with each release, this outfit explores more atmospheric and eerie territories with the nearly 60 minutes of music unleashed in this album. Having the blistering BM core in the bag, this release showcases the band’s knack for enigmatic and creepy atmospheres surrounded by interesting vocal arrangements and slower and more melodic onslaughts.

    Opening with the razor sharp distorted guitars of “Englene Som Falt Ned I Min Seng, Skal Jeg Sette Fri Med Brukne Vinger Og Torneglorier” alongside some epic drumming, the release sets a very moody and yet sinister vibe. Just before the blistering tremolo-picking onslaughts, we love the eerie clean vocal atmospherics. The band’s sound is as vicious as ever, but with more playful and melodic passages as “Maanen Skal Være Mine Øine, Den Skinnende Stierne Mine Ben, Og Her Skal Jeg Vandre Til Evig Tid” and “En Krone For Et Øie Som Ser Alt, Tusind Torner For En Sønn Som Var Alt” punish the listener with aggression and creepy vocals.

Pages

Recent Image Galleries