Black Metal

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    Sichelstein – Sichelstein (2012)

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    With an extremely unique sound, today we have Sichelstein and their self-titled EP. Presenting five tracks of very retro sounding music, this band manages to create a sick mixture of Shoegaze and Black Metal with Darkwave and Gothic Rock elements with very depressive vibe. Totally unexpected and raw, this release is one of the most interesting ones we have received from Valse Sinistre in the last few months.

    The opener builds up nicely with some very raw sounding guitars and some very new wave-ish keyboards, but it finally explodes with creepily distorted harsh vocals and some organs. “Das Leben” is the most Shoegaze-y track in thise release with a heavy dose of trippy guitars paired with more creepy keyboards and completely deranged vocals, a very interesting listening experience indeed.

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    Winterfylleth – The Threnody of Triumph (2012)

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    With the same power and intensity of bands like Primordial, today we have Winterfylleth and their highly anticipated third release “The Threnody of Triumph”. After re-releasing their debut masterpiece earlier this year, “The Ghost of Heritage”, through their current label Candlelight Records, the band is ready to return with yet another excellent release. Everybody that claims to play Black Metal with atmospheric elements should take a page of the Winterfylleth book since they manage to create very furious songs that suddenly change 180 degrees and blow you away with some brilliant atmospheric stuff, the best example is the opener track “A Thousand Winters”.

    Furiously blasting through tracks like “The Swart Raven”, “A Memorial”, and “The Glorious Plain”, the band will decimate your ears with their uniquely crafted wall of sound created by the distorted guitars and greatly complemented by the majestic drumming. This sound is greatly enhanced by the occasional keyboard hints here and there and it gets elevated through the excellent clean vocals the band throws around.

    • Posted By: Dark Emperor
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    Catuvolcus – Gergovia (2012)

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    Perfectly mixing aggression and melody, today we have Canada’s Catuvolcus and their amazing latest release “Gergovia”. In this exciting album the band perfectly blends elements of Pagan/Folk Metal with Black Metal and delivers nine tracks of pure melodic chaos. After setting a Folky mood with “Elaver”, the band quickly gets down to business with the crushing “Par monts et par vaux”.

    Filled with extremely aggressive vocals and blasting guitar riffs, this release has no shortage of epic moments that are just too many to mention. The drumming keeps things running smoothly, but it’s the sense of melody the band has that keeps the songs being different and extremely good. A clear example of this is the very uplifting “Le colline de Chanturge” and its lush intro followed by waves of powerful riffs. Reminding us of bands like Mythotin and Himinbjorg, Catuvolcus is one of the most intense and skilled bands we have listened to in a while.

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    Darkest Grove – Coming of 2012 (2012)

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    Crushing and Hateful would be the perfect words to describe Darkest Grove’s sophomore release titled “Coming of 2012”. Conceptually dealing with the world of theories behind the supposed ‘changes’ coming in 2012, this release puts these interesting ideas in a very harsh and eerie Black Metal environment that pummels the message into your brain. This one-man band delivers in every single aspect producing nine tracks of killer US Black Metal that elevates Darkest Grove to the likes of Terratism and Nightbringer in terms of the ‘local’ US scene.

    Like a hard punch to the face, “Hatred Strives…” delivers powerful waves of hateful Black Metal riffs. The track is very straight-forward and in your face, creating a very direct and chaotic atmosphere, just perfect for these kinds of releases. As the track progresses it nicely changes into a more melodic and hypnotic pace. The tremolo-picking intensity is picked up in the killer tracks “Wallowing At The Face of Evil” and “Destiny”, creating a very sick twisted atmospheres that Darkest Grove seems to have knack for. 

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    An Autumn For Crippled Children – Only The Ocean Knows (2012)

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    The highly mysterious and anonymous Dutch outfit An Autumn For Crippled Children (AAFCC for short) returns with another dreamy journey into the depths of Post Black/Shoegaze music. “
    Only The Ocean Knows” delivers eight magical tracks of very aggressive and ethereal sounding music. This release is by far the band’s best effort to day, and you should definitely check it out.

    “Past Tense” delivers a very cool intro that made us believe the band was going to bust out an electro track, but it nicely shifts into fuzzy distorted guitars and very rhythmical drumming. The Post-Black influences are very evident and propel this song into atmospheric brilliance. Continuing the band’s atmospheric efforts, “Yes I Know… Love And Death… Always” delivers a bit of a change of pace with some excellent ‘melodic’ passages, but the majority of the time we have the guitars pounding away, keeping the album’s atmosphere flowing.

    • Posted By: Dark Emperor
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    Lustre – They Awoke The Scent Of Spring (2012)

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    After the excellent full-length “A Glimpse of Glory”, Lustre returns to us with another killer full-length release titled “They Awoke The Scent Of Spring”. This one-man aural orgasm machine from Sweden has crafted four excellent tracks that have a very eerie atmospheric vibe that reminds us of Burzum’s “Filosofem” release. With 40 minutes of music, this release surely delivers enough bang for your money in the sense of creepy landscapes painted by the very minimalist music presented here.

    Opening with the nearly 13-minutes long monolithic “Part I”, the atmosphere is set with very fuzzy distorted guitars that only get denser by the minute. The sparse vocals are quite hellish and will creep on you when you least expect it. We particularly love how the song transitions when it seems to ‘brighten up’ between all the heavy dark clouds that are painted by the painful riffs. The minimal use of keyboards is also another thing that is very similar to how Burzum uses them.

    • Posted By: Dark Emperor
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    Shroud of Despondency / Cholernik – Split (2012)

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    With a ton of releases in 2011, Shroud of Despondency is falling behind in 2012 since this is ‘only’ their second one of the year. In this split release we have four track of Shroud of Despondency and three songs of Cholernik, a one-man band from the bass player of SoD. After reviewing SoD’s last release “Pine”, we are quite shocked to hear that the songs presented in this release are way more brutal and more straight-forward in nature.

    Opening with some funky guitar structures, “Defeat” has a very direct approach with heavy Doom-ish riffs and very deep growls. The song suddenly shifts into 4th gear and delivers pummeling drums and hellish screams. This style indeed is very different to the band’s previous release, but still captures the sick guitar sounds that characterize SoD. Both “Pain Without Life” and “The Echo of Depletion” are very brutal in nature and border between the lines of Black and Death Metal at times, making them quite appealing for the more ‘brutal’ Metal music fan. “Shapes” goes back a bit into the more elaborate guitar structures with funky rhythms, leaving the listener totally puzzled by the weird but good tracks presented by SoD in this release.

    • Posted By: Dark Emperor
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    A Forest of Stars – A Shadowplay for Yesterdays (2012)

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    The always riveting A Forest of Stars returns with yet another brilliant album that defies the limits of conventional music and mixes a very diverse spectrum of sounds and genres. In “A Shadowplay for Yesterdays”, the band features ten excellent tracks that will surely expand your horizons with a truly rich musical experience unlike anything you’ve ever heard before.

    Described as a concept album, this new release features the typical mixture of genres by the band, but it also sounds very cohesive and dark. The atmospheric elements are one of the biggest staples of the band and they delivers excellent sections that set the mood just right, like on the opener “Directionless Resurrectionist”. The spoken passages give that deranged vibe that we love about the band’s music. Not breaking character, the tempo of “Prey Tell of the Church Fate” is quite slow and nicely builds up to the faster Black Metal-ish sections. The drums are very good, but the atmospheric elements are the ones that shine the most.

    • Posted By: Dark Emperor
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    Khadaver – New World Disorder (2012)

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    Our favorite two-man unit from Slovakia has returned with their first full-length release titled “New World Disorder”. With a richer and far more complicated sound since their demo EP “Beta Version”, the band delivers eleven tracks filled with crazy vocals, programmed ‘drums’ and a few interesting riffs here and there. This album does show the considerable amount of maturity that the band has achieved over the years, but it also lacks the cohesiveness of their demo EP.

    After the instrumental “Europa In Flames” intro, the band immediately sets the mood with some heavy and catchy riffs surrounded by fake drums and a very monotonous approach to things. The fake drums our one of our main pet peeves with short-staffed bands, and Khadaver falls in this category with very dull and linear patterns presented through the release. The track itself presents some cool guitar sections and even nicer electronic parts, but it is very repetitive.

    • Posted By: Dark Emperor
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    Memoria – Death Calls The Islands (2011)

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    If Moonsorrow, Primordial, and Ulver had a genetically engineered (and somewhat defective) son, it would most likely sound like Memoria from Australia. In their latest release “Death Calls The Islands”, the band delivers a few well-crafted tracks that will surely grab your attention, and a few others that will make you scratch your head. The band’s interesting combination of influences also does them in, since the songs get a bit repetitive and dull after a while, something that in our opinion also happens to Moonsorrow.

    In the opener “The Dogs Smell Blood”, the band immediately lifts a wall of distorted guitars that reminds us of a mixture of Moonsorrow and Primordial, but it does get a bit dull after the sixth track. The production also allows this element to overshadow the vocals in particular, frustrating us after a while. The clean vocal are and excellent hybrid between Garm and Vortex, but they are not exploited correctly. The Emperor-esque “Claw At The Pine” keeps things interesting, but it also sounds a little too much like Emperor from their Anthems-era.

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