Black Metal

  • Freitod - Der unsichtbare Begleiter (2016)

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    Featuring a unique mix of Depressive Black Metal with Alternative Rock, Germany’s Freitod third full-length release “Der unsichtbare Begleiter” is quite a unique one. Clocking in at 44 minutes, this album has a very dreamy and melancholic vibe to it, making it one of the freshest sounding albums we have heard in quite a while.

    Opening with the powerful riffing of “Unter schwarzen Wolken”, you can instantly hear that he tempo is a bit different of what you would expect. The harsh vocals and guitar work reminds us a bit of Harakiri for the Sky. The clean vocals are what really make this release magical as they transmit a sense of helplessness that only bands like Katatonia manage to achieve. Perfectly weaving back and forth from semi-aggressive Black Metal passages to more passive Rock-ish soundscapes, tracks like “Die falsche Krankheit” and “Der unsichtbare Begleiter” make this album truly magical.

  • Barzakh – In A Meaning the Note (2014)

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    Hailing from Indonesia, today we have Black Metal battalion Barzakh and a re-release of their crushing 2007 album “In A Meaning the Note”. BM bands from this country have a very distinctive sound and as soon as you listen to one song from this album you can recognize it. Delivering around 26 minutes of devastating music in the span of seven songs, this album is quite intense and not for the faint of heart or mind.

    Opening with the crushing catchiness of “Shadow in the Grief”, the band delivers very melodic riffs underneath their fowl harsh screams and intense tempo. This track is a very solid opener as it grabs your attention in a very direct way. Keeping the level of intensity, we have “She's Not Honoured” and “Hatred in Mourn Heart” pummeling the listener while maintaining the band’s characteristic vibe and throwing in some cool guitar leads to keep things fresh.

  • Abisso – WRNSS (2016)

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    Hailing from Italy, today we have two-man outfit Abisso and their debut release “WRNSS” out on Third-I-Rex. Featuring around 40 minutes of soul crushing Black Metal, this release creates a crushing atmosphere that is oppressive and nature and never lets go. Highly consistent, Abisso’s oppressive sound is nicely contrasted by a few experimental elements that the band introduces occasionally. If you like powerful Black Metal which focuses more on atmosphere than speed, this is the album for you.

    Opening with the dissonant “I”, the band slowly builds up their atmospheric vibe with incisive riffs and tight drumming. The deeper vocals fit the atmosphere perfectly as they command more attention than your traditional BM shriek. Continuing their atmospheric onslaught, “II” provides the perfect progression in the band’s aural abuse. Avoiding being too linear, the band experiments with intricate bass guitar lines and some interesting guitar leads that change the direction of the track momentarily.

  • Ghost Bath – Moonlover (2016)

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    Originally labeled as a mysterious Chinese outfit, Ghost Bath has taken the Depressive Black Metal/Post-Black Metal scene by surprise since their debut release “Funeral”. The band plays very raw and emotional Black Metal that instantly transmits feelings of despair and unease, unlike any other band in the world. Fast-forward 2 years since the release of their debut album, the band turned out to be from North Dakota and their sophomore release (which is even better than the fest) is currently being re-released through Nuclear Blast in June 2016.

    Having played over a thousand times “Moonlover” when it first came out in 2015, it is quite impressive to see that this release still has the same effect on us after more than a year. Opening with the mysterious atmospheric elements of “The Sleeping Fields”, the album comes wide open until the blistering “Golden Number”. In this track, we can instantly hear the band’s raw emotions explode with the harsh vocals as they perfectly contrast the intense drumming and the punishing riffs. The track nicely morphs into a very unique kind of beast when the guitar leads change the tempo and the drumming because more intricate. Comparisons to the likes of Deafheaven, Bosse-de-Nage are instantly warranted, but Ghost Bath is its own unique monster.

  • Feral –For Those Who Live In Darkness (2014)

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    Hailing from our cold and desolate neighbor in the north, Canada, today we have one-man battalion Feral and their solid debut release “For Those Who Live in Darkness”. Nicely combining elements from bands like Vreid, Agalloch, Inquisition into a sound that is quite raw, but still in development, this release is actually quite enjoyable. For over 60 minutes of music we can her how this young outfit tries an assortment of different things in order to find its own sound.

    The atmospheric opening of “Entering Darkness” nicely leads the way as the guitar’s take center stage and delivering a pummeling and moderately intense outburst. This track has a certain Viking/Pagan Metal edge to it, making it engaging and entertaining. As “Nocturnal Queen” and “True Forgotten Beauty” come around, we can instantly hear the mixture of Agalloch and Inquisition elements into the band’s music. A better testament of the band’s interest in defining their own sound is the track “Weeping Earthbound Spirit”, which features a tense atmosphere after a killer dose of solid riffs.

  • Vindland – Hanter Savet (2016)

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    Delivering over 55 minutes of superbly catchy Black/Pagan/Viking Metal, today we have France’s Vindland and their debut full-length release “Hanter Savet”. With the current influx of brilliant French bands to the Metal scene, it is not surprising that this band is a good as they are. Perfectly capturing the essence of bands like Kampfar, Windir, Thyrfing, this band has managed to craft nine excellent songs that will have you headbanging from start to end.

    Opening with some great intensity, “Orin Kozh” immediately sets the pace for quite a hectic and yet melodic release. The band perfectly weaves back and forth between full-on Metal sections and more subtle Folk-ish influences. The incisive riffing is exactly what makes this release quite melodic and enjoyable, similar to what one would expect from the genre. Tracks like “Treuzwelus”, “Serr-Noz” and “Pedenn Koll” really showcase how the band excels in writing cunning songs that are quite enjoyable and satisfying.

  • Satyricon – Nemesis Divina (2016) reissue

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    Turning 20 years old, today we have a remastered version of Satyricon’s masterpiece “Nemesis Divina”. Considered one of the most important Black Metal albums of the history of the genre, this album marked a unique contrast between the traditional Trve Norwegian Black Metal and more refined, melodic, and lush interpretations of the genre. Many people hated the band after this ‘soft’ release, but it is as crushing as any other BM at the time. Sounding a bit better than before, Napalm Records brings back tons of memories with the re-release of this album.

    As the opener “The Dawn of a New Age” delivers the line ‘This is Armageddon’, chills instantly run over our spines. The music is raw and brutal while still being elegant and better directed than other releases of the time. The novelty of this album was the mixture of slower tempos and more melodic elements as we can hear as the opener winds down and “Forhekset” rolls in. The atmospheric use of synths also adds depth to the music, while causing confusion and anger to fans of the genre’s traditional rawness.

  • True Black Dawn – Come the Colorless Dawn (2016)

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    Featuring members of several high profile Finish bands, today we have the True Black Dawn and their debut release (as TBD) titled “Come the Colorless Dawn”. Delivering 11 bestial tracks of ravaging Black Metal, this album is quite intense from start to end. Having been around since the early 90’s under two different names, this band crafts very nihilistic and tight BM soundscapes that rival any other famous band in this genre.

    After warming the listener up with an intro, the album’s title track opens the proceedings with great force and brutality. The dual growls/shrieks vocal onslaught perfectly fit the music’s moody and tempo changing nature. The band’s vocalist, Wrath, is of Enochian Crescent fame, and having personally seen them live, he is one hell of a showman and an intense vocalist. The evidence is on the level of brutality shown on tracks like “The Light Goes Out” and the sinister “Cinereous”.

  • Behexen – The Poisonous Path (2016)

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    Crawling out of the depths of Scandinavian hell, today we have Behexen and their long awaited release “The Poisonous Path”. Featuring over 55 minutes of ravaging Black Metal, the band continues to be at the top of their game when it comes to crafting brutally raw tracks. Not for the faint of heart, this is one of the premiere BM releases of 2016.

    Unleashing their hateful musical onslaught with opener “The Poisonous Path” and the intense “The Wand of Shadows”, the band creates a very oppressive atmosphere filled with crushing riffs and the demoralizing vocals of Hoath Torog. As the album progresses with songs like “Cave of the Dark Dreams” and “A Sword of Protean Fire”, we noticed that there are some atmospheric elements thrown into the mix to make the band’s music more intense and expansive.

  • Glorior Belli – Sundown (The Flock that Welcomes) (2016)

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    Hailing from France, today we have the return of Southern/Stoner Black Metal outfit Glorior Belli. In “Sundwon (The Flock that Welcomes)”, the band delivers eight tracks and around 48 minutes of very crafty and completely unique music. If you are a fan of the band already, this album further refines their very unique style and you will love it, if you are just curious, be ready for a very bizarre and different musical ride.

    Opening with a bang, “Lies-Strangled Skies” delivers a crushing mostly straightforward Black Metal onslaught with heavy guitars and hyper fast drums. Combining the very characteristic sound of French Black Metal with some funky melodic guitars, the band crafts a very powerful opening piece. The second track continues in the same vein, but slowly introduces some of the band’s more melodic and crafty passages near the end.

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