Punishing the listener with 35 minutes of devastating Death/Black/Grindcore music, Kratornas unleashes “Devoured by Damnation” upon the masses. Originally from the Philippines, this band has that certain signature sound of Grindcore outfits like Deiphago. Keeping things always brutal and quite hectic, this is one of those albums that you won’t want to turn off.
Opening with the pummeling “Spit on God” and followed by “Dead Burning Christ” and “Archangels of Destruction”, this release cranks up the intensity to 11 while perfectly mixing Black Metal shrieks, crushing riffs and demoralizing drums. This two-piece outfit produces some of the fiercest music you can find, but also keeps things interesting by crafting unique riffs and heavy duty tempos.
Unleashing one of the most brutal releases to ever come out of Algeria, today we have Lelahell and their debut full-length release “Al Insane... The (Re)Birth of Abderrahmane”. Clocking in at around 40 minutes of music, this album is both savage and demoralizing. Elevating Death Metal to its most brutal shape, anybody will surely be blow away and rendered unconscious with such a vicious onslaught of senseless brutality.
Wasting no time after the intro track, “Al Intissar” comes at you like a bag of bricks to the face. The riffing is pummeling and energetic, while the drumming is just out of this world with a its blistering double kick sections. The band continues their onslaught with the sheer brutality of “Voices Revealed” and “Kalimet Essir”, both tracks feature a perfect balance of punishing drumming and very prominent harsh vocals. The band at times reminds us of outfits like Nile and Melechesh with some Cannibal Corpse and Six Feet under sprinkled on top.
Hailing from Belgium today we have the punishing release “Sacrosanct”. This debut release is filled with soul crushing Death/Black Metal tracks that put many other band’s to shame and showcase Epoch’s powerful talents. Clocking in at 36 minutes, this album will certainly keep you entertained and make your neck hurt from all the headbanging and moshing it incites.
The album starts with the brutal “To Datechon, ho Katechon”, a track that instantly delivers the ‘in your face’ attitude of the band’s music. The riffing perfectly mixes distinctive 90’s Death Metal influences with some more recent Death/Black Metal elements of bands like Arkhon Infaustus. Epoch’s pummeling attitude continues as they unleash the sheer brutality of songs like “Vision Absolute”, “Altered States” and “Nine”.
Everybody’s favorite Roman-inspired band is finally back with another killer onslaught of dramatic symphonic elements and a catchy guitar riffs. “The Immortal Wars” marks Ex Deo’s return with nearly 40 minutes of superbly entertaining music, their first foray since the brilliant “Caligvla” back in 2012. If you like music that has a certain epic feeling to it, similar to bands like Sabaton and Fleshgod Apocalypse, you will love this one.
Opening with the pummeling “The Rise of Hannibal”, the band wastes no time in showing off the big guns with dramatic orchestrations and a solid (and heavy) musical core filled with catchy riffs. Playful tracks like “Hispania” perfectly showcase the band’s skills in balancing heavy sections with hyper fast drumming with more melodic and atmospheric rhythmical sections for headbanging. The opening of “Crossing of the Alps” will greatly send chills down your spine, but it is the punishing Death Metal elements of this track that will make you love it.
Keeping the old-school Death Metal flame alive, today we have Memoriam and their 7” vinyl release “The Hellfire Demos II”. Featuring members of Bolt Thrower and Benediction, this band gives us a taste of their crushing sound with two very promising tracks. If you grew up with late 80’s and early 90’s Death Metal, this release brings back that familiar rawness and catchiness of the era.
Opening with “Drone Strike”, the band’s vocalist Karl Willetts instantly delivers his raspy vocals to a very powerful mix of pummeling riffs and tight drumming. The song’s tempo perfectly allows the listener to headbang to it while keeping things aggressive. The band does a pretty solid job in delivering a timeless Death Metal vibe with their music.
Perfectly capturing an epic performance at the legendary Roadburn festival, today we have Dead to a Dying World’s “Live at Roadburn 2016”. Clocking in at nearly 60 minutes, this release brilliantly reflects the band’s live performances ferociousness. Paired with a very clear sound and mix, this release continues to hold the standards of the “Live at Roadburn” series of releases over the years.
The album instantly jumps at the listener with the intensity of “The Hunt Eternal”, a fierce track that features blistering riffs, mournful viola arrangements, and hellish male and female harsh vocals. After warming up with the 16-minute opening track, the band went into the moodier “Eventide”. This track has a certain My Dying Bride meets Elend vibe that we greatly enjoy and was perfectly transmitted live.
Interestingly blending Modern Death Metal/Deathcore elements with musical acrobatic skills, today we have Eradikal Insane and their crushing debut release “Mithra”. Hailing from France, this band delivers over 45 minutes of technically proficient music that is both crushing and complex. If you like bands like Obscura and The Black Dahlia Murder, this is definitely something you want to check out.
Delivering the first blow with the playful opener “A Perpetual Nothing”, we are instantly introduced to the band’s chaotic style. Their music is quite uniquely crafted as they change the tempo of the songs quite often thanks to a plethora of incisive riffs and highly precise drum patterns as we can hear on “Initium” and “Sediments of Misconception”. Some other time, the band choses to pay homage to legendary bands such as Death, as you can hear in the opening of “Consciousness Alight”.
Elevating the definition of musical violence to the nth power, today we have Teethgrinder from the Netherlands and their crushing Grindcore/Brutal Death Metal music. Delivering nine pummeling tracks, this release rivals Anaal Nathrakh’s “The Whole of the Law” for the most mercilessly brutal release of 2016.
The band preps the listener with the dissonant sounds of the deranged intro track “Sommambulant”, a piece that somewhat describes the madness that is about to take place in this release. Shit gets instantly real with the violent screams of “The Soil has a Thirst for Blood”, a track that is both intense and punishing thanks to the killer drums and ravaging riffs. We particularly enjoy the sporadic audio clips inserted on tracks like “Isolation” and “Pale Flowers”, which remind us a bit of the song intros Macabre uses.
Arriving from the UK, today we have new-comer(s) Dysemblem and their debut release “Strength of Giants”. With a pummeling old-school Death/Black Metal style, this outfit delivers 32 minutes of an action packed release that shows a great deal of promise and a hefty dosage of violence.
Opening with the relentless riffing of “Down the Chasm”, the band makes a big impression with such a punishing sound. The mixture of harsh growls and crafty drums makes for a very entertaining back-to-basics track. The Death Metal influences are key for making tracks like “Gourd of the Damned” very catchy while being superbly brutal. With a certain Swedish Death Metal edge to it, “Gloria Victis” is one of our favorite tracks as it reminds us a bit of old-school Grave and Centinex.
France continues to surprise use by producing some of the most interesting Metal bands in the last 10 years. Dysylum continues this tradition by leveling our speakers with their dissonant Progressive mixture of Death and Black Metal with some Sludge elements in “Chaos Primordial”. Featuring 28 minutes of crushing music, this release creates a very thick atmospheric atmosphere that is perfect for a dark and gloomy day.
After the opening intro, the album title track delivers some mid-tempo oppressive Black Metal-ish riffs that suddenly morph back and forth into heavy Sludgy Death riffs. The vocals are quite harsh and perfectly fitting for such an oppressive sound. Things pick up with the ravaging onslaughts of “Œuf Cosmique”, filled with eerie growls and screams. The drumming intensifies for some parts, changing the pace and levels of brutality of this song accordingly.