Continuing our exploration of Godz ov War productions goodie package we received a few days ago, today we have Kingdom’s third full-length release “Sepulchral Psalms from the Abyss of Torment”. Featuring over 34 min of crushing Death Metal, this band perfectly balances old-school Swedish and Florida Death Metal influences with their own brand of depravity to create a truly oppressive sound.
Kicking off with “Sepulchral Psalms”, the band sets a very sinister mood that is greatly magnified by the sheer brutality of “Monolith of Death”. The band’s music is quite intense, as this trio delivers pummeling riffs, bestial drumming and hellish vocals. However, the meaty hooks and melodic aspect of songs like “Forsaken Tribe” is what makes their sound quite unique and less linear than your average DM band.
Hailing from Spain, today we have Atmospheric Death/Doom quintet Evadne and their latest release “A Mother Named Death”. With the band being on our radar since their debut release “The 13th Condition”, we are quite excited to hear that they have blossomed into a very dynamic and engaging outfit. Delivering over 60 minutes of music, this band aims to take the throne of the most melancholic Spanish band from Helevorn, with this killer release.
Opening with the mellow “Adobe of Distress”, we are treated to a very traditional Death/Doom song filled with pummeling guitars and killer vocal arrangements. We particularly enjoy when a band can mix both clean and harsh vocals in a very organic and complementary way. Invoking their internal Swallow the Sun, “Scars that Bleed Again” delivers a perfect balance of sheer aggression and atmospheric magic, allowing the band to showcase their contrasting versatility.
Every few months we get a mysterious package from Poland wrapped around very creatively with saran wrap and newspaper. Arriving from Godz ov War productions, we get a pretty good variety of Death and Black Metal underground bands, one of the standouts this month has to be Loathfinder. Unleashing four tracks and over 28 minutes on their debut EP “The Great Tired Ones”, this Polish one-man battalion focuses on mixing elements of Black/Death Metal with Doom/Sludge guitar work.
Opening with the catchy “Genetic Gloom”, a layer of thick riffing and harsh growls sets the mood for this release. While featuring heavy riffs and a dense atmosphere, the song has a certain Sludgy edge to it that keeps it interesting and different from other bands. The album’s most engaging song has to be “Feast on My Entrails”, where we have ripping melodic riffs and devilish harsh vocals. This track features solid headbanging passages thanks to its extreme catchiness.
Perfectly aging with time, like a fine bottle of scotch, today we have Suffocation and their latest opus “…Of the Dark Light”. Delivering over 35 minutes of brutality, Frank Mullen and company embrace the more modern Technical/Brutal DM influences and manage to craft a very traditional Suffocation release that feels fresh and current.
Opening with the sinister “Clarity Through Deprivation”, the Suffocation instantly finds its groove with killer drumming and a very hefty pace. The band’s old-school sound is forever present and you can instantly hear it as they steamroll past “Your Last Breaths”, “Return to the Abyss” and “The Violation”. Paired with fresher ideas, the band manages to deliver punishing tracks filled with brutality and cheeky drum patterns like “Of the Dark Light”, which is both intense and crafty.
Delivering one of the craftiest exercises in brutality, today we have Origin and their latest full-length release “Unparalleled Universe”. As the band’s 7th release, this album is filled with over 40 minutes of highly technical and extremely brutal Death Metal that never gets dull and hits hard from start to end. Not for the faint of heart, this release will leave your eardrums rattling for a couple of days.
The release kicks off with the intricate guitar work of “Infinitesimal to the Infinite”, a song that instantly sets a very hectic mood and showcases some of the most intense drumming of 2017. This mood and approach bleeds into the onslaughts brought forth by “Accident and Error” and “Cascading Failures, Diminishing Returns”. Band’s drummer, John Longstreth, is definitely a beast behind the kit providing some of the most intense and intricate drum patterns in the genre.
Featuring a very old-school Death/Doom vibe, today we have Into the Arcane and their debut EP titled “Het Verlangen Der Geest”. Delivering four tracks that will appeal to fans of Winter, Etherial Winds, and Phlebotomized, this music is for the old-school lovers of Doomy Death Metal bands with atmospheric elements.
The album opens with the crafty “The Glass King” and its very melodic guitar work. This very catchy song is very rudimentary, but gets the job done as it brings back that old-school vibe that the scene has been missing since the late 90’s early 00’s. “The Innocent Hunter” brings a more atmospheric side to the mix with some very interesting piano sections and brilliant tempo changes. The band further explores their Doomy side and creates a very emotional track filled with masterful guitar leads.
Hailing from Italy, today we have Blackened Death Metal outfit Simulacro and their second full-length release "Echi dall'abisso". Packed with 45 minutes of punishing tracks, this release created a very thick and demoralizing atmosphere that will destroy your psyche and bend you into submission. Led by Xul and Anamnesi of Absentia Lunae and Progenie Terrestre Pura fame, this release is not for the weak of mind.
The album opens with the incisive riffing of “ECO I”, in this song a think atmosphere is set with harsh vocals and pummeling drums flanking ethereally eerie female vocals. As the album progresses, the band gets crafty with some Post-Metal-ish moments in songs like “ECO II” and “ECO III”, remind us of the early sound of The Ocean. Usually in many releases the Bass guitar drowns in the mix, but here Ombra delivers the goods with a heavily emphasized bass guitar line in pieces like “ECO IV” and “ECO V”.
Originally intended to be the demo of the band formed by Aad Kloosterwaard and Alex Paul when Sinister split up back in 2003, “Gods of the Abyss” sees the light of day via Vic Records. This four song demo marked the move of Aad to vocals, and also the new era of Sinister with a renewed Nuclear Blast record band in the day. The tracks presented her formed part of the “Afterburner” album in 2006.
Leading with the piercing riffage of “The Grey Massacre”, we instantly get Sinister’s traditional intensity and viciousness with pretty solid vocals. One has to remember that before the band broke up in 2003, they had a terrible vocalist that single-handedly made “Savage or Grace” and “Creative Killings” two of the worst albums of the time. Anyways, the move of Aad to handle vocal duties was a pretty good one.
Delivering over 50 minutes of brilliantly crafted Death Metal with tons of melodic undertones, today we have France’s Serenius and their third full-length release “Cocoon”. In a day and age when most band are moving their Death Metal sound to feature either Core or Progressive elements, it is quite cool to hear a band keeping the old-school style alive by injecting some energy into it, but keeping the essence intact.
After the album opens with the crushing “World”, the band wastes no time in keeping the momentum going and delivers the high-octane “Identity”. This very melodic song is one of our favorites, and will surely get the headbanging started with its pace and brilliant guitar work. “The Shell” and “Shadows of Misery” continue the onslaught with even more catchier and craftier tracks that showcase the band’s musical range and the wide variety of unique ideas they incorporate into their music.
Hailing from France, today we have Death Metal outfit ghUSa and their perfect hybrid of modern and old-school Swedish death metal. For a band being together since 1989 “Öswedeme” is the band’s second full-length release, filled with brilliant headbanging moments and crushing nostalgic passages. With a lively atmosphere and killer musical influences, this release will make you yearn for the early days of Swedish Death Metal and bands like Entombed, Grave, etc.
Opening with the savage riffing and tension of “28 Days Later” the band sets the mood quite brilliantly for this engaging release. Things get cranked up to 11 with the brutal “h” and its Amon Amarth meets Entombed approach. The release continues with the Centinex-inspired “Project 9” which features crushing growls and fast paced drumming surrounded by a punishing bass guitar line.