Gothic Metal

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    Battlelore – Doombound (2011)

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    Like a fine wine, Battlelore has been graciously aging with time and with “Doombound” they achieve a very solid release and refinement of their signature Epic Metal sound. As one of the most awaited releases of 2011, “Doombound” has everything a fan of the genre needs: brilliant female and male vocals, epic melodies with elaborate arrangements, and powerful guitar riffing.

    While not terribly revolutionary, Battlelore has been refining their style with every album they have produced and with “Doombound” they are close to achieving. As a concept album “Doombound” takes the listeners into a magical fantasy journey, something that the band has made part of their concept (and live show) since their conception and it’s one of their best traits.

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    System Divide – The Conscious Sedation (2010)

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    Today we have System Divide, a band that plays a very interesting mix of Gothic Metal elements with Melodic Death Metal/Deathcore foundations. Featuring Sven de Caluwé of Aborted fame and Miri Milman (Distorted, Orphaned land) on vocals, you know you will have a very nice contrast between sweet female voices and demonic growls.

    With a very similar style than Deadlock, the band seamlessly merges elements and creates a very solid melodic yet brutal album with “The Conscious Sedation”. It’s very interesting that such release will appeal people from both the Melodic Metal community and the ‘Modern’ Metal (i.e. Deathcore) section, since it features elements that will please both sides of the fence.

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    The Man-Eating Tree – Vine (2010)

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    We at Infernal Masquerade are usually very busy reviewing all the stuff we get from labels, bands, etc., that we rarely have free time to go out and discover something new. Few weeks ago we found ourselves at a friend’s house being serenaded by this great band that we had no idea who it was, turning out to be The Man-Eating Tree, and we had been listening to “Vine” for almost 3 hours non stop. Long story short, we immediately got a copy of this album and became almost obsessed by it.

    Featuring Vesa Ranta (ex-Sentenced) on drums, Janne Markus (Poisonblack) on guitars and Tuomas Tuominen (ex-Fall of the Leafe), The Man-Eating Tree boasts a very impressive line-up. The music in “Vine” can equate to the quality of musicians performing on it. The band plays a very Atmospheric brand of Gothic Metal that will surely grab you attention very quickly since it’s extremely good and appealing.

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    Tempting Tragedy – Descent into Madness (2010)

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    Hailing from Canada, today we have Tempting Tragedy, a hard rocking Gothic Metal/Rock band that gives any big name band a run for their money in when it comes to creating catchy tunes of darkness. Having received mostly Black Metal and ‘whatever’-core bands from Canada is refreshing get Tempting Tragedy’s hard-hitting second full-length album “Descent into Madness”.

    Opening “Descent into Madness” with the song “Calamities”, we are quickly treated to solid guitar riffing, pounding bass guitar line and vocals very similar to Ville Valo’s hypnotic style. Before you assume that Tempting Tragedy is another H.I.M wannabe clone band, let us tell us you are wrong since while “Calamities” might sound a lot like them, it’s the only song of this album with this nature.

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    Katra – Out of the Ashes (2010)

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    The lovely Katra is finally back with a 100% new release (the last album “Beast Within” was mostly songs from her debut album but translated from Finish to English). Katra is now also a full-fledged band not only a female solo artist with hired ‘monkeys’ to play the rest of the instruments like on her last album. With this ‘permanent’ band, Katra’s sound is more Metal and even more cohesive than before, making “Out of the Ashes” and excellent release that will surely be in our top 10 Symphonic/Gothic Metal albums of 2010.

    Featuring ex-members of Nocturn, October Falls, and many other Finish bands, Katra’s new band is actually very proficient musically and greatly incorporates Metal elements with more straightforward Rock elements. This will surely make “Out of the Ashes” accessible to both Metal and non-Metal fans alike, since it’s smooth and flows very nicely, never being too aggressive or weak.

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    Unsun – Clinic for Dolls (2010)

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    With a world-wide release of October 11th, today we get Unsun’s second Gothic Metal/Rock album “Clinic for Dolls”. Hailing from Poland, this band features on the country’s most renowned Metal guitarist Maurycy Stefanowicz (Mauser) from Vader, Christ Agony and Dies Irae fame. Rounding up the two-person permanent lineup from the band, we have Mauser’s wife Aya. In the album liner notes we have that ex-member’s Heinrich (bass guitar) and Vaaver (drums) still contributed to this album.

    Unsun, plays a very straight forward Gothic Metal that is easily identified by the powerful guitar riffs and sweet vocals from Aya. The band’s sound is nothing revolutionary and at some points gets a bit monotone, but by the standards of the genre, “Clinic for Dolls” is a very solid album.

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    Shadowgarden – Ashen (2010)

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    Featuring Draconian members Johan Ericson and Andy Hindenäs (Ex-Draconian), Shadowgarden is another Gothic Rock/Metal band to appear on the scene courtesy of Napalm Records. While having heavy competition on their label with Lacrimas Profundere, Shadowgarden’s Gothic Rock/Metal is good enough to make them a name for themselves and become one of the top bands in the scene.

    As we could expect, Shadowgarden’s biggest appeal is the solid guitar work. The ten songs in this album feature a plethora of powerful guitar riffs and melodies, something that Johan is an expert in creating, both with Draconian and Doom:VS. “Ashen” quickly made us remember the sound of bands like To/Die/For, Charon, Entwine, etc, where the melancholy behind the music is ever present thanks to the excellent guitar work.

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    Darkseed – Poison Awaits (2010)

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    Ever since their classic “Midnight Solemnly Dance”, Darkseed has been on a constant quest of evolving as a band and has matured musically a great deal into how they sound now, on their latest album “Poison Awaits”. The band’s long time vocalist Stefan Hertrich decided to leave the band in 2006, and from what it looks the band was idle for two years until 2008, when Thomas Herrmann, Tom Gilche, Maurizio Guolo, and Armin Dörfler decided to get the Darkseed ball rolling again.

    With ex-drummer Harald Winkler stepping up for singing duties, the band has managed to retain their traditional sound and we think that they actually improved over their previous releases. Harald’s vocals are very diverse and his deep clean sections are reminiscent of Lacrimas Profundere and similar Gothic Rock bands.

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    Tristania – Rubicon (2010)

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    Tristania has always been one of our favorite bands since the late 90’s with their impressive “Widows Weeds” and “Beyond The Veil” albums. Fast forward to the mid 00’s and we have that Morten Veland left the band and Tristania was stuck in a creative limbo releasing somewhat dull and uninspired releases. Lastly in 2007 we got Illuminate, and album that was somewhat decent and marked the last release of the band with Vibeke Stene, the band’s iconic Female singer. Many people gave Tristania for dead after Vibeke left and not a lot of people had confidence that the band would ever return with release solid enough to get them back on top of the Gothic Metal world.

    With “Rubicon”, Tristania proves us all wrong (yes, including us). The band’s latest release is as great as we could have ever expected, not like Morten Veland would have done (for this check out Mortemia), but like the ever shape-shifting Tristania only knows how to do: it’s complex, powerful and well designed to keep the listener engaged. With the band’s new female singer Mary Demurtas, we get a more than worthy replacement for Vibeke. Mary’s voice is indeed different than Vibeke, but it has enough power and range to helm Tristania’s female singer crown gracefully.

    • Posted By: Dark Emperor
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    Magica – Dark Diary (2010)

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    Since 2002 Magica has been gracing us with very interesting and consistent releases, “Dark Diary” is not an exception to this trend and shows the band embracing a more Gothic Power Metal sound than their original Power/Melodic Heavy Metal sound from their earlier albums.

    With a new bass guitarist and a new drummer, the band is sounding as good as ever. The band’s music is somewhat very symphonic, but it never gets to be ‘too much’ like other bands that sound like a Star Wars soundtrack with vocals plastered on top. We love when bands know when to balance their synth/keyboard use to not overwhelm the listener with needless epicness.

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