Gothic Metal

  • Heaven Grey – Falling Mist (2010)

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    Hailing from Latvia, today we get a very impressive Doom/Gothic Metal self-released album with Heaven Grey’s “Falling Mist”. We are suckers for Doom/Gothic Metal and everything in between, but when the genres are combined we get even more excited. Heaven Grey had most of the ‘activity’ in the late nineties, and because of line-up issues split-up in 2000. Recently reformed the band set up to record “Falling Mist”, their second full-length and one of the best Doom/Gothic Metal albums we have heard this year.

    Combining lyrics in both English and Latvia, the band sets up a very bleak and depressive atmosphere with their music. We particularly love the language combination since it’s very nice to hear bands embracing their own language when it comes to writing songs. The music is very bare-bones and does not require anything fancy to make it excellent. Mainly driven by the weeping guitar work and depressive clean vocals, Heaven Grey’s music is right up there with As Divine Grace, Thorns of The Carrion, Castle, etc. when it comes to creating depressive music that will keep you engaged for the duration of the full-album.

  • Sarah Jezebel Deva – A Sign of Sublime (2010)

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    Having performed for Therion, Cradle Of Filth, The Kovennat, among many others, Sarah Jezebel Deva is one of the most recognized and female voices of Metal. Her appearances for said bands have been mostly showcasing her classical voice and not her ‘natural’ voice. In her lackluster own band Antagoria she started using a ‘cleaner’ more normal sounding voice and on her solo album she almost goes as far as ‘going pop’, like Liv Kristine and other female vocalists have done.

    We love Gothic Metal and almost any other type of metal that features female vocals, and when we got this promo we immediately got excited. This feeling lasted for about 2 songs and then it just changed into disappointment. Some of the songs in this album are good but others just lack inspiration and aim. She has stated that she wanted to give something for everybody and she has somewhat achieved that, but for the core of her fans we think they will be disappointed.

  • Arcane Grail – Arya Marga (2010)

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    Boasting a majestic combination of Black, Death, and Gothic Metal with Symphonic Metal elements today we have Arcane Grail, a very bombastic band from Russia. “Arya Marga” was originally released back in March of 2009, but luckily for us the folks at Hunter’s Moon records from the UK re-released it on a digital-only format.

    Immediately the first thing that stands out is the beautiful classically-trained voice of Natalie, the band’s female vocalist for those that need clarification. The band’s music is very dynamic and it’s very well varied through the 40 minutes that “Arya Marga” lasts. There is never a dull moment and there is something for everybody ranging from full-on Black Metal aggression, Death growls and overall solid riffing.

  • ReVamp – ReVamp (2010)

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    Floor is back!!, and she is back with a vengeance. Two years have passed since After Forever went caput, and ever since the announcement of ReVamp was made, people were expecting nothing less than a great release from Floor. ReVamp’s self-title debut is nothing short of what ever people expected from this all-star project.

    With Floor on the driver seat she recruited guitar wizard Waldemar Sorychta and keyboard maestro Joost van den Broek. Composing the 14 songs presented on this album with these two musicians (and Koen Herfst on drums), she has gone back to the times when WE used to like After Forever. With a more Gothic Metal oriented sound and not focusing on her experimentation with a more ‘Heavy Metal’ style of singing she used in the last few AF albums.

  • Fright Night – The Play of Pain (2010)

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    In our big digital pile of electronic promos today we discovered this amazing release that makes us wonder why the hell didn’t we listened to this album before. This Fright Night, there are several bands with this name, is a band that hails from Russia, and has a very unique and deeply depressive sound.

    With a lineup featuring two super hot girls, one on guitars/vocals and the other one handling the keyboard duties, this is probably one of the few bands that is truly pleasing both visually and aurally The band plays a very interesting Gothic Rock with some Darkwave elements that will haunt your dreams for weeks to come.

  • Daylight Misery – Promo (2009)

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    While checking our ‘to review’ folder of digital promos sent by bands we happened to stumble upon this little gem that was hiding underneath the piles of albums we get every month. Daylight Misery is a band from Greece that plays a mean combination of Death/Doom Metal with some Gothic Metal influences.

    Highly focused on the guitar work rather than the keyboards, the band creates a very depressive atmosphere (the part we love the most from the genre). When the keyboards are used, they are like the icing on top of an already delicious cake. This 3-song promo is probably one of the best we have received in quite a while and their upcoming release “Depressive Icons” sounds like it will be even better.

  • Nox Aurea – Ascending in Triumph (2010)

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    Playing Gothic Doom Metal, today we have Nox Aurea a brilliant band from Sweden that will give Draconian a run for it’s money. The band’s second full-length “Ascending in Triumph” provides us with 8 melancholic tracks that will surely keep us entertained until the next Draconian album.

    Playing a genre that is not very popular these days, Nox Aurea create the perfect Gothic Doom atmosphere with their low-tuned guitars, majestic keyboards, and brilliantly crafted ‘beauty and the beast’-type vocals. We are huge fans of Gothic Doom Metal and Nox Aurea have catered to every one of our quirky needs since their debut “Via Gnosis”, and will “Ascending in Triumph” the band takes their abilities to a whole new level of greatness.

  • Diabulus In Musica – Secrets (2010)

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    Forming from the ashes of Dragon Lord, today we have Diabulus In Musica and their first full-length: “Secrets”. Hailing from the Basque region of Spain, this newcomer to the Gothic Metal scene has what it takes to surprise the world. The band combines a bombastic Symphonic Gothic Metal foundation with beautiful female vocals that sound as powerful as Simone from Epica or even Floor from ReVamp.

    While the band is not re-inventing the genre in anyway, they are pretty darn good at making great songs. For over 55 minutes the bands brings us some fresh Gothic Metal that like we said is not super original, but at least it sounds different than all the bands we are currently used to.

  • Delain – Lucidity (2010)

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    Four years have passed since this album’s original (and European only) release. During this years Delain, which started as a project of Martijn Westerholt, has gained worldwide acclaim and recognition. Martijn then decided to make this a full-time touring band and has since released “April Rain”, the band’s second full-length album. Going back in time when Delain only consisted as Martijn and Charlotte Wessels as the permanent members, they recorded “Lucidity”, a majestic Gothic Metal masterpiece.

    “Lucidity” features guest appearances from some of the most celebrated musicians in the Gothic Metal scene. We have Marco Hietala (Nightwish, Tarot) on vocals and bass guitar, we also have the appearance of Sharon den Adel (Within Temptation), Liv Kristine (Leaves’ Eyes), and George Oosthoek on growling duties in some of the tracks. As you can expect from this impressive lineup, “Lucidity” is a pretty strong first-release for a band.

  • Evig Natt – Darkland (2010)

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    After their impressive debut album “I Am Silence” back in 2007 we were left wanting more from Evig Natt, and finally we get “Darkland” this 2010. This Norwegian band debuted combining Black Metal with Gothic/Doom Metal influences in a very unique way, getting them enough attention and acclaim for their first album.

    With “Darkland” the band is back with a sound geared towards our favorite trifecta: Gothic/Doom/Death Metal. We completely love this genre, and we can say we are its harshest critics. With only a handful of bands that we discovered in the last few years that are worthy of carrying the banner of the combination of these three genres, we were pretty cautious when reviewing “Darkland”.

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