Hatesphere comes from Denmark with an interesting release. They mix Trash Metal with some very pronounced Metalcore influences. While this is a considerable step up from their previous release, it has something missing. The music is ok but very repetitive and the vocals have been considerably improved.
This release is very good for a few songs, but after that it gets pretty dull and all interest is lost. I will admit that the music is very well made and the powerful guitars go along the elaborate drumming. The problem that I have with this release is that is good enough for 3 songs and the rest all sound the same. If you like your music to all sound the same then you will love this album.
Fejd provides us with a very solid debut album. This Swedish band plays folk music, with almost no elements of metal, so don’t expect distorted guitars or anything like that. The most ‘metal’ aspect of the band is probably the drumming. The bands music incorporates a wide variety of medieval instruments and they all blend to perfection, creating an album very rich in different sounds.
While I’m no expert in folk music, I can appreciate a good album when I hear one. You can clearly listen to the Hurdy-gurdie, bag pipes, and violin among several other instruments. The fusion of instruments is done to perfection creating very cohesive folk melodies that will have all the fan of medieval music dancing and chanting along the vocals.
I’m always surprised with the albums that come out of Napalm Records, since they have a wide variety of bands that play almost every genre in metal. The Bullet Monks play hard rock with some metal influences. This German band has a very interesting sound that will make anybody want to ride a Harley and hit the road.
“Weapons Of Mass Destruction” is the perfect album to be listening to in a dive bar while drinking away your problems. The overall rock and roll feel of this album, with some great guitar work will have everybody asking for more.
This Austrian band plays a very unique blend of Black Metal. It’s harsh, melodic and sometimes even groovy. The combination of styles makes “Cold” a very entertaining album to listen to. I must admit that I was moving my head up and down with most of the songs of this album, since they provide a prefect combination of brutality and melody that I rarely hear from Black Metal bands.
“Cold” is the band’s third full length album and it show how they have been evolving since playing mainly harsh Black Metal to a more balances but equally aggressive style. Musically this band has a lot to offer, this two man outfit manages to create a cold and depressive atmosphere only rellying on distorted guitars and blast beats that rival any other band of the genre.
This double CD live album from the German and Leaves’ Eyes will be a nice addition for all die hard fans of the band, as well as people starting to get into the band’s music. It provides a great variety of songs from all of their previous releases. The audio was taken from their performance at the Metal Female Voices Fest in 2007. And while the production was delayed, it was well worth the wait.
Leaves’ Eyes is pretty much Atrocity + Liv Kristine, but their music is a Nordic inspired Gothic Metal, that is mainly characterized by Liv’s beautiful voice. But this does not mean the music is not good, since the band members have been creating excellent music in Atrocity for years. And Atrocity is known to experiment within the realms of metal and beyond.
Grave Digger has been around for almost 30 year now, and they have been marked by their inconsistency between releases. “Ballads Of A Hangman” is one of those in between releases. While the band’s sound is more of an old school Heavy metal they also have some Speed metal influences here and there. The best part of their sound is that the stay away from many of the current Power metal clichés.
This album is an overall good release with some very good moments, but at some points I was lost thinking that I’ve been listening to the same song for 10 minutes or so. Most songs are very similar and they can get boring eventually. The vocals I have to say are one of the things I like the most about this band, the raspy style of Heavy metal vocals makes them a perfect fit for the music, and don’t annoy the listener too much (like, in my opinion, many Heavy metal bands).
The music of Hollenthon is what happens when you give a synthesizer to the demented Grandmaster Flesh (A.K.A Martin Schirenc) from Pungent Stench fame. The band’s sound can be defined as an epic symphony of madness, the music I would probably hear in my head if I was confined to a mental institution. This release was in the making for 7 years, and it was well worth the wait.
The Last Alliance is Battlelore’s latest addition to their impressive musical catalog. This Finish band has been improving and refining their music since they where conceived almost achieving perfection in this last release.
This album contains 11 carefully crafted battle hymns that will surely please any Battlelore fan. The album opens up with Third Immortal, an instant Battlelore classic of the caliber of House of Heroes, and it keeps this level all the way through the album.
This Swedish band was known as Forlon until 2005 when they switched names and apparently their luck changed since they released their first full length under this name in 2005. While I’m not a big fan of epic doom metal, this release packs 54 minutes of pretty solid music. Sometimes it reminds me of Solstice or even Candlemass, yes the band is this good, and this release better than their 2008 effort.
After their self released Burning Winds demo, I was anxiously expecting their full length album. This band formed in 2007, and they got a deal right after their previously mentioned demo and there is big reason why, their music is a perfectly constructed blend of symphonic, viking, folk and progressive metal.
The band members come from different bands in the musical scene and have an ample background in making music over the years. No wonder Napalm Records snatched them so quickly and gave them a recording contract.