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    Fixion – Paraíso (2015)

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    Arriving all the way from Uruguay, today we have Fixion’s latest release “Paraíso”. Filled with over 44 minutes of catchy and melancholic Gothic Metal that spans influences from the early times of Gothic Rock to more recent Gothic Metal trends, this is one of those near perfect releases that are quite enjoyable. Combining a traditional somber Gothic atmosphere with catchy melodies makes and lush vocal arrangements, this release will appeal all fans of the genre.

    As the album opens with the playful “Paraíso”, the band leads with strong vocal arrangements and a very primal and catchy atmosphere. The band instantly reminded us of Anabantha another female-led Gothic Metal/Rock outfit that also sings mostly in Spanish. Greatly exploiting Tina Souto female vocal talents and perfectly combining them with a back-to-the-basics musical structure, tracks like “Hasta Amanecer” and “El Impulso” immerse the listener into Fixion’s musical work.

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    Kera – Kera (2015)

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    With a flourishing Metal musical scene in France delivering very diverse bands like Gojira, Dagoba and Alcest among many others, it is quite refreshing to hear a promising Progressive Death Metal band named Kera. With this self-titled EP, the band explores an interesting experimental take on Death Metal with some solid progressive elements and a knack for melodic brilliance.

    Opening with the pummeling “Masters Enslaved”, we are treated to excellent riffing that is quite crafty in nature and perfectly rounds of the well-tailored drum patterns. The vocals have that old-school raspy vibe, not necessarily the cleanest growls, but they get the job done. The second track, “Architect of Chaos” is probably the band’s most straightforward song blistering leads and a very playful melodic approach.

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    Almøst Human– Ø (2012)

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    Better late than never, today we have Switzerland’s Almøst Human with their super catchy EP titled “Ø”. Featuring five tracks and around 25 minutes of music, this is a great business card from a band that has a highly refined sound and a the attitude to deliver Heavy songs with a certain modern flair that makes them comparable to bands like Stork, Amaranthe (minus the female vocals), and even some of the most recent Coal Chamber stuff.

    Blasting things wide open with the blistering “Living Wreck”, which starts off a bit like a mixture of Linkin Park meets Devildriver. The vocals are quite engaging and very fitting for the musical style, allowing the track to go from heavy to brutal in seconds. The band settles in a bit after the killer opener with the melodic “Obey, Consume or Disappear”, which showcases a mellower and cleaner side of the band thanks to the solid vocals and guitar leads.

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    Wallower – Vanishing In Bloom (2014)

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    At Infernal Masquerade we usually receive anywhere between 20 to 40 promos each week, so going ‘off script’ to review something requires a killer release. Wallower and their savage mixture of Black Metal with Shoegaze have managed to stand out enough for us to review their killer debut EP. Under the title “Vanishing In Bloom”, we are presented with four brilliant songs that deliver a rare mixture of melody and harshness perfectly in harmony.

    The release explodes wide open with their pummeling “Meteor”, a blistering track that features ear-piercing vocals and superb guitar work. The bands demolishing sound is very raw and brutal, perfectly balanced by the shoegazy parts thrown into the mix. While not as cathartic as Deafheaven or atmospheric as An Autumn for Crippled Children, the band perfectly captures the rawness and bleakness behind acts like Ghost Bath and Heretoir, as shown in the crafty “Dispel”.

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    The Passion of Our Souls – Soulmates (2015)

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    Riding on the tailwinds of bands like Amaranthe that play catchy pseudo-pop-ish Melodic Metal, today we have The Passion of our Souls from Finland. This Finish duo deliver four tracks of catchy riffs, memorable melodic passages, and solid vocals that are quite engaging and will get stuck in your head.

    Opening with “Give Me Your Soul”, the band instantly grabs your attention with some catchy hooks and very pleasing female vocals, courtesy of Julia Mattila. The male harsh vocals are a bit on the ‘too raspy’ side, but they seem to work with the music. While this release is catchy and mellow, it is also quite heavy as the opening of “Everything” will show you. The band is not just a convert to Metal, but rather one that has strong (and heavy) Metal foundations.

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    Ashen Waves – Premonitions (2015)

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    With a very engaging sense of experimentation and lush Post-Metal/Prog influences, today we have Ashen Waves and their debut album “Premonitions”. Being from the USA, the band brings some of that European ingenuity into their music with a very diverse blend of musical genres cohesively put together to deliver 10 tracks of solid music.

    Opening with the Amorphis/Vintersorg influenced “Whispers”, we are treated to a very promising opener that perfectly blends multiple genres. We particularly enjoyed the upbeat keyboards and crafty mixture of clean and harsh vocals. The band’s next musical exploration is the surprising “Enmity” that delivers a healthy mix of Doom/Sludge riffs with dreamy Post-Metal/Proggy passages. While this style might sound odd, the band gracefully pulls it off.

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    Obduktion – Mors Janua Vitae (2014)

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    Hailing from Greece, today we have old-school Death Metal outfit Obduktion and their crushing new EP titled “Mors Janua Vitae”. In this short but sweet two-song EP, the band delivers old-school sounding Death Metal that brings back the times of Grave, Morgoth, Unleashed, etc.

    Opening the EP we have the neck snapping “Kings of Terror”, a track that has just the right amount of retro elements but with a sharp modern production. The drumming is quite catchy and combined with the riffing, we get a similar vibe to Grave and their earlier releases. Things pick up with the traditional-sounding opening seconds of “Lordship of Superior”. This opening few seconds have a Thrash vibe that nicely morphs into a crunchy groove onslaught.

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    Sylvaine – Silent Chamber, Noisy Heart (2014)

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    Hailing from Norway/France, today we have female multi-instrumentalist Sylvaine. Delivering her debut release titled “Silent Chamber, Noisy Heart”, this one-woman outfit crafts very melancholic and atmospheric post-rock with some alternative rock and even metal elements. Featuring ten tracks, this debut release will greatly appeal to fans of The Gathering, Les Discrets, Alcest, and similar atmospheric outfits.

    After the mood-setting intro, “It Rains in My Heart” quickly sets a Shoegazy vibe with some Alcest like riffs and quickly morphs into a very bleak and melancholic tune with Sylvaine’s excellent vocals. The song is quite haunting and reminds us a bit of bands like Shellyz Raven and Elbereth. There are also some pretty harsh vocals also provided by the band’s only member, giving this track an extra kick. With “Silent Chamber, Noisy Heart”, we have a full-on Les Discrets style tune that is quite enjoyable and relaxing.

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    Oceans of Night – Midnight Rising (2014)

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    The USA Progressive Metal scene has been growing in the last few years, and surprisingly besides the premiere bands, there are many newcomers (or smaller bands) filled with quality like Oceans of Night. As the brainchild of multi-instrumentalist Scott Mosher, “Midnight Rising” marks the third full-length release of the band and greatly shows improvement over their previous albums. Coming in at nearly one hour of music, this release combines early 90’s Progressive Metal elements with the futuristic vibe of Dol Ammad and Ayreon.

    Opening with the atmospheric “The Haunted Mind”, the band seamlessly transitions into the Heavy/Power Metal elements of “Midnight Rising”. In this last track, Scott Oliva shines through the expertly crafted riffing and percussions. Breaking up the flow, the highly atmospheric “Critical Mass / The Breathless Sleep” nicely changes the pace of things before the epic “The Burning Sky”. As one of our favorite tracks in this release, the instrumental passages and guitar solos are just amazing in this one (there is a guest solo in this track by Chris Rifkin).

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    Deconstructing Sequence – Access Code (2014)

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    Hailing from the UK, today we have one of the most interesting bands we heard in 2013 return with their EP titled “Access Code”. The Deconstructing Sequence this time around delivers 16 minutes of music in two superbly written tracks that will only make you crave a full release from the band even more. The band’s progressive sound paired with their futuristic atmospheric elements makes them standout immediately.

    Opening with “A Habitable World is Found”, DS makes you believe things will be going a more ‘traditional’ way with the Death Metal-ish opening as they deliver growls, crushing riffs and powerful drums. This nicely changes as time goes by into their trippy atmospheric passages with multiple vocal styles and very proggy sounding synths. The track nicely culminates with spoken vocal sections and the nicely cascading musical elements as a backdrop.

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