Keeping things as weird and unique as possible, today we have the legendary Fleurety and their latest EP titled “Fragmenta Cuinsvis Aetatis Contemporaneae”. Released as a 7” vinyl, the listener gets two more windows in to the band’s unique, and pretty deranged, musical vision. If you like weird stuff, this is definitely something you need to check out.
Very far from their Black Metal origins in the seminal “Min tid skal komme”, the band has continued to evolve over the years perfectly creating a very bizarre sound that just keeps getting better and better with time. Exhibit A in this release is the trippy “Consensus”, a song that is quite experimental with influences ranging from Noise to Drone and all the way to Jazz. This piece creates a very dissonant and uncomfortable atmosphere that is equally brilliant and insane at the same time.
Delivering one the of most brutal and yet melancholic releases of the last few years, today we have French newcomers Au Champ des Morts and their demoralizing debut release “Dans la Joie”. Featuring seven tracks of brilliant Black Metal, the band blends influences from outfits like Anorexia Nervosa, Shade Empire, etc. with some Post-Black Metal sprinkles thrown into the mix. If you are only going to buy one album this month, better make sure it is this one.
The mournful explosiveness of “Nos Decombres” perfectly sets the mood for this release. Mixing highly melancholic riffs with gut-wrenching vocals, this album opens with a killer bang. This opening track is loaded with raw emotions nearing its end, making it quite the experience… and it is only the first six minutes. Keeping things melodic and yet highly dissonant, the oppressive riffing of “Apres Le Carnage” brilliantly continues the album’s ravaging pace.
Fully exploiting the band’s newfound strengths around singer Dianne van Giersbergen, Xandria delivers one of the best Symphonic/Gothic Metal albums of the last few months with “Theater of Dimensions”. Crafting over 74 minutes of lush and bombastic songs, the band reaches the levels of excellence of bands like Epica, Within Temptation and Nightwish with this killer release filled with epic melodies and mesmerizing arrangements.
Opening with the very dramatic and engaging “Where the Heart is Home”, we instantly get a superbly epic vibe thanks to the vocal arrangements and over the top orchestrations. The band quickly showcases their very diverse musical style while going through excellent songs like “Death to the Holy”, “Forsaken Love” and “Call of Destiny”, all of them showing influences from everything ranging from Power Metal to Folk Metal, but with the distinctive Xandria edge.
Perfectly delivering just the right amount of distortion to burst your speakers, today we have Kalloused and their debut release “Damn You Believer”. Featuring over 25 minutes of an intense mixture of Sludge, Doom and Post-Metal, this band delivers a good dosage of pummeling riffs that will make your ears ring for a few days. If you like bands like Neurosis and Amenra, this should be right around your alley.
Opening with the mysterious momentum builder “Pt. 1”, we are slowly introduced into the band’s world of ripping guitar riffs and punishing bass guitar lines as the track progresses. Settling more into their own sound, “Pt. 2” showcases a powerful band that perfectly times their vocal assaults around their imposing wall of sound. Not breaking much out of character, “Pt. 3” continues the onslaught with some cool opening drum patterns and a very chaotic vibe to start off one of their most aggressive and diverse pieces.
Showcasing two of the most interesting Dutch Black Metal bands, today we have Ván Records Kjeld and Wederganger split release. Unluckily released at the end of 2016, this split release deserves your attention as it delivers five Black Metal tracks that range for raw and atmospheric to catchy and creepy. As a highly recommended release for BM fans, this is the perfect introduction to two bands killer sound.
Kjeld opens the release with the pummeling “Banier van Frisia”, this opening track sets a very intense mood with crushing riffs and superb drumming. Remind us at times of bands like Algazanth, “Wanskepsel” perfectly blends atmospheric elements with melodic riffs, a perfect blend for headbanging passages. The last Kjeld track is the blistering “Keningsein”, a furiously paced piece that again features that cold and dissonant Scandinavian Black Metal vibe.
Blurring the lines between Doom, Post-Metal and Shoegaze, today we have Glare of the Sun and their monumental debut release “Soil”. Featuring eight tracks of quite diverse and engaging music, this Austrian/German outfit delivers thunderous riffs crafted to perfection for very moody songs. This band manages to craft a unique musical vision out of more traditional influences, delivering a powerful initial statement.
After opening with the dreamy instrumental “Awoken”, the band fully immerses the listener into their perfect mixture of atmospheric guitars with heavy Doom-esque riffs in “One Step Nothing”. Alternating vocal styles between harsh screams and eerie clean vocals, the bad creates a very enveloping atmosphere that instantly grabs the listener with its surreal soundscapes. In the first few songs Glare of the Sun manages to craft very intricate and engaging songs that are hard to peg down to a single genre or influence.
Hailing from Italy, today we have five-piece Gaerea and their punishing self-titled debut EP. Featuring over 27 minutes of blistering Black Metal music, this debut showcases a very promising band with a highly atmospheric oppressive BM sound. Filled with cathartic moments, this release sets the bar quite high for any future activities by this young outfit.
Opening with the atmospheric “Santificato”, building up on punishing drumming and imposing vocals, this opener sets a very dark and gloomy mood for the release. “Final Call” continues the onslaught with dissonant riffs and pummeling tempo that quickly escalates the level of aggression. As one of their best skills, Gaerea effortlessly changes tempos while trampling the listener with crushing passages and dissonant contrasts.
After a brilliant 2016 filled with Symphonic/Gothic Metal releases from bands like Epica and Delain, it is quite delightful to hear that 2017 will follow along the same lines, starting with Akoma’s debut full-length “Revangels”. Featuring nine tracks filled with bombastic arrangements, this release perfectly combines soaring vocals and catchy guitars to achieve very dramatic and engaging songs.
The release opens with the very dramatic “Enticing Desire”, a song that reminded us of some of the most recent Within Temptation’s releases. Akoma’s vocalist, Tanya Bell, perfectly balances combining operatic style vocals with more ‘natural’ singing, which in turn allows songs like the opener and “Change of Propensity” to be quite dynamic and engaging. The album’s second track features backing vocals by Liv Kristine, adding an extra dimension to the band’s sound.
Video games and Metal are the two things we love the most over at Infernal Masquerade and when combined, life can’t get any better. Vomitron’s triumphal return delivers over 60 minutes of superb instrumental music which brings to life several video game themes that will make you dust off your NES console and relive your childhood. With “NESessary Evil” this one-man band positions itself as the finest Video Game Metal outfit in the world.
Opening with the music of Rare’s classic “Wizards & Warriors”, the album instantly transports the listener to simpler days of spending your evening doing homework as quick as possible to start playing video games until bed time. Next up we have a part one of a great rendition of the music from “Metroid” filled with dramatic guitar leads and funky keyboards that closely resemble the original 8-bit, but take it to a whole new level of detail and creativity.
Closing 2016 and very appropriately set for release on Christmas day, today we have Black Metal outfit Paria and their devastating EP titled “Knochenkamp”. Delivering 28 minutes of punishing Black Metal, the band combines incisive riffs with hellish vocals to create a very foul and demoralizing atmosphere that submits the listener from beginning to end.
After a drone-ish eerie intro, the band lashes at the listener with the piercing rifing of “Pergamentikkch Nemesis”. A very interesting thing in this track is the funky bass guitar line that instantly gets under your skin and allows the music to be psychedelic and weirder in nature. The mixture of screams reminds us at times of early Bethlehem. The band’s sound is raw and uncompromising as you can hear in the all-out war anthem “So Far From the Hidden God”, a track that will haunt your dreams.