Black Metal

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    Délétère - Songes d'une nuit souillée (2023)

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    Unleashing a punishing exercise in Black Metal brilliance, Quebec’s Délétère delivers “Songes d'une Nuit Souillée”. As their first full-length release in five years, the band unravels 42 minutes and eight tracks of high-octane Black Metal filled with eerie atmospherics and incisive melodic undertones. If you like bands like Algazanth, Sargeist, Seth, and everything in between this is the release for you.

    Blasting away with the ravaging “Chasse obscène”, the band quickly delivers waves of incisive guitar riffing alongside pummeling drums and hellish vocals. Particularly the interplay between melodic passages, ominous atmospherics and the choral arrangements create a unique and devilish atmosphere. This atmosphere is perfectly preserved as “Sacre de la perversion”, “Foutredieu”, and “Messe scandaleuse” roll around.

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    Krieg - Ruiner (2023)

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    In their first full-length release in nearly ten years, Krieg returns to continue pushing the boundaries of USBM with a moody and yet highly engaging Black Metal release. Perfectly balancing the rawness and naivety of their older releases with the more restrained, atmospheric, and at times melodic nature of their more recent work, “Ruiner” delivers nearly 40 minutes of crushing music. If you are a fan of USBM, you can’t afford to miss this one.

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    Netherdom - Forsaking, Forseeking (2023)

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    Unleashing an extremely raw and powerful Black Metal, today we have France’s Netherdom and his solo release titled “Forsaking, Forseeking”. Featuring three songs and over 40 minutes of demoralizing music, this release is dense, punishing, and very visceral, instantly creating a feeling of unease and despair. If you are looking for something sinister, brutal, and yet quite atmospheric, look no further and get a copy of this release.

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    Nebelkrähe - Ephemer (2023)

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    Hailing from Germany, today we have the strange but quite awesome Nebelkrähe and their first release in ten years “Ephemer”. Combining elements from bands like Eisregen, Pensées Nocturnes, Devil Doll, The Vision Bleak, User Ne, etc., this outfit delivers seven tracks and over 50 minutes of catchy, melodic, and yet odd music. Full of blistering onslaughts alongside a wide range of different instruments like saxophone, harp, dulcimer, the band creates a very melancholic atmosphere that is quite bleak and exciting.

    Opening with “Tumult auf Claim Abendland”, the band sets a dissonant mood thanks to its lush acoustic opening that suddenly tours dark and sour with the distorted guitars and harsh snarls. With the band singing exclusively in German, the vocals sound harsher than average, reminding us of Eisregen. While not being soft or too melodic, tracks like “Nielandsmann” and “Ephemer” have a very theatrical vibe, with lush melodic passages alongside creepy clean vocals creating a doomy atmosphere.

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    Heretoir - Nightsphere (2023)

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    Unleashing one of the best Post-Black Metal releases of 2023, today we have Heretoir and their crushing third full-length release “Nightsphere”. Showing great promise with their earlier “Wastelands” EP, this release delivers on that promise clocking in at 42 minutes and five masterful tracks. Filled with dreamy and bleak soundscapes, this release will please any fan of the genre and the band.

    Opening with the dramatic “Sanctum - Nightsphere Part I”, we get an elegant piece oozing melancholy thanks to its lush vocal arrangements (both harsh and clean) and its very crafty pace. For those looking for more typical pieces, “Twilight of the Machines” has that mid-tempo brilliance the band is known for, with blistering onslaughts mixed in between atmospheric passages. The band’s weeping lead guitars are to die for, and this release provides plenty of them.

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    Den Saakaldte - Pesten Som Tar Over (2023)

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    Unleashing a hefty dose of Norwegian Black Metal, today we have Den Saakaldte and their first release in nearly eight years: “Pesten Som Tar Over”. Originally started as a one man project, this now band returns with a vengeance delivering over 60 minutes of dense music. For fans of bands like Ved Buens Ende, Dold Vorde Ens Navn, and similar outfits, this release is filled with crafty riffs and hellish vocals.

    When bands go dark for some years, there is always the concern that they might come back sounding dated, however, this is definitely not the case here as “Av Satans ild” is a fierce opening track showing the band didn’t miss a beat. Incisive guitar work alongside your traditional BM snarl, provide a nice core for that Norwegian BM sound, as shown in tracks like “Dødstrett av alt” and “En ode til spinnersken”, which are both over eight minutes long. These longer form songs allow for moody tempo changes and a nicer flow within songs.

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    Dismal Aura - Imperium Mortalia (2023)

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    Seemingly a straightforward Black Metal outfit, Dismal Aura is a lot more than that as “Imperium Mortalia” showcases. Released via Avantgarde Music, this release delivers around 30 minutes of atmospheric and well crafted Black Metal with subtle influences from the Post-Black Metal scene. With similarities to bands like Saor, Winterfylleth, and Advent Sorrow, this release is quite melancholic and aggressive at the same time.

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    Primordial - How it Ends (2023)

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    Always consistently good, Primordial releases are special happenings that take a few years to materialize and a more than several dozen spins to really digest. With “How it Ends” the band continues their ritualistic ways of Doomy and Blackened Celtic Metal. Featuring sixty-five minutes of music spread out in ten tracks, the band shows great refinement and direction with their music. Enchanting and fully immersing the listener since the first minute, this release is another excellent addition to the band’s storied career.

    Opening with the album title track, we get a very doomy and decadent mood. Ciáran MacUiliam’s guitars create the distinctive Primordial sound while also having some elements of bands like My Dying Bride baked into the mix. However, we all know that the soul of the band has to be the melancholic vocals of Alan Averill, which perfectly craft a very moody vibe as tracks like “Plougs to Rust, Swords to Dust”, “We Shall Not Serve”, and “Traidisiunta” perfectly mix styles and genres.

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    Sielunvihollinen - Helvetinkone (2023)

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    Unleashing waves of catchiness and aggression, today we have Finland’s one-man battalion Sielunvihollinen, and their latest full-length release “Helvetinkone”. Featuring eight tracks and over 40 minutes of music, this release relies on crafty guitar melodies and a hefty dose of pummeling drums to create a very lively and refreshing Black Metal. Far from your typical over the top tremolo-picking BM, this band focuses more on intricate riffs and engaging tempos to unleash their fury.

    Setting a blistering pace with “Sinetti ja symboli”, the band quickly unleashes ravaging brutality alongside a crafty dose of melody and neat drum patterns. The music tempo is quite diverse, weaving back and forth from a thousand miles per hour, to more melodic and slower passages on tracks like “Raivoni astalo”, “Alkemisti ja tuhoaja”, and “Matkani päässä”. We particularly enjoy the old school Heavy Metal melodies that are nicely incorporated into the BM core.

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    Uada - Crepuscule Natura (2023)

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    Continuing their path of cosmic catchiness, today we have Uada and their latest opus “Crepuscule Natura”. Featuring five tracks and over 41 minutes of music, the band unleashes their riff-driven Black Metal continuing with the intensity and magic that “Djinn” left off. Full of highly memorable moments and plenty of headbanging/moshing opportunities, this album is a testament to the band’s search for perfection and polish of their sound and message.

    Opening with the “The Abyss Gazing Back”, the riffing onslaught is quickly present with incisive guitars and masterfully crafted drumming. The tempo changes allow for some nice transitions between aggressive passages and more mellow melodic interludes. Without needing many additions or experimentation, the band’s sound is crips and direct as pummeling tracks like “Crepuscule Natura” and “The Dark (Winter)” unleash a plethora of crafty guitar elements alongside moody vibes.

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