Death Metal

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    Aeons of Hate – Aeons of Hate (2015)

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    Hailing from Greece, today we have old-school Death/Thrash Metal outfit Aeons fo Hate and their self-titled debut release. Featuring over 30 minutes of music, this album brings back some memories of the late 90’s with incisive riffs perfect for headbanging while chugging beer. If you like the riffing capabilities of bands like Sodom, Kreator, Death Angel and Morbid Angel, this this one interesting release for you.

    Opening with the Slayer-esque “Sands of Deception”, the band makes quite a strong impression with pummeling guitars and harsh vocals. The riffing is quite pleasant as it weaves between Thrash influences and old-school Death/Thrash influences from the Sepultura early days. It is quite interesting to note that as track like “Solemn” and “Aeons of Hate” roll around, the music tempo is kept relatively ‘slow’ allowing the riffs to fully sink in and our heads to start bobbing from beginning to end.

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    Gloria Morti – Kuebiko (2016)

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    Hailing from Finland, today we have Gloria Morti and their devastating Black/Death Metal. Having refined their sound over 4 previous releases, this album delivers a very precise dosage of killer riffs, brutal vocals and intense drumming. Never compromising on brutality, the nine tracks found in this release will have you headbanging and moshing from start to end.

    Opening with the brutal “Syntymä”, the band’s intensity and killer vocals are the first two things that stand out. The band’s vocalist, Pyscho, does a killer job in combining multiple styles and creating a Deathcore-esque level of brutality in songs like “Josef Fritzl”. The guitar work is quite elaborate and nicely separates the band from the average bands; this is due to the fact that founding member Juho Räihä has been around playing for bands like Before the Dawn, Swallow the Sun (live) and Wolfheart (live).

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    Narjahanam - Wa Ma Khufiya Kana A’atham (2013)

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    Out now on Russian label Haarbn Productions, today we have Narjahanam and their sophomore release “Wa Ma Khufiya Kana A’atham”. This two man beast of a band hails from Baharain and crafts some seriously atmospheric Middle-Eastern themed Black/Death Metal, rivaling acts like Melechesh and AlNamrood. We are quite impressed with the quality behind this this release and how it engages the listener with its lush atmospheric undertones.

    Building a very dramatic momentum with the opener album titled track, they set a very mysterious shroud around this whole release thanks to their atmospheric arrangements. Quickly establishing their band’s power, Mardus and Busca, craft very melodic tracks like “Kahf Al Khulood” and “Qudoom Al Sultan” keeping the listener engaged while still processing their unique sound.

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    Necroblaspheme – Belleville (2015)

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    Always pushing the envelope, French bands have managed to craft some of the most interesting Metal albums of the past few years. Today is the turn for Necroblaspheme and their crushing Atmospheric mixture of Black/Death/Sludge Metal, on their third full-length release “Belleville”. Featuring members and ex-members of Glaciation, this outfit delivers a very unique sounding mixture of elements that will entertain all fans of any of the genres they combine.

    Opening with the dissonant riffs of “Rempart”, the band crafts a very thick and sickening atmosphere that weaves back and forth between aggressive vocals and catchy guitar melodies. As “Le discours du bitumen” and the instrumental “How Did We Get There” roll in, we start to see the band’s true intentions with their highly aggressive wall of sound that brilliantly transforms over the duration of each track.

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    Cyahares – Whores of Babylon (2014)

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    Perfectly blending Middle Eastern influences into crushing Death Metal, today we have Cyahares and ‘their’ full-length release “Whores of Babylon”. This one-man battalion delivers blistering riffs and furious drumming thought eight brilliant tracks. If you like extreme brutality, melodic/folky parts and a great production, this is one album that you don’t want to miss.

    Fully exploding in the listener’s face since the opener “Thy Winds in Coordinations of My Sand Status”, Cyahares delivers waves of crushing riffs, hyper fast drums and relentless growls. The overall combination of brutal elements is pretty awesome and commands instant attention. In a similar fashion than Nile, tracks like “Temples of Fire” and “Shahnameh” perfectly blend the Middle Eastern influences into the mix, allowing the music to be both dominant and crafty.

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    Wall of Water - Promo (2015)

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    Delivering a furious 2-track promo, today we have newcomers Wall of Water from the USA. As the brainchild of Cullen Toner (ex-Abazagorath) and Shawn Eldridge (Disma), this band aims to merge the good old Black/Death Metal style with more modern and crafty Post-Metal/Rock influences. Not for the faint of heart, this is a release that brilliantly achieves their goals and delivers 13 minutes of very solid music.

    Opening with the mysterious “Exposure”, the band starts very mellow, setting a very atmospheric mood in the first few seconds. The first outburst of brutality is similar to a more Post-Metal version of Anaal Nathrakh filled with multiple vocal styles and crushing riffs. Perfectly blending old-school elements with more edgier and modern influences, this track sounds familiar, but yet fresh and different.

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    Tine - The Forest Dreams of Black (2015)

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    Hailing from the USA, today we have the very unique and promising debut release from Tine. Titled “The Forest Dreams of Black”, this debut album delivers over nine tracks of a very solid blend of Symphonic Black/Death Metal. As a two-person outfit, this band mixes elements from old-school greats like Bal-Sagoth, Limbonic Art and Canada’s Necronomicon. As a very atypical North American release, this album is definitely worth your time.

    Opening with the pyscho sexy riffs of “Enter the Black Forest”, the band sets a very intoxicating mood. With Count Murmur handling all the guitars, bass guitar, vocals, and programmed drums, the band still manages to sound like a real band and not some dude in his parents basement. In “Horrors at Antioch”, the solid integration of the musical base-layer and Vanth’s keyboards creates a very eerie atmosphere and reminds us of Limbonic Art and some of the early days of Charmand Grimloch’s Tartaros.

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    A.C.O.D – II The Maelstrom (2015)

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    Hailing from France, today we have A.C.O.D and their Melodic-ish Death Metal release “II The Maelstrom”. Delivering thirteen tracks of a very health mix of traditional Death Metal with some more modern and Melodic elements, this band sounds like a bastard child of Grave and Kalmah. We are constantly amazed at the quality of bands that are coming out of France, and this is another one of the good ones.

    The band opens with the groovy “Another Path” before settling for a more Thrash-infused Death Metal sound in “Way of Death”, and then jumping into Melo-Death land with “Abuse Me”. This is the narrative in this release as the band slowly weaves back and forth from Melodic, to Thrashy, to old-school Death Metal, actually pulling it off gracefully and very cohesively.

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    Nile – What Should Not Be Unearthed (2015)

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    Making 2015 even more brutal than it already is, today we have the legendary Nile returning with yet another punishing release via “What Should Not Be Unearthed”. Karl Sanders and company return with their signature Technical/Brutal Death Metal with Egyptian influences and deliver around 50 minutes of uncompromising brutality that will ravage your eardrums from start to finish.

    Opening with the monumental “Call to Destruction”, the band quickly delivers the first blow of furious riffs and crushing drumming. The band is set on a path of destruction with this release being considerably more brutal than their previous one. The sound of tracks like “Negating the Abominable Coils of Apep” and the ravaging “Liber Stellae – Rubaeae”, is quite heavier and more in the Brutal Death Metal side of things when comparing it to the band’s previous release “At the Gate of Sethu”.

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    Cattle Decapitation – The Anthropocene Extinction (2015)

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    Delivering the most brutal release of 2015, today we have Cattle Decapitation and their seventh opus “The Anthropocene Extinction”. Nearly putting Anaal Nathrakh to shame in terms of sheer brutality, this release features twelve tracks of in your face riffs, crushing vocals and inhuman drums. With over 45 minutes of devastating music, this album will leave you sore just by listening to it.

    Slowly warming up with the melodic opening of “Manufactured Extinct”, the band suddenly busts out the Death Metal riffs and before you even know it, Grindcore and Brutal Death Metal elements have arrived. This level of intensity is perfectly continued by the neck snapping “The Prophets of Loss”, which features Phil Anselmo as guest vocalist. Using Author and Punisher’s intro in “Plagueborne”, the band has managed to deliver a huge opening trio of tracks that only scratch the surface in terms of brutality.

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