Other

Recently signed to Neurot Recordings, Ufomammut delivers their seventh full-length release titled “Oro: Opus Primum”. In this excellent release, the band brings five tracks of pure (and crushing) Psychedelic Doom Metal at its most devastating and cavernous shape, however this time around there are some seeping Stoner Rock influences that nicely add to the overall musical experience that this Italian band presents.

The band’s sound has always been very well crafted to highlight the heavy guitars and the well-developed atmosphere, and in this release the band continues with their excellent songwriting skills but on a bigger stage (Neurot Recordings). This release feels a bit better than “Eve” in terms of developing the songs a bit more efficiently and with extra elements that makes them less repetitive.

Following a dreadful opening track, “Holnap majd felgyújtom az erdőt” has a completely different production and sound to it. The band seems to have chosen a different pace and approach to BM, sounding a bit deranged and with a very barebones musical foundation. This track is actually enjoyable and entertaining after such a bad opener. Followed by an acoustic track titled “Varnak a varjak”, we are left kind of puzzled and intrigued to where this is going next.

Opening with the mysterious “Empireum”, the band uses nice atmospheric elements to create an initial build-up in this track. The build-up is quite effective and things don’t really get ‘heavy’ until the 10th minute mark, with some crushing riffs and some vocals. After the initial warm-up, “Aureum” delivers a chugging opening riff and some fresh Stoner/Psychedelic riffing sections that nicely set this track apart from the opener. Firing on all engines, “Infearnatural” keeps the riffage going and features some excellent clean vocals that give a nice contrast to the atmosphere of the track. This song is the one that sounds the most ‘traditional’ in the Doom sense of the word, making it the most accessible one of this release.

With some ambient and drone elements, “Magickon” nicely winds down the listener with a weird atmospheric piece that nicely builds up until the guitars and drums make an appearance quite late in the track. Now that the stage is set, “Mindomie” nicely closes the release with some heavy riffing, interesting drum patterns and some crazy vocals. This track is as dark and cavernous as the rest of the release but feels like a nice release of all the tension and build-up expectation generated in the first five songs.

Before you know it “Oro: Opus Primum” is all said and done but you are still left with the satisfaction that Ufomammut has delivered a worthy first release on Neurot Recordings, the home of very talented and diverse artists. If you liked any of the band’s previous releases, this album should nicely satisfy your cravings of Ufomammut for at least one or two more years.

We consider ourselves to be very tolerant to most raw, low-fi, closet recorded Raw Black Metal releases, but there are just sometimes when something is so dissonant that it makes you want to puncture your eardrums; this is exactly the case with Siculicidium latest EP titled “A rothadó virágok színüket vesztik”. Luckily for us, this release only lasts around 25 minutes, but it will surely drive you nuts in that small amount of time.

Opening with the super typical “Zuhanas” the band quickly develops a nice enshrouding atmosphere thanks to some good distortion and effective riffing. The vocals are ok, but sound a bit muffled and ‘watered down’. However, the most annoying thing in this song is the production/mixing behind the drums, either the guy doing this job was the drummer itself or somebody that was a bit deaf. The excessive swishing renders them unbearable!, but even worse is the section that starts around minute 2:30 where is just banging on the cymbals excessively. This track made us want to kick somebody in the nuts because it annoyed us that much.

Umbah is one of those bands that sounds like a bunch of meth heads playing around with instruments and samples, but funny enough some of ‘their’ stuff is actually enjoyable. “Enter the Dagobah Core” marks the band’s 13th release and it surely is a very weird and chaotic one. We can’t really say it’s bad because it actually has plenty of sections that are quite entertaining and interesting to listen to, but we can’t really say is also something that mainstream music listeners will enjoy.

“Whispers of a Dying Sun part I” delivers a pretty clear statement of what is to come: either open your mind of fuck off. This song is quite convoluted and crazy, but underneath the madness there is some weird sense of melody that intrigued us (enough to keep listening). “Bolderok Naron” and “Tample Bar” have a hint of Marilyn Manson meets Merzbow meets video game music, quite disturbing but equally intoxicating.

Highly melodic and equally melancholic are the first words that come through our mind when thinking about Heimdalls Wacht’s latest release “Nichtorte”. With a heavy emphasis on the melodic side of things, Germany’s Heimdalls Wacht delivers a good dose of Pagan Black Metal in the 12 tracks presented on this release, good enough to be one of the best we’ve heard in quite a while.

After the traditional intro, the riffing onslaught begins with “Maelstrom”, a very Black Metal oriented track with catchy sections. The drumming is very fast paced, but the ethereal atmospheric elements here and there are what makes this track standout. Things finally start to move into darker and more melancholic territories with songs like “Ignis fatuus” and “Die Einsamkeit des Gestaltenwandlers”. The melody achieve by the songs powerful riffs is amazing and completely destructive.